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A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack more
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and tells the story of a woman named Madame Nescience who dreams of herself as the Mother Superior of a convent of sexual perversion. close
To the magistrate Binaj Widdep came Rancy Bilbro with his half. The couple wanted a divorce! For the judges, this was a long-awaited event, since the more
To the magistrate Binaj Widdep came Rancy Bilbro with his half. The couple wanted a divorce! For the judges, this was a long-awaited event, since the judges did not have a penny. And the divorce process happened. But what could happen that the next day the spouses were ready to begin the solemn ceremony of marriage. And it all cost them a five-dollar piece of paper. close
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled more
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion. close
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns more
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film. close
The streets of Moscow. People's vigilantes detain drunkards, hooligans, traders with sound records of their own production, a beggar. Violators are brought to the headquarters of the squad.
The streets of Moscow. People's vigilantes detain drunkards, hooligans, traders with sound records of their own production, a beggar. Violators are brought to the headquarters of the squad. close
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was more
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was found in 2006 by the son of Ruth Michelly and Saul Gilbert when he found it in his mom's attic in Munich. close
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental. close
A short, avant-garde movie, starring twelve-year-old ballet student Gwen Thomas, Nymphlight is a lovely blend of fact and fiction, using Bryant Park at more
A short, avant-garde movie, starring twelve-year-old ballet student Gwen Thomas, Nymphlight is a lovely blend of fact and fiction, using Bryant Park at the New York Public Library as a stage set for the fantasy inclusion of a certain nymph. A meditation on an ephemeral day in the the life of a park shared by birds, the young and the old. close
A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include more
A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a tree stump, a fire, a crawling baby, and the sun. The man falls and rolls. Then, later, he swings his ax. close
A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's more
A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's face. The images of struggling climber, baby, blurred film stock, large snow flakes, and what may be microscopic details of matter are superimposed on each other, one dominating the frame briefly to be replaced by another. As the man falls in the snow and tries to regain his feet, the baby continues to appear, first with eyes closed. Alternately, images rush by - montages of paper cutouts and life under a microscope. close
"21-87 is a 1963 Canadian abstract film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short film, produced by the National Film more
"21-87 is a 1963 Canadian abstract film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short film, produced by the National Film Board of Canada, is a collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he was employed as an animator), combined with his own black and white 16mm footage which he shot on the streets of Montreal and New York City, among other locations." close
Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone more
Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance. close
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film more
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film that would help them sell their beers; Kubelka had other ideas. He shot his film with a camera that did not even have a viewer, simply pointing it in the general direction of the action. He then took many months to edit his footage, while the company fumed and demanded a finished product. Finally he submitted a film, 90 seconds long, that featured extremely rapid cutting (cutting at the limits of most viewers' perception) between images washed out almost to the point of abstraction — in black-and-white positive and negative and with red tint — of dimly visible people drinking beer and of the froth of beer seen in a fully abstract pattern. close
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the more
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look At Britain" series. close
Woton Wretchichevsky has a disfigured face, dresses in a cloak and mask, and stalks couples to burn them with a blowtorch. He is also a sculptor of steel more
Woton Wretchichevsky has a disfigured face, dresses in a cloak and mask, and stalks couples to burn them with a blowtorch. He is also a sculptor of steel and garbage installations. One day, one of his creations comes to life in the form of a young woman. She flees from him when he tries to express his love by pointing his blowtorch at her. close
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, more
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire. close
We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. more
We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. It's night, she sees his reflection in the window, she closes the drapes. After sex, again in a black and white negative, they sit, smoke, have coffee. They kiss, she smiles. They light candles. The images are often quick, the camera angles occasionally are off kilter; the room is sometimes dark and sometimes lit, as if lit by the rotating of a searchlight. The images again appear in negative when they return to bed. close
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer more
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer is taken on a journey through this city, as if experiencing it from the mind and through the eyes of Marker. His thoughts and observations about the traditions, history, and banalities of everyday life in Peking are woven together in elegant fashion. close
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which more
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then? close
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, more
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His labors continue. There is no soundtrack. Images rush past - water, trees, and surfaces too close up to distinguish. He struggles. A fire burns. Nature, in long shots and magnified, is formidable and silent. It's tough going; he carries on. In a capillary, blood flows. close
In a small village in Provence, on the first day of school, a young boy throws his bag into the river on a bet, and the retrieval of it leads to a thrilling adventure.
In a small village in Provence, on the first day of school, a young boy throws his bag into the river on a bet, and the retrieval of it leads to a thrilling adventure. close
