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Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; more
Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene. close
The story of two seventeen year old boys. They are wearing medals around their necks. They have their pockets full of chewing gum something that they more
The story of two seventeen year old boys. They are wearing medals around their necks. They have their pockets full of chewing gum something that they chew ceaselessly. They are wearing blue jeans. They spend the day along the beach front in Cannes looking for girls to win over. close
Bruno finally decided to move in with his new girlfriend, Camille. The very same day his ex-girlfriend shows up on his doorstep. And Bruno has sex with more
Bruno finally decided to move in with his new girlfriend, Camille. The very same day his ex-girlfriend shows up on his doorstep. And Bruno has sex with her. But, when he wants to remove himself, it's impossible to split the couple. Thus starts a desperate quest to unlock themselves before Camille comes. close
Patrick, an ordinary man of thirty, finds himself locked in a telephone booth, on the night when the dead return to life. Still fighting off the zombie, more
Patrick, an ordinary man of thirty, finds himself locked in a telephone booth, on the night when the dead return to life. Still fighting off the zombie, he decides to call his family to ask them for help. close
A tour of the Hotel des Invalides, and more particularly of the Army Museum and the Saint Louis Chapel. From François I's armor to Guynemer's airplane, more
A tour of the Hotel des Invalides, and more particularly of the Army Museum and the Saint Louis Chapel. From François I's armor to Guynemer's airplane, to Napoleon's and Marshall Foch's tombs. But this is no ordinary tour,it is rather a chilling visit guided by Georges Franju and narrated by Michel Simon emphasizing - at times through biting humor -not the glory but the nonsense of wars, but their tragic aftermath. close
A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, more
A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, after being twirled about a wand, is changed to a napkin, and afterward to a tablecloth. Out of the table cloth comes a servant. close
Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed more
Maître Labori is seen approaching the bridge of Rennes in company with Colonel Picquart and M. Gast, Mayor of Rennes. They notice that they are followed by another man to whom Colonel Picquart calls Labori's attention. They, however, consider his proximity of no importance, and continue to speak together. As soon as their backs are turned, the man draws a revolver and fires twice at Maître Labori, who is seen to fall to the ground. The culprit makes his escape, pursued by Colonel Picquart and M. Gast. close
Méliès appears as a court jester (a “triboulet” in French). He pulls 18th century noblemen out of a trunk and arranges them on a pyramid-shaped stage. more
Méliès appears as a court jester (a “triboulet” in French). He pulls 18th century noblemen out of a trunk and arranges them on a pyramid-shaped stage. Next, he transforms the gentlemen into fancy ladies. close
Akvilė and Jonas were a couple until Jonas fell in love with a man. But Akvilė cannot forget her lover and continues to appear in porn films, even without more
Akvilė and Jonas were a couple until Jonas fell in love with a man. But Akvilė cannot forget her lover and continues to appear in porn films, even without him. She begs her childhood sweetheart to make one more film with her. Jonas agrees – but only so that he can leave the country with his lover. close
Jean-Christophe lives with his mother, an English prostitute, in Paris. He dreams of becoming a model. Over the course of a day, he endures a series of more
Jean-Christophe lives with his mother, an English prostitute, in Paris. He dreams of becoming a model. Over the course of a day, he endures a series of abusive encounters that will change him forever. He goes from innocence to experience as he, and his dreams, are destroyed by those around him. The violence of the film is accentuated by the use of BDSM, Performance Art and Dance. close
Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; more
Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical. close
Eric is forced to spend his holidays on his grandfather's farm in the countryside. Bored out of his mind, an unexpected visit from over-the-top friends more
Eric is forced to spend his holidays on his grandfather's farm in the countryside. Bored out of his mind, an unexpected visit from over-the-top friends Mika and Koko, and the appearance of a hunky farmhand, pull Eric out of the doldrums. close
A human skeleton is placed upon a table by an attendant. When the attendant leaves the room the skeleton begins kicking his legs and throwing his arms more
A human skeleton is placed upon a table by an attendant. When the attendant leaves the room the skeleton begins kicking his legs and throwing his arms about and suddenly turns into a magician. The magician produces an egg, performing several sleight-of-hand tricks, and places it upon the table with the small end downward. He then crudely draws a human face upon the shell, and the egg immediately begins growing larger and larger until it reaches the size of a normal head. close
Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two more
Showing the interior view of the hut in which Dreyfus is confined. The scene takes place at night, showing the moon through the window of the cell. Two guards stealthily approach the cot upon which Dreyfus is sleeping. They awake him and read to him the order from the French minister–M. Lebon–to put him into irons, which they proceed at once to accomplish. Dreyfus vigorously protests against this treatment, which protests, however, fall on deaf ears. The chief sergeant and guards before leaving the hut, inspect the four corners of same by means of a lantern. close
The Chronicle of Boredom (Chronique de l'ennui) is a short film about Jean Dupuy. Gary Kikuen ), who has suffered from chronic boredom since childhood. more
The Chronicle of Boredom (Chronique de l'ennui) is a short film about Jean Dupuy. Nora Leembre ), and this meeting radically changes his life, painting it with new colors. Is this really what is called “the only love of life”? close
Two criminals lure a doctor away from his home with a phony note about a child's illness. After the doctor rushes off, the criminals break into his house more
Two criminals lure a doctor away from his home with a phony note about a child's illness. After the doctor rushes off, the criminals break into his house and menace his wife and child. By the time the doctor realizes what has happened, his family faces a desperate situation. close
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. more
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. He notices the nervousness of Dreyfus, and accuses him of being the author of the Bordereau. Paty de Clam offers Dreyfus a revolver, with advice to commit suicide. The revolver is scornfully rejected, Dreyfus stating that he had no need for such cowardly methods, proclaiming his innocence. His arrest is immediately ordered by M. Cochefort. close