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A puma stalks Pueblo Nación Ranquel, an indigenous community in the North of Argentina. Hunting is a rite of passage, and the older boys want to kill the puma. But Uriel chooses a different path.
A puma stalks Pueblo Nación Ranquel, an indigenous community in the North of Argentina. Hunting is a rite of passage, and the older boys want to kill the puma. But Uriel chooses a different path. close
Since he first saw Christina, his grandmother’s nurse, Ildutt has set out on a desperate and pointless quest to become normal. Since returning from a more
Since he first saw Christina, his grandmother’s nurse, Ildutt has set out on a desperate and pointless quest to become normal. Since returning from a fishing trip in Scotland that sent him off the deep end, Ildutt has hidden out in the highlands in a crazy state. Now he wants to get well. He’s prepared to do anything to win Christina over. He’ll start seeing his psychiatrist again and clean up his act. But he’s also ready to follow a weird guru’s teachings that risk turning his world upside down again. Sometimes Christina seems real, sometimes she seems like something out of a fairy story and sometimes she’s like a ghost. She intermittently reappears in Ildutt’s life, and slowly becomes more real to him. Ildutt is no longer lost in the cosmos; he’s firmly on earth, beside the slopes of the Lorient river. He has a cousin, a grandmother, a few friends, an old Mercedes convertible – and a bass guitar that he’ll eventually start playing again. close
This uneven comedy of manners concerns a young film projectionist (Jerome Ange) who sets out to find a marriageable woman. He sets his sights on two women more
This uneven comedy of manners concerns a young film projectionist (Jerome Ange) who sets out to find a marriageable woman. He sets his sights on two women he has lived with for nearly ten years (Kristin Scott-Thomas and Sylvie Orcier). For some reason, the projectionist encourages one of the women to hire a private detective (Patrice Kerbrat) to monitor his romantic activities. close
Gatti focuses on two men in a German concentration camp who have been cruelly penned inside an enclosure. One of the men, Karl (Herbert Wochinz), is a more
Gatti focuses on two men in a German concentration camp who have been cruelly penned inside an enclosure. One of the men, Karl (Herbert Wochinz), is a strong, bitter anti-Nazi German -- a target of the Gestapo. The SS wants information on a rumored organization of resistance fighters inside the prison and they know he has it. The other man, David (Jean Negroni) is a Jew. If one of the men dies within a certain time then the other will be released. He will not be killed. Otherwise, both will be executed. The resistance fighters in the prison try to help the two as best they can, while the pair inside the enclosure slowly come to know each other as though they were brothers. close
Ebrahim leaves his family and tries out his luck in Teheran. But in this urban jungle where everything's for sale and anything can be bought, dreams rapidly more
Ebrahim leaves his family and tries out his luck in Teheran. But in this urban jungle where everything's for sale and anything can be bought, dreams rapidly become nightmares. Caught up, in spite of himself, in a trafficking ring, will Ebrahim find an opportunity of escaping? close
In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't more
In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality. close
H., 35, an Arabian immigrant, works as projectionist in an old cinema. One day, drawn by the music, he looks through the window of the booth and is fascinated: more
H., 35, an Arabian immigrant, works as projectionist in an old cinema. One day, drawn by the music, he looks through the window of the booth and is fascinated: the dancer he sees on the screen seems to be looking straight into his eyes. He falls in love with her, but the vision last only a moment. Shortly afterwards, an elderly man storms into the projection booth and claims he is his uncle. H. wants to prepare a meal for him and reaches for the oil bottle: he sees the same dancer on the label…. H begins to find echoes of his own life in the images he projects. Everything changes when fiction and reality merge... close
Having received a frosty reception when visiting her parents, Martha drags her husband Reymond and infant daughter Lise to Spain, to renew her acquaintance more
Having received a frosty reception when visiting her parents, Martha drags her husband Reymond and infant daughter Lise to Spain, to renew her acquaintance with her estranged sister Marie. After a quarrel, Marthe and her family return to France, where the young mother shows signs of increasing mental instability. Abandoning her family, Marthe goes to town to get drunk and ends up being raped. With Marthe in a psychiatric hospital, Reymond is left to take care of Lise alone whilst struggling to make a living selling second hand clothes in an open-air market. When Marthe leaves hospital, Reymond takes her and Lise to a holiday home in the country. But Martha’s illness is far from cured… close
Serge (Stevenin) is a dweller in the French provinces who happens upon Georges (Jacques Villeret), a Parisian motorist in distress. Serge arranges for more
Serge (Stevenin) is a dweller in the French provinces who happens upon Georges (Jacques Villeret), a Parisian motorist in distress. Serge arranges for the car to be taken to a nearby garage. Georges' friends, who were with him in the car, have continued their journeys. Because of that, Serge takes Georges under his wings while he waits for his car to be repaired, and they tour the countryside and party with the local revelers. Nothing much is said between them, but it is clear that they have become friends close
Far from Hollywood eye candy, this movie has a taste of South African authenticity. No high budget action, no pretenses, just the minimum needed to support more
Far from Hollywood eye candy, this movie has a taste of South African authenticity. No high budget action, no pretenses, just the minimum needed to support the plot that takes the audience on a journey across various aspects of contemporary South African society, most often in a humorous way. Critics about car chases and special effects are completely missing the point of that movie. It mostly revolves about the culture shock of an educated black taking a plunge into Soweto gangster culture. I found the characters quite attaching and I felt refreshed after viewing this exotic piece. I recommend it if you are looking for a simple and out of the ordinary movie. close
In a shock after her mother’s sudden death, warehouse forklift driver Tina seeks out the rich, enigmatic businessman father she has never known and discovers a half-sister, Lise.
