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The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second more
The film reproduces a magic act Méliès performed at his Paris theater-of-illusions, the Théâtre Robert-Houdin. Conjuring is notable as Méliès's second film, and as his first to move beyond the actuality film genre pioneered by the Lumière brothers and experiment with using the camera to capture a theatrical magic act. (Later in 1896, with his discovery of the substitution splice technique, Méliès was able to begin augmenting his theatrical illusions with new special effects unique to film.) Conjuring can thus be seen as Méliès's first foray into the world of fiction film. The film was released by Méliès's Star Film Company and numbered 2 in its catalogues. close
One of a few versions of the "arrival of the train" narrative. While the film is lost, there is a new digital version based on re-creation from a flipbook more
One of a few versions of the "arrival of the train" narrative. While the film is lost, there is a new digital version based on re-creation from a flipbook produced by Léon Beaulieu around the same time. Shot in Joinville-le-Pont close
Historical legend composed of five Scenes. 1. William Tell's heroism. 2. The Plot. 3. The Apple. 4. Death of Gessler. 5. The Swiss cheer their Liberator. more
Historical legend composed of five Scenes. 1. William Tell's heroism. 2. The Plot. 3. The Apple. 4. Death of Gessler. 5. The Swiss cheer their Liberator. This popular and interesting legend takes place amidst the country life of the mountain populations. The beautiful and picturesque sites which exist in Switzerland have given us an opportunity of utilising the resources our theatre affords, and our scene-painters have been able to have a free run on their imaginations, and have completed the work by a series of magnificent scenes in the most artistic character. close
The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, more
The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, in Rennaissance dress, stand off to the right of the screen, and in the background, next to a painted backdrop. close
In a corner of the garden we see an ornamental fountain. An old professor comes along, looking for a nice spot where he can teach his pupils. Finding more
In a corner of the garden we see an ornamental fountain. An old professor comes along, looking for a nice spot where he can teach his pupils. Finding the fountain to his liking he goes after his scholars. A mysterious person who has noticed the old man, by means of a balloon, a handkerchief and a coat, constructs a peculiar figure, doing a lot of tricks at the same time. close
Three goddesses, Venus, Juno and Minerva each of whom claims to be the most beautiful, call a shepherd "Paris" and ask him to decide the question and more
Three goddesses, Venus, Juno and Minerva each of whom claims to be the most beautiful, call a shepherd "Paris" and ask him to decide the question and to give an apple which he holds in his hand on the one whom he considers to be the prettiest. close
Various scenes from New Testament and Old: Christian martyrdom under Roman rule, Daniel in the lion's den, and Belshazzar's vision of a floating hand spelling the end of his rule.
Various scenes from New Testament and Old: Christian martyrdom under Roman rule, Daniel in the lion's den, and Belshazzar's vision of a floating hand spelling the end of his rule. close
A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.
A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust. close