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Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre more
Photo sequence of the rare transit of Venus over the face of the Sun, one of the first chronophotographic sequences. In 1873, P.J.C. Janssen, or Pierre Jules César Janssen, invented the Photographic Revolver, which captured a series of images in a row. The device, automatic, produced images in a row without human intervention, being used to serve as photographic evidence of the passage of Venus before the Sun, in 1874. close
Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. more
Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles. close
Queen Elisabeth of Wied, in a carriage escorted by cavalry, followed by King Carol I and Prince Ferdinand of Hohenzollern on horseback, greeted by the crowd.
Queen Elisabeth of Wied, in a carriage escorted by cavalry, followed by King Carol I and Prince Ferdinand of Hohenzollern on horseback, greeted by the crowd. close
One of a few versions of the "arrival of the train" narrative. While the film is lost, there is a new digital version based on re-creation from a flipbook more
One of a few versions of the "arrival of the train" narrative. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time. Shot in Joinville-le-Pont close
The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second more
The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second film, and as his first to move beyond the actuality film genre pioneered by the Lumière brothers and experiment with using the camera to capture a theatrical magic act. (Later in 1896, with his discovery of the substitution splice technique, Méliès was able to begin augmenting his theatrical illusions with new special effects unique to film.) Conjuring can thus be seen as Méliès's first foray into the world of fiction film. The film was released by Méliès's Star Film Company and numbered 2 in its catalogues. close