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The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished more
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train. close
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody more
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of Television, and how Television compares with cinema as a medium and form of expression. close
Forests stretch over a third of the Earth’s surface, they are home to more than half of terrestrial species of living organisms, live hundreds of millions more
Forests stretch over a third of the Earth’s surface, they are home to more than half of terrestrial species of living organisms, live hundreds of millions of people. 7 billion people use at least something produced by forests every day. Forests are the food we eat, the water we drink, the air we breathe, the medicines we sometimes cannot survive without. At the same time, forests are one of the most poorly protected areas on our planet. They are in clear danger.
2011 has become the International Year of Forests and an extra reason to learn or remember how to treat the forests of our planet, protect, protect and use wisely. About Forests and People (Des Forêts et des Hommes) close
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed more
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB) close
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights more
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies. close
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem. close
A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close more
A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close left to the camera. A few toddlers also follow in the same orderly line, along their nurses. close
A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 more
A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 persons in the party, walk past; the dignitaries are in front, attended by men with horns and drums. Coming in the other direction are local Swiss, who pay little attention, and a group of native-garbed Africans. The dozen or so well-dressed denizens of Geneva who are sitting on the steps of the Divan take it all in. close
A mother takes her children for a walk, lifts her baby girl out of the buggy and gently sets her down to the ground. She then moves a few steps away and more
A mother takes her children for a walk, lifts her baby girl out of the buggy and gently sets her down to the ground. She then moves a few steps away and calls her name, to demonstrate that her baby can walk. close
Award-winning filmmakers Jean-Pierre and Luc Dardenne profess their love for the classic "Modern Times". The directors expose their views on the many more
Award-winning filmmakers Jean-Pierre and Luc Dardenne profess their love for the classic "Modern Times". The directors expose their views on the many aspects of the film, Chaplin's brilliancy and they also provide interesting details about the making of Chaplin's masterpiece. close
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, more
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary. close
Through the power of IMAX 3D, experience a wondrous adventure from the dinosaur age. Join Julie, an imaginative young woman, in a unique voyage through more
Through the power of IMAX 3D, experience a wondrous adventure from the dinosaur age. Join Julie, an imaginative young woman, in a unique voyage through time and space. Explore an amazing underwater universe inhabited by larger-than-life creatures which were ruling the seas before dinosaurs conquered the earth. See science come alive in an entertaining manner and get ready for a face-to-face encounter with the T-Rex of the seas! close
We see a working dog, a beggar's dog, a shepherd's dog, and a milkman's dog. The working dog is locked inside a large wire wheel; the dog runs inside more
We see a working dog, a beggar's dog, a shepherd's dog, and a milkman's dog. The working dog is locked inside a large wire wheel; the dog runs inside the wheel, turning it to run a machine. The beggar's dog pulls its legless master, who's sitting on a low cart, down the street. The shepherd's dog keeps a flock of at least 20 sheep in a tight circle. The milkman's dog pulls a cart on which is mounted a large cylinder of milk. A lad leads the dog to a house with a Dutch door; the top half of the door opens, and the lady of the house hands out a pitcher that the boy fills as the dog waits. close
A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, more
A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table. close
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at more
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe. close
