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The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy more
The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy street. Next, we visit the mushroom and fish market where common people work and shop. In Petrovsky Park are the well-to-do. Men are in great coats. A file of six or seven women ski past on a narrow lane. Last, there's a general view of Moscow. A slow pan takes us to a view above the riverfront where the film began. close
The life of a great city (Paris) from dawn until dusk, including the beautiful and the ragged, the rich and the poor, with little or no comment from the director, Cavalcanti.
The life of a great city (Paris) from dawn until dusk, including the beautiful and the ragged, the rich and the poor, with little or no comment from the director, Cavalcanti. close
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys more
The Hefbrug may not be a remarkably beautiful bridge, but through a mix of close-ups, long shots, bird’s eye views and low angles, Joris Ivens conveys a sense of the bridge’s structure, its intricate mechanisms and ways of operating, the way it fits into the overall transport infrastructure and therefore the immense importance of this bridge for the whole city of Rotterdam. close
The film tells about the rescue of the Arctic expedition on the steamer Chelyuskin, headed by the famous scientist, conqueror of the Arctic Otto Schmidt.
The film tells about the rescue of the Arctic expedition on the steamer Chelyuskin, headed by the famous scientist, conqueror of the Arctic Otto Schmidt. close
Follows the legendary female pilots Raskova, Osipenko, and Grisodubova in their failed but magnificent attempt to make the first nonstop trans-Siberian more
Follows the legendary female pilots Raskova, Osipenko, and Grisodubova in their failed but magnificent attempt to make the first nonstop trans-Siberian flight. Using documentary reenactments, Vertov depicts the flight, the crash, the rescue, and the women’s heroic return to Moscow, where crowds shower them with flowers, and leaders with speeches. close
This Soviet-made film was screened on February 19, 1946 on the 62nd day of the Nuremberg Trial and submitted as evidence relevant to the indictment for more
This Soviet-made film was screened on February 19, 1946 on the 62nd day of the Nuremberg Trial and submitted as evidence relevant to the indictment for "crimes against humanity." The one-hour film with voiceover commentary shows visual evidence of the extermination camps of Auschwitz and Majdanek and appeals to spectators' emotions by emphasizing individual victims. The central argument of the film is that the Germans were the executioners of peaceful Soviet citizens. At the time, it made a very strong impression on both the accused and press. The film is a re-edited compilation of footage collected by the Soviet film team over four years (primarily used for propagandistic ends in wartime Soviet newsreels and documentaries). It was prepared in emergency by the Soviet prosecution team and minister of cinema following the projection of Nazi Concentration Camps presented by the Americans on November 29, 1945. close
An intimate study of the life of a domestic cat, taking place over a period of months as she gives birth to a litter of kittens and cares for them as they grow.
An intimate study of the life of a domestic cat, taking place over a period of months as she gives birth to a litter of kittens and cares for them as they grow. close
In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards more
In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards put the images ‘up right’ again in the film. By doing this, we see the ‘usual’ waterfront, but transformed by the rippling of the water. In this way Mirror of Holland became a modern looking experimental film. However this did not devalue the Dutch sentiment regarding waterfronts that are so trusted to so many. close
"Kon-Tiki" was the name of a wooden raft used by six Scandinavian scientists, led by Thor Heyerdahl, to make a 101-day journey from South America to the more
"Kon-Tiki" was the name of a wooden raft used by six Scandinavian scientists, led by Thor Heyerdahl, to make a 101-day journey from South America to the Polynesian Islands. The purpose of the expedition was to prove Heyerdal's theory that the Polynesian Islands were populated from the east- specifically Peru- rather than from the west (Asia) as had been the theory for hundreds of years. Heyerdahl made a study of the winds and tides in the Pacific, and by simulating conditions as closely as possible to those he theorized the Peruvians encountered, set out on the voyage. close
The 'Ga' of the title refers to the film maker's mother. The film gathers together this elderly lady's everyday actions to offer an abstract insight into more
The 'Ga' of the title refers to the film maker's mother. The film gathers together this elderly lady's everyday actions to offer an abstract insight into her life. Margaret Tait described this film as follows: 'My mother seemed a good subject for a portrait, (she was there), and I thought it offered a chance to do a sort of 'abstract film', in the sense that it didn't have what you might call 'the grammar of film'. It's mostly discontinuous shots linked just by subject, in one case by colour, only rarely by movement'. close
A popular science film on the physical properties of matter and nuclear physics, which simply and clearly presents complex phenomena. From Democritus more
A popular science film on the physical properties of matter and nuclear physics, which simply and clearly presents complex phenomena. From Democritus and alchemists to the first nuclear power plant, and dreams of nuclear ships and spacecrafts. close
The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, more
The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, children playing. The impressionist realism of Cruz’s drawings dissolves into Oliveira’s vision of Porto, which at the same time portrays the painter and his work. close
The film is dedicated to the achievements of the Soviet Union in the field of electrification of the country. Along with the animation, chronicle footage is used in the film.