In a shock after her mother’s sudden death, warehouse forklift driver Tina seeks out the rich, enigmatic businessman father she has never known and discovers a half-sister, Lise. close
A filmmaker engages in a routine series of sexual encounters to pass the time while editing her latest film. When one man refuses to play by her rules, more
A filmmaker engages in a routine series of sexual encounters to pass the time while editing her latest film. When one man refuses to play by her rules, she finds herself inexplicably drawn to him. close
Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day more
Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day he gets into a car with two other people. They cross the border between Spain and France. The next morning, their lives will change forever. close
David Miller wants to die and chooses assisted euthanasia. He planned everything: the place, the time and the manner. However, nothing goes right. With more
David Miller wants to die and chooses assisted euthanasia. He planned everything: the place, the time and the manner. However, nothing goes right. With Esperanza, member of the association, and Tréplev, young prostitute, David embarks on his ultimate night with total strangers. close
A French couple has been living in Lisbon for years, and they return to Paris for a friend's wedding. They announce to another friend they are having dinner with that they are going to split.
A French couple has been living in Lisbon for years, and they return to Paris for a friend's wedding. They announce to another friend they are having dinner with that they are going to split. close
Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what more
Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes. close
Feckless aspiring architect Stéphane leaves his pregnant girlfriend for theater designer Sabine; Sabine in turn vainly attempts to overcome her violent more
Feckless aspiring architect Stéphane leaves his pregnant girlfriend for theater designer Sabine; Sabine in turn vainly attempts to overcome her violent obsession with an actor in her theater company. A game of emotional chutes and ladders ensues. close
A Paris real estate developer who feels compelled to withdraw from his seemingly perfect life into a world of his own. Is the man going insane? By conventional more
A Paris real estate developer who feels compelled to withdraw from his seemingly perfect life into a world of his own. Is the man going insane? By conventional standards, maybe, but it's clear that the life he's fleeing is madder still from his point of view, and since that point of view is unfailingly witty and astute, we even come to accept his delusions as more "real" than reality. close
A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.
A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service. close
Turner (Harry Baird), an African American soldier stationed in France, is granted a promotion and a three-day leave from base by his casually racist commanding more
Turner (Harry Baird), an African American soldier stationed in France, is granted a promotion and a three-day leave from base by his casually racist commanding officer and heads to Paris, where he finds whirlwind romance with a white woman (Nicole Berger)—but what happens to their love when his furlough is over? close
Francesca, a seventeen-year-old Roman, is finally sure she has found love. Almost sure. She spends the day observing other lovers' behaviors and considering more
Francesca, a seventeen-year-old Roman, is finally sure she has found love. Almost sure. She spends the day observing other lovers' behaviors and considering whether she is ready to jump. Her age notwithstanding, this movie is more about coming of age than about improper or illegal romantic relationships. close
Noémie and Priscilla, two teenagers from a modest background, nurture the same violence, the same revolt. They seriously worry their families, who feel that these girls are capable of anything...
Noémie and Priscilla, two teenagers from a modest background, nurture the same violence, the same revolt. They seriously worry their families, who feel that these girls are capable of anything... close
An actress, who goes all over rural France with her monologe "Sex and Crime", meets and falls in love with a man, since that moment starts helping him in his plays.
An actress, who goes all over rural France with her monologe "Sex and Crime", meets and falls in love with a man, since that moment starts helping him in his plays. close
Vanina Vanini, a bored, spoiled Roman countess, falls in love with a dedicated young patriot who is in Rome to assassinate a traitor to the brotherhood of the Carboneria.
Vanina Vanini, a bored, spoiled Roman countess, falls in love with a dedicated young patriot who is in Rome to assassinate a traitor to the brotherhood of the Carboneria. close
For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer.
For those who were young, living under the delusions of love and soft drugs in Paris, May 1968 - even if the guitar is still playing, they can't hear it any longer. close
In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, more
In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen. close
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