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On the eve of 1987's Second National March on Washington for Lesbian and Gay Rights, surviving families and friends of people who have died of AIDS prepare more
On the eve of 1987's Second National March on Washington for Lesbian and Gay Rights, surviving families and friends of people who have died of AIDS prepare panels to be added to a large-scale memorial quilt project. Drawing from the sea of names memorialized, director Robert Epstein focuses on the lives of six people. Alongside the intimate profiles offered, through news footage and interviews, Epstein puts the AIDS crisis in the larger context of social and government response to the disease. close
Pat O'Neill, one of the most interesting filmmakers in America today, offers a dazzling reflection on the conflict between nature and man in Los Angeles, more
Pat O'Neill, one of the most interesting filmmakers in America today, offers a dazzling reflection on the conflict between nature and man in Los Angeles, or the desertification of the city's surroundings due to its enormous water consumption. More interestingly, it is also a film in the age-old tradition of city symphonies: a film about LA's foundation myths and the dreams it embodies, about its history and (grim) future, its topography and ethnography. O'Neill uses footage from several classic films to recreate the several layers of meaning emanating from the city, juxtaposing images and fantasies and hardly ever allowing one picture to go untouched. George Lockwood's swarming soundtrack is likewise composed of conflicting languages, an elaborate work of plunderphonics in which snippets of sound stolen from movies collide with electronic soundscapes, contemporary chamber music, improv, and what not. close
Route One is the first major U.S. highway. 5000 km along the Atlantic coast, from the Canadian border to the tip of Florida. Doc, a physician who spent more
Route One is the first major U.S. highway. 5000 km along the Atlantic coast, from the Canadian border to the tip of Florida. Doc, a physician who spent many years in Africa, returns to the U.S. and decides to reconnect with his home country by walking the legendary Route One. close
A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century more
A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He's on the go from L.A., to Paris, to Monte-Carlo, to Berlin, where he was a youth until he escaped from the Nazis in 1936. We see him on shoots, interviewing models, and discussing his work. close
Artists Ilya Kabakov, Erik Bulatov, Anatoly Zverev, Vadim Sidur, Vladimir Yakovlev are already classics of modern art today. At the same time, in the more
Artists Ilya Kabakov, Erik Bulatov, Anatoly Zverev, Vadim Sidur, Vladimir Yakovlev are already classics of modern art today. At the same time, in the Khrushchev thaw, they were only entering the arena of underground artistic life. The film covers the period of unofficial Russian art from 1957 to the high-profile premiere of the cult film Assa, telling, among other things, about the Bulldozer Exhibition of 1974 with its "formalistic twists." close
Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a more
Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp. close
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date more
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes. close
In the early nineties, when Orthodox churches and faith could already be talked about without hiding, director Sergei Baranov created a documentary about more
In the early nineties, when Orthodox churches and faith could already be talked about without hiding, director Sergei Baranov created a documentary about the history of the Seraphim-Diveevsky monastery.
The chronicle of this temple in the twentieth century comes to life in the memories of its former novice, the nun Euphrosyne. The retribution for the retreat from God was the fulfilled prophecies of St. Seraphim of Sarov - defeat and desolation. close
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. more
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. The cycle of present has opened. And in the ashes of the burnt lives a new fire flashed, and lit the way for those who went to the beginning of all beginnings. And I have witnessed it. close
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