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In effect, it turns the spectator loose in a problematic textual system which includes both narrative and non-narrative clues; the puzzle cannot be resolved more
In effect, it turns the spectator loose in a problematic textual system which includes both narrative and non-narrative clues; the puzzle cannot be resolved because its terms are systematically ambiguous. The actual filmic material related closely to that used by Gidal in previous films: hand-held shooting in domestic interiors, with tight framing, frequent zooms and re-focusing, aspires to a kind of 'pre-predicative' flux, in which full representation is held in abeyance. However, this material is now fragmented by the regular interruption of black leader, so that it appears as a series of discrete segments which are not, in any syntactic sense, shots - single takes clearly extend across more than one segment. close
Whilst the master of the house is away, the maid gets a visit from her family. Together, they attack her employer's bourgeois residence with ardent zeal and rustic technology.
Whilst the master of the house is away, the maid gets a visit from her family. Together, they attack her employer's bourgeois residence with ardent zeal and rustic technology. close
This is the first film of Burnham Beeches, famous beauty spot and ultimate film location. Cecil Hepworth's 1909 film is the first of many taken in this more
This is the first film of Burnham Beeches, famous beauty spot and ultimate film location. Cecil Hepworth's 1909 film is the first of many taken in this tract of ancient woodland. The proximity to film studios - Pinewood, Shepperton and Bray - make this a favoured spot for filming. But before the studios were there, the Hepworth Company produced this extraordinary 'stereo scenic' - intended as a filmic equivalent of Victorian stereo cards. This is one of a series of tourist attractions filmed by Gaston Quiribet in a long panning shot from a car, to suggest the glorious photography and aesthetic experience of stereoscopy. -BFI close
Nothing is ever destined to happen in the nether. Everything is impermanent. When Ghostie, who should have lost traits of humanity, encountered a girl more
Nothing is ever destined to happen in the nether. Everything is impermanent. When Ghostie, who should have lost traits of humanity, encountered a girl that was reluctant to give up on finding her lost brother, nothing will ever be the same anymore. close
Filmed over a period of 20 years, Body is a sensitive and intimate exploration of the extraordinary life and intricate inner world of a woman who fights more
Filmed over a period of 20 years, Body is a sensitive and intimate exploration of the extraordinary life and intricate inner world of a woman who fights with her indomitable spirit to resist a series of rare auto-immune diseases. close
40% of UK homes now have cameras, largely from CCTV and smart devices. Many of these devices are susceptible to hacking, allowing intruders to watch residents in their own homes.
40% of UK homes now have cameras, largely from CCTV and smart devices. Many of these devices are susceptible to hacking, allowing intruders to watch residents in their own homes. close
A collection of sfumato-tinged bottles shot with tight framing and shallow focus provides a mesmeric portrait of a man and a community in Northeast Ohio, more
A collection of sfumato-tinged bottles shot with tight framing and shallow focus provides a mesmeric portrait of a man and a community in Northeast Ohio, where "Brown and Clear" commonly refer to "Bourbon and Vodka". close
Scenes from a vacation. Music comes on loud and clear and washes over a series of visual impressions of the land and the sky and the faulty plumbing that more
Scenes from a vacation. Music comes on loud and clear and washes over a series of visual impressions of the land and the sky and the faulty plumbing that submerges porcelain bottoms in a sea of unmentionable froth. close
Director Jenn Nkiru authors a personal and powerful exploration of blackness through piecing together dreamlike portraits with stunning archival footage more
Director Jenn Nkiru authors a personal and powerful exploration of blackness through piecing together dreamlike portraits with stunning archival footage that includes Afrofuturism pioneer Sun Ra and revolutionary organization the Black Panther Party. close