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Winter. A bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations, the viewer can imagine the world they more
Winter. A bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations, the viewer can imagine the world they live in. United by the movement of the camera, the place and the people blend together. close
A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel more
A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel Reilhac, show that "the modern porn industry did not invent anything – everything had already been filmed by our great-grandparents." close
2001 French documentary about the murder trial of a 15 year old black teen accused of murder in Jacksonville, Florida. Winner of 2002 Academy Award for Best Documentary.
2001 French documentary about the murder trial of a 15 year old black teen accused of murder in Jacksonville, Florida. Winner of 2002 Academy Award for Best Documentary. close
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard more
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle." close
In 1966, Dieter Dengler was shot down over Laos, captured, and, down to 85 pounds, escaped. Barefoot, surviving monsoons, leeches, and machete-wielding more
In 1966, Dieter Dengler was shot down over Laos, captured, and, down to 85 pounds, escaped. Barefoot, surviving monsoons, leeches, and machete-wielding villagers, he was rescued. Now, near 60, living on Mt. Tamalpais, Dengler tells his story: a German lad surviving Allied bombings in World War II, postwar poverty, apprenticed to a smith, beaten regularly. At 18, he emigrates and peels potatoes in the U.S. Air Force. He leaves for California and college, then enlistment in the Navy to learn to fly. A quiet man of sorrows tells his story: war, capture, harrowing conditions, escape, and miraculous rescue. Where did he find the strength; how does he now live with his memories? close
Chantal Akerman has toured Eastern Europe through Russia, Poland, Ukraine filming everything that moved her : faces, streets, cars, buses, stations, landscapes, more
Chantal Akerman has toured Eastern Europe through Russia, Poland, Ukraine filming everything that moved her : faces, streets, cars, buses, stations, landscapes, interiors, queues, doors, windows, meals. Women and men, young and old passing or stopping, seated or standing. Days and nights, rain, snow and wind, winter and spring. close
Famed French artist, photographer, writer and actor Hervé Guibert riveting self-portrayal of his last months and journies living with AIDS. Hervé is seen more
Famed French artist, photographer, writer and actor Hervé Guibert riveting self-portrayal of his last months and journies living with AIDS. Hervé is seen here in this film with his Panasonic video camera documenting his life. The scenes are shot from June 1990 through March 1991 in Paris France and a respite on the island of Elba. The film was first shown on TF1 (French Television 1) on January 20th, 1992, shortly after his death on December 27th, 1991. The film portrays a very personal look into the human condition. close
Route One is the first major U.S. highway. 5000 km along the Atlantic coast, from the Canadian border to the tip of Florida. Doc, a physician who spent more
Route One is the first major U.S. highway. 5000 km along the Atlantic coast, from the Canadian border to the tip of Florida. Doc, a physician who spent many years in Africa, returns to the U.S. and decides to reconnect with his home country by walking the legendary Route One. close
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), more
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him. close
Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour more
Chantal Akerman followed famous Choreographer Pina Bausch and her company of dancers, The Tanzteater Wuppertal, for five weeks while they were on tour in Germany, Italy and France. Her objective was to capture Pina Bausch's unparalleled art not only on stage by behind the scenes. close
Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet more
Inspired by a letter by Friedrich Engels and a 1974 account of two militant Marxist writers who had been imprisoned by the Nasser regime, Straub-Huillet filmed this film in France and Egypt during 1980. They reflect on Egypt’s history of peasant struggle and liberation from Western colonization, and link it to class tensions in France shortly before the Revolution of 1789, quoting texts by Engels as well as the pioneering nonfiction film Workers Leaving the Lumière Factory (1895). close
Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his more
Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film. close
This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with more
This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with death, the soon dead, and the living they leave behind. Our senses are shown no mercy as we witness the brutal execution of a Philippine Guerrilla. We are literally taken inside a cremation chamber while a human body melts and finally crumbles into nothingness. We witness-first hand- doctors trying to save a victim of multiple stab wounds, all close up, in graphic detail leaving nothing to the imagination. For those who think they have seen it all, Of the Dead, dares to be seen. close
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie more
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction. close
This exceptional, disturbing and thought-provoking documentary compares the atrocities committed by the Nazis as revealed during the Nuremberg trials more
This exceptional, disturbing and thought-provoking documentary compares the atrocities committed by the Nazis as revealed during the Nuremberg trials to those committed by the French in Algeria and those done by the Americans in Vietnam. The four hour epic questions the right of any country to pass self-righteous moral judgements upon the actions of another country. close
Jean-Luc Godard mixes video and film in his Grenoble studio, discussing how he secured funding for the film. The action unfolds on two monitors, as a more
Jean-Luc Godard mixes video and film in his Grenoble studio, discussing how he secured funding for the film. The action unfolds on two monitors, as a young working-class couple lives in a claustrophobic, high-rise apartment complex and marital discord is set off by the wife’s infidelity. close
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years. close
Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution.
Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution. close
On the border of North and South Vietnam, civilians live underground and cultivate their land in the dead of night, farmers take up arms, and bombs fall more
On the border of North and South Vietnam, civilians live underground and cultivate their land in the dead of night, farmers take up arms, and bombs fall like clockwork. Joris Ivens and Marceline Loridan’s record of daily life in one of the most volatile regions of a war-torn, divided country is both a hazardous piece of first-hand journalism and a shattering work in its own right, simmering with barely repressed anger. close
In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.
In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War. close
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries more
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image. close
In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side more
In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. Near both coasts, the expedition met villagers who invited them to observe rituals and live with them. In the interior, all villagers kept them at bay, and they depended on air lifts from Hollandia for food and supplies. They climbed above 10,000 feet, built 14 bridges, and fought leeches and malaria. The narrator focuses on describing Stone Age savages, headhunters, and cannibals. close
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps. close