Kind french short movies of 80-th - very rare category. We know total 19 this movies.
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kind french short movies of 80-th
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Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions. close
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, more
At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary. close
Made at a time when Iran had a seemingly revolving door for incoming European directors and bottomless funding for their projects, Plaisir d'amour en more
Made at a time when Iran had a seemingly revolving door for incoming European directors and bottomless funding for their projects, Plaisir d'amour en Iran is a short, sort of love story between a handsome Iranian (Ali Raffi) and a visiting French woman (Valérie Mairesse). The film was shot at the Shah Masjed in romantic Esfehan. close
This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not more
This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not make a film about their town’s 500th anniversary. Rather than cynical or defensive, Godard's bemused narration of the footage of Lausanne is imaginative and even playful, a rumination on cinema's possibilities. close
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions more
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see. close
Filmed on the 100th anniversary of the labour union laws in France, the quasi-science fiction film is set in 2084. A robot moderator helps us look 'back' more
Filmed on the 100th anniversary of the labour union laws in France, the quasi-science fiction film is set in 2084. A robot moderator helps us look 'back' at the contemporary labour situation and different directions the movement could take. close
Filmed by Jean Eustache for the television program, Les Enthousiastes, Hieronymus Bosch's Garden of Delights presents a series of unstructured observations, more
Filmed by Jean Eustache for the television program, Les Enthousiastes, Hieronymus Bosch's Garden of Delights presents a series of unstructured observations, free associations, and interpretations on the third panel of Bosch's well-known oil on wood triptych. close
A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight more
A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late? It's too early to say. close
A short movie directed by french director Christophe Gans (Crying Freeman, Silent Hill) when he was studying directing. It's an homage to Mario Bava and the giallo genre.
A short movie directed by french director Christophe Gans (Crying Freeman, Silent Hill) when he was studying directing. It's an homage to Mario Bava and the giallo genre. close
A musical short film about the extermination of Roma by the Nazis during World War II. One of the first directorial works of Tony Gatlif and the first more
A musical short film about the extermination of Roma by the Nazis during World War II. One of the first directorial works of Tony Gatlif and the first in which he addresses directly to gypsy themes. In fact, all those elements from which Gatlif will build his famous films in the future are already presented here: ethnographic documentary, fantastic musical “pressure”, attention to the dark pages of history (the Roma will be remembered in Swing as well), the fate and inner strength of a person; a fierce speech against social injustice.
Perhaps that is why the plot of the tape is extremely simple, even schematic. Roma are sitting in a concentration camp, behind barbed wire and trying to use flamenco – “song and dance” – to express their protest, to ignite themselves to fight. These expressive musical numbers, performed in the French-Spanish "narrhechia", however, are wordless. The first number is actually a protest. The second is the laconic statement “I am a gypsy.” The third song is based on the phrase “Run the gypsies, live the gypsies”. Thus, the nomadic image of gypsy life acquires the maximum weight from Gatlif, as the only possible form of existence, and “flight” becomes a life victory. Although, of course, it can be viewed melancholy as a defeat, a lack of strength to fight.
I don’t think the German overseers need translation either. These are monosyllabic orders. Their execution is clearly illustrated by the director. In addition, they are on the "heard" of anyone who has seen at least one picture of the horrors of World War II. close
Raul Ruiz filmed the gardens of the Château de Versailles. The first one, French, focuses on the King's Square (a space where everything is arranged in more
Raul Ruiz filmed the gardens of the Château de Versailles. The first one, French, focuses on the King's Square (a space where everything is arranged in order to be seen). The other one, English, is the exact opposite, because from any point within it, one falls out of view. Within these two constructions, the labyrinth and the concentric circles, Ruiz conceives a 'photo-roman' plot: a husband and his mistress rendez-vous in the English garden (one understands why) and, through a series of accidents and afraid of being seen, he relocates to the other garden. close
