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A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan. close
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his more
A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives. close
A short documentary about the 1962 Tour-de-France. Topics covered include: crowds of people and motorcycles, drinking raids and feeding, pileups, doping, "the charge," and the mountain stages.
A short documentary about the 1962 Tour-de-France. Topics covered include: crowds of people and motorcycles, drinking raids and feeding, pileups, doping, "the charge," and the mountain stages. close
Shot by movie maestro Peter Whitehead, this film features rare full length performances from the classic late 60's Pink Floyd line-up at Sound Techniques more
Shot by movie maestro Peter Whitehead, this film features rare full length performances from the classic late 60's Pink Floyd line-up at Sound Techniques London & material from the legendary '14 hour Technicolor Dream' extravaganza in April '67 at Alexandra Palace. close
Often called a “film poem” or a “film symphonie” Huszárik’s masterpiece consists of montages of horses from the dawn of time to the modern times from cave paintings to horse races. (MUBI)
Often called a “film poem” or a “film symphonie” Huszárik’s masterpiece consists of montages of horses from the dawn of time to the modern times from cave paintings to horse races. (MUBI) close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). more
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.” close
This is the final short film of Michelangelo Antonioni, starring as himself, as he seeks out the Italian Renaissance artist Michelangelo Buonarotti's statue of Moses at St Peter's Church in Rome.
This is the final short film of Michelangelo Antonioni, starring as himself, as he seeks out the Italian Renaissance artist Michelangelo Buonarotti's statue of Moses at St Peter's Church in Rome. close
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps. close
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter. close
Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed.
Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed. close
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language.
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language. close
Heureux Anniversaire is a 1962 French short comedy film directed by Pierre Étaix. While his wife impatiently waits and gets drunk, a husband tries to more
Heureux Anniversaire is a 1962 French short comedy film directed by Pierre Étaix. While his wife impatiently waits and gets drunk, a husband tries to get the appropriate anniversary gifts and fight his way home through traffic in time for their celebratory lunch. It won an Oscar in 1963 for Best Short Subject. close
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters more
Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news. close
Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in more
Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in this slow, elegant film betray a certain dry humor -- a child devouring the last of a bowl of yogurt and then crying; a cow getting its head stuck in a pail; and a woman singing to herself, accompanied by her snoring husband. Other scenes capture the nomads' hardscrabble lives -- drunken herdsmen in the grips of existential despair, growling dogs, and a camel enduring a rather grim septum piercing. By the end of the film, the family pulls up stakes and herds its sundry four-legged beasts -- camels, cattle, goats, dogs, and horses -- to a more fertile plain. This film was screened at the 1999 Yamagata International Documentary Film Festival. close
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the more
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony. close
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era more
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness. close
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. more
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. Virgile talks about life and death and Blanche listens acceptingly. Eustache enters the room in a blue cap. He sees Virgile first, then Blanche. Then Blanche remembers having danced with Virgile and leves the room to join him. close
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine with a complex imaginative devices that trigger each other for 30 minutes more
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine with a complex imaginative devices that trigger each other for 30 minutes in a domino effect. The film was creating in an empty warehouse and with objects probably found at a junkyard as the creative contraptions fly, burn, roll, walk, melt, pop, push and fall in an endless science project that will mesmerize the mind. close
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures more
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures of people who have died? The aim of Mort à Vignole is to transcend the pain of a certain family and to come to terms with sensitive memories and family bonds. - IFFR close
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third more
Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration. close
A diary film about Kawase's relationship with her Grandma and the search for her Father, whom she has not seen since her parents divorced during her early childhood.
A diary film about Kawase's relationship with her Grandma and the search for her Father, whom she has not seen since her parents divorced during her early childhood. close
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