How do you handle Valentine's Day when you're twenty years old, you're single, gay, and it's your name day? Everything seems hostile. Even the kind words more
How do you handle Valentine's Day when you're twenty years old, you're single, gay, and it's your name day? Everything seems hostile. Even the kind words of others towards you will not fill the void.
Faced with his own fears, the hero of the film Valentine’s Day (2011) (Saint Valentin) prefers to think about what there are other days in the world, not as difficult as this universal holiday of love. close
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take more
The first scene presents before the astonished eyes of the spectators a solid piece of marble, which the minute it is placed on a table seems to take life, and one can follow a snake-like line branding on the polished face of the stone the name of the house of Pathé Frères. As soon as this stone has been engraved, as by magic, a handsome young lady appears with a huge lump of clay covered with a cloth. As soon as the cloth is removed from the soft mass it starts whirling and turning as if stricken mad, and one is asking one's self what all the contentions are going to lead to, when the vague shape of an animal not yet discernible seems to appear, and before one has time to make one's mind as to the category of brutes to which it belongs one sees the form of a remarkably well made orang-utan modelled out of the clay, who calmly smokes his pipe. Then the statue is removed by the same winning young lady and another covered block of the same substance is carried forward. close
Filmed by Jean Eustache for the television program, Les Enthousiastes, Hieronymus Bosch's Garden of Delights presents a series of unstructured observations, more
Filmed by Jean Eustache for the television program, Les Enthousiastes, Hieronymus Bosch's Garden of Delights presents a series of unstructured observations, free associations, and interpretations on the third panel of Bosch's well-known oil on wood triptych. close
An expedition film in the form of a multi-voice travel diary, where all emotions pass through the spectators who are immersed for three weeks with these more
An expedition film in the form of a multi-voice travel diary, where all emotions pass through the spectators who are immersed for three weeks with these riders and guides in the Karakoram massif in Pakistan. close
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers more
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design. close
Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces more
Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved. close
Eva wakes up alone in an unfamiliar apartment. Her lover from the previous night is nowhere to be found. She thinks she's all alone, but there's a little boy asking her questions.
Eva wakes up alone in an unfamiliar apartment. Her lover from the previous night is nowhere to be found. She thinks she's all alone, but there's a little boy asking her questions. close
A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight more
A very Parisian night. Paul plays at strangling Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late? It's too early to say. close
Marion is a 14 year old girl, on holidays at the sea. She is in conflict with her mother and family. She meets a man there, to whom she feels close. Back more
Marion is a 14 year old girl, on holidays at the sea. She is in conflict with her mother and family. She meets a man there, to whom she feels close. Back in Paris, she goes to see him again. For the first time, she is going to make love. close
A naked man, his body covered with bruises, is running in the woods. He stops suddenly: who is this mysterious woman calling for help? And who are these men who are trying to shoot him?
A naked man, his body covered with bruises, is running in the woods. He stops suddenly: who is this mysterious woman calling for help? And who are these men who are trying to shoot him? close
Two atypical characters, one red and one blue, try to communicate. Were it not for Alain's shyness and Rosalba uncontrollable body behaviour whenever more
Two atypical characters, one red and one blue, try to communicate. Were it not for Alain's shyness and Rosalba uncontrollable body behaviour whenever she hears a song, a love story could happen. But between the ebbs and flows there is a tiny space. In this major work, Le Quellec entertains and moves us and we feel like saying: the secret is in the pin! close
The emotions, events, and bitterness of the 1968 Student Revolution have become more meaningful over time, and, like old wine, they have become enduring more
The emotions, events, and bitterness of the 1968 Student Revolution have become more meaningful over time, and, like old wine, they have become enduring and epic. It is no coincidence that the initial credits appear only in the middle of the film after an ever-accelerating stream of fragmented images and a ragged rhythm, as if dividing the narrative into two independent periods: “Before” and “After” the Fall, which becomes the true creative principle of being subordinated exclusively to the power of human love. close
Frank-Étienne is a door-to-door salesman on a mission to sell empty boxes in the middle of nowhere. Things go awry when he meets a young woman who is more
Frank-Étienne is a door-to-door salesman on a mission to sell empty boxes in the middle of nowhere. Things go awry when he meets a young woman who is determined to take advantage of his kindness and his car. Unable to resist her, Frank-Étienne finds himself in an increasingly absurd situation with the woman, her lover, and his dog. close
At first glance, a film about an ordinary school day for a teenage girl in Istanbul. But as Tuesday details three encounters she has while going to school, more
At first glance, a film about an ordinary school day for a teenage girl in Istanbul. But as Tuesday details three encounters she has while going to school, playing basketball, and taking a bus home, it becomes an observational exposé of men who believe they are entitled to an unquestioned authority over a woman's personal space. close
