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Three former school friends, all grown up in Wedding, the blue collar district of West Berlin, have not seen each other for a decade. They meet in their more
Three former school friends, all grown up in Wedding, the blue collar district of West Berlin, have not seen each other for a decade. They meet in their old teenage hide-out, a storage depot close to the East Berlin Wall in the summer of 1989. close
Stalingrad, 1942: just as he is complaining about the "blockheads" who are in control, a German named Herbert gets hit. Fast forward forty years after more
Stalingrad, 1942: just as he is complaining about the "blockheads" who are in control, a German named Herbert gets hit. Fast forward forty years after the war to Munich's Hofgarten, where in front of the patched-up ruins of the Army Museum Herbert reappears, mistakenly believing he is still in Stalingrad, which the victorious Germans have destroyed and rebuilt in the image of Munich close
A traumatized young man, abused by his father, imagines himself as Adolf Hitler when dreaming of revenge. Schlingensief released this film, which follows more
A traumatized young man, abused by his father, imagines himself as Adolf Hitler when dreaming of revenge. Schlingensief released this film, which follows no linear narrative structure, at a moment when right-leaning German intellectuals argued for a coming to terms of the country’s relation with its Nazi past. Schlingensief disagreed. (MoMA) close
Mutters Maske aka Mother's Mask is a free adaptation of the film Opfergang (1944) aka The Great Sacrifice of Veit Harlan. Schlingensief exposes his source more
Mutters Maske aka Mother's Mask is a free adaptation of the film Opfergang (1944) aka The Great Sacrifice of Veit Harlan. Schlingensief exposes his source material's dangerous proximity to kitsch and camp by reducing the genre conventions known from Harlan, Sirk, Fassbinder & Co to the level of a daily soap: set within a noble family from the German Ruhr, Schlingensief's story revolving about Willy von Mühlenbeck's tragic love to terminally ill neighbor girl Äls (Susanne Bredehöft) and the inheritance intrigues by his evil brother Martin von Mühlenbeck (Helge Schneider) creaks with melodramatic devices and self-conscious dialogues. Rather than being a mere spoof, "Mother's Mask" is perhaps Schlingensief's purest black comedy. close
After a quarrel Henry leaves the apartment. New fellow-lodger of Robby and Kalle becomes Paul. The three guys couldn't be more different, but nevertheless more
After a quarrel Henry leaves the apartment. New fellow-lodger of Robby and Kalle becomes Paul. The three guys couldn't be more different, but nevertheless all of them have the same problem: women. When the mysterious Malu appears, each of them wonders if she may be their dream-woman. close
Felix is a down-and-out young drummer who obtains a pair of magic drumsticks from a street vendor. He soon finds out the sticks are able to make native New Yorkers dance uncontrollably.
Felix is a down-and-out young drummer who obtains a pair of magic drumsticks from a street vendor. He soon finds out the sticks are able to make native New Yorkers dance uncontrollably. close
One can imagine the feelings of the Schroeder couple who, on the eve of their divorce proceedings, went to the bank to split the family account and found more
One can imagine the feelings of the Schroeder couple who, on the eve of their divorce proceedings, went to the bank to split the family account and found it empty. The violent quarrel that began between them was interrupted by an armed robber. It was a very young Willie. His intentions caused respectful understanding of those present, as on this day in the safe was a tidy sum — almost a million and a half dollars. As a former police officer, Schroeder could not allow the pharaohs to capture a guy with such a sum, and immediately took over his patronage, taking advantage of the fact that he was with his wife his hostage. close
Close Up is a provocative and potentially dangerous pulling together of two opposing aspects of film form - namely, a 'documentartist' soundtrack comprising more
Close Up is a provocative and potentially dangerous pulling together of two opposing aspects of film form - namely, a 'documentartist' soundtrack comprising interview material with Nicaraguan revolutionaries on the subject of art, propaganda and imperialism, and an image track of much beauty, veering toward the abstract as the camera moves ceaselessly over the objects in the a room, or those represented in the 17 blown up photographs. - Michael O'Pray close
A Film by Rosa von Praunheim Nurses on the night shift roll dice to see which AIDS patient will die next. The owner of a gay bathhouse gets Kaposi's Sarcoma more
A Film by Rosa von Praunheim Nurses on the night shift roll dice to see which AIDS patient will die next. The owner of a gay bathhouse gets Kaposi's Sarcoma but tries to keep his mind on profits. An epidemic victim is harassed by a reporter on his death bed - he sticks her with a contaminated syringe. The government opens a quarantine called Hell Gay Land. Gay terrorists kidnap the Minister of Health. A black comedy filled with everybody's worst fears, A Virus Knows No Morals is Rosa von Praunheim's most controversial film to date: a savagely funny burlesque on the AIDS crisis. Irreverent yet deadly serious, the filmmaker covers just about every aspect of AIDS and its effects, as well as the rumors surrounding it. Since the 1960's von Praunheim has produced a provocative body of underground films, making him one of the New German Cinema's most original artists. "Brave and Vicious – Armed Camp!" close
A classical who-dunnit-detective-story in an unusual setting: In the retirement-home for aging stage-artists "Ewige Rampe", an overly engaged doctor discovers more
A classical who-dunnit-detective-story in an unusual setting: In the retirement-home for aging stage-artists "Ewige Rampe", an overly engaged doctor discovers what seems to be a murder by poison. The victim is the only inhabitant of the home who was not on stage, but a reporter of a gossip magazine. The two investigating police inspectors soon find out that the deceased lady blackmailed most of the inhabitants with little secrets she found out in her time as a reporter - nasty, but harmless things like a little shoplifting, alcoholism, a corrected date of birth, a success one never had... but are these little old secrets reason enough to kill someone? Or is there someone with a more important dark spot in the past? And close