The film is dedicated to the achievements of the Soviet Union in the field of electrification of the country. Along with the animation, chronicle footage is used in the film. close
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It more
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It is a world of extraordinariness and beauty of sounds. And these are sounds that are the most important thing for the girl – the hubbub of children, the sounds of the street, the puffing of a tractor, the tuning of an organ, the sweeping of a broom and the sound of jets flying overhead. close
A film about urban reform in the USSR, in the early sixties began to appear “Khrushchev”, Soviet people, decades living in communal apartments, finally more
A film about urban reform in the USSR, in the early sixties began to appear “Khrushchev”, Soviet people, decades living in communal apartments, finally could get separate apartments. Today, for many of us who live in houses that are already half a century old, the process of building houses of those years, when the method of high-speed construction was used, is also important. The urban reform of the 60s left a legacy not only of the so-called “Khrushchev”, but also of the infrastructure of cities and microdistricts. close
"Mein Kampf" presents the raising and fall of the Third Reich, showing mainly the destruction of Poland and the life Hitler, which is told since he was more
"Mein Kampf" presents the raising and fall of the Third Reich, showing mainly the destruction of Poland and the life Hitler, which is told since he was a mediocre student and frustrated aspirant of artist living in slums in Austria and Germany, until his suicide in 1945 after being the responsible for the death of million of people, and the destruction of Europe. All the footage is real and belonged to a secret file of Goebbels, inclusive with many very strong scenes filmed by Goebbels himself. close
Ulanova Galina Sergeevna (1909-1998).People's Artist of the USSR (1974-1980), laureate of State Prizes (1941, 1946, 1947, 1950), Lenin Prize (1957). In more
Ulanova Galina Sergeevna (1909-1998).People's Artist of the USSR (1974-1980), laureate of State Prizes (1941, 1946, 1947, 1950), Lenin Prize (1957). In 1928 she graduated from the Leningrad Choreographic School. For more than ten years, Ulanova danced on the stage of the Kirov Opera and Ballet Theater, and after (1944-1960) she was a ballerina of the Bolshoi Theater. Life in ballet began with Chopeniana (balletmaster Fokin), where at the final exam in school she danced "Mazurka" and "Seventh Waltz". On December 29, 1960, Ulanova took the stage for the last time and also danced in Chopinian. 262 performances on the stage of the Bolshoi Theatre constitute a whole era of national ballet. Combining the traditions of romantic ballet with realism and poetic truth, combined with perfected dance technique, is a characteristic feature of the ballerina’s work. The most famous work is the part of Juliet in the ballet by S. Prokofiev “Romeo and Juliet”. The image of Juliet created by Ulanova is unmatched even on the dramatic stage. Extraordinary musicality, artistry, deep psychologicalism are distinguished by the images created by her in the ballets "Bakhchisarai Fountain", "Cinderella", "Giselle", "Swan Lake", "Bronze Rider", "Red poppy", "The Tale of the Stone Color". The peculiarities of Ulanova’s personality consisted in her striking simplicity and naturalness, along with her demands on partners and students. close
