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This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known more
This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves. close
Hajji Hossein-Gholi Noori (Haji Baba) goes to Washington D.C. as the first Iranian (Persian) ambassador to the United States of America. After he opens more
Hajji Hossein-Gholi Noori (Haji Baba) goes to Washington D.C. as the first Iranian (Persian) ambassador to the United States of America. After he opens the embassy, he is unable to invite statesmen to visit him. Haji fires the embassy staff due to the inability of the Persian government to meet the embassy's needs. One night he is visited by President Grover Cleveland. close
In the year 16 BCE, the people of Jerusalem are awaiting the birth of the son of Imran. Instead of the much-anticipated "Messiah", a girl is born to Imran and Anna. The latter names her ...
In the year 16 BCE, the people of Jerusalem are awaiting the birth of the son of Imran. Instead of the much-anticipated "Messiah", a girl is born to Imran and Anna. The latter names her ... close
Two days in the life of Mostafa Chamran, Iran's first post-revolutionary defense minister, as he attempts to prevent the city of Paveh from falling to Kurdish separatists in 1979.
Two days in the life of Mostafa Chamran, Iran's first post-revolutionary defense minister, as he attempts to prevent the city of Paveh from falling to Kurdish separatists in 1979. close
An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends more
An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends the concept of "essay film" with startling confrontations in the arenas of cultural issues, gender politics and differing artistic sensibilities. A unique journey into the minds of two exceptional filmmakers which becomes a love affair on film. close
A shocking portrait of the world of a recently captured serial killer, who sees his killing of prostitutes as in accordance with Islamic teaching. Over more
A shocking portrait of the world of a recently captured serial killer, who sees his killing of prostitutes as in accordance with Islamic teaching. Over the space of a year, 16 women were murdered in the Iranian city of Mashad. Because the victims were lured into the killer's traps, the press soon called these the "spider killings." All but one of the victims had previously been arrested for prostitution and drug-related crimes. When a 39-year-old contractor is arrested and confesses to the crimes, he claims divine support for his crimes. His mother, wife, son, and many neighbors agree. AND ALONG CAME A SPIDER visits with the families of the victims, with the perpetrator and his family, and with prostitutes in this holy city. Most chillingly, the killer's son proudly re-enacts a murder, and suggests that he wants to grow up to be like his father. This is a chilling film about cycles of moral vengeance. close
In Iran, since the 1979 Islamic revolution, women are no longer allowed to sing in public as soloists - at least in front of men. Defying censorship and more
In Iran, since the 1979 Islamic revolution, women are no longer allowed to sing in public as soloists - at least in front of men. Defying censorship and taboos, the young composer Sara Najafi is determined to organize an official concert for solo female singers. In order to support their fight, Sara and her friends invite three French female singers, Elise Caron, Jeanne Cherhal and Emel Mathlouthi, to join them in Tehran and collaborate on their musical project, re-opening a musical bridge between Europe and Iran. Are they going to succeed and finally be gathered in Tehran, sing together, on stage and without restrictions, and to open a door towards a new freedom of women in Iran ? close
One night, three bored young men in a car decide to pay a visit to an older man they only know vaguely. At first he’s glad to see them but soon afterwards more
One night, three bored young men in a car decide to pay a visit to an older man they only know vaguely. At first he’s glad to see them but soon afterwards thinks they’ve come to burgle him and turns a gun on them. When the police turns up, they’re all taken into custody. close
AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are more
AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition. close
A documentary about the most important modern Iranian poet and intellectual icon. Iranian poet Ahmad Shamlou talks about his poetry, the world of poetry, more
A documentary about the most important modern Iranian poet and intellectual icon. Iranian poet Ahmad Shamlou talks about his poetry, the world of poetry, and his life. Filmed over a two year period from 1996 to 1998. close
Arbab Jamshid is a gathering place for cinema lovers to be taken to the filming stage by a man known as Chichu. A newcomer to this group is a young man more
Arbab Jamshid is a gathering place for cinema lovers to be taken to the filming stage by a man known as Chichu. A newcomer to this group is a young man named Davoud who has come to Tehran from the county to become an actor... close
Ali Hatami's film on the life of Iranian wrestling champion Takhti remains unfinished. Another director is assigned by the I.R. Intelligence Ministry more
Ali Hatami's film on the life of Iranian wrestling champion Takhti remains unfinished. Another director is assigned by the I.R. Intelligence Ministry to finish the project. The new director wants to carry out research on the life of the champion, and it would seem that he will have to solve numerous problems before he can finish the job. close
Between 600 kebab and nagging students we find three cooks and a kitchen help in a small canteen working with wit and irony while doing their duties, more
Between 600 kebab and nagging students we find three cooks and a kitchen help in a small canteen working with wit and irony while doing their duties, philosophizing about cooking and life in general. And still there is a lot more that makes this place something special... close
Laleh is a true story of a young woman in post-revolution Iran, struggling against all odds to break through in one of the most male dominated sports worldwide.
Laleh is a true story of a young woman in post-revolution Iran, struggling against all odds to break through in one of the most male dominated sports worldwide. close
Ali Qavitan, the independent director of the Iranian cinema, has decided to make a film about Sohrab Sepehri, a contemporary Iranian painter and poet, more
Ali Qavitan, the independent director of the Iranian cinema, has decided to make a film about Sohrab Sepehri, a contemporary Iranian painter and poet, due to his apparent resemblance to him. However, in order to reach Sohrab Sepehri’s thoughts and romances, he travels to Kashan, the hometown of the painter-poet. Inspired by the surroundings, the countryside and the gardens he starts discovering new aspects of the poet’s childhood and middle-aged days, as well as the last days of his life, when he was concerned about completing the story of his book Blue Room. close
A 38-year journey that the director began in 1972 as a young filmmaker and, shooting off and throughout many years, the director filmed many and various more
A 38-year journey that the director began in 1972 as a young filmmaker and, shooting off and throughout many years, the director filmed many and various encounters between Ricky, his friends and contemporaries including Henri Langlois, Jean Rouch, Jean-Luc Godard, DA Pennebaker, Robert Drew, and others. Mixing her own footage with film clips and rare images from Leacock's personal film archives, this film pays homage to the director's mentor and, most importantly, allows him to tell us the story of his long film making career in his own words. close
The documentary short film “Glorious Days of Childhood” (Roozhaye khoobe koodaki) is a nostalgic journey into the childhood of the creators of this picture, more
The documentary short film “Glorious Days of Childhood” (Roozhaye khoobe koodaki) is a nostalgic journey into the childhood of the creators of this picture, Allar Rusti and Siavash Nagshbandi – in the 1980s.
The music, which sounds in the film “Glorious Days of Childhood”, was written by the Iranian rock band Bomrani. It is a modern version of the famous children's song of the time when both directors were children. close
The short film "Mist" is an emotional journey through the inner world of a tortured Iranian refugee, the story of her dreams, desires and memories. Dutch-Iranian more
The short film "Mist" is an emotional journey through the inner world of a tortured Iranian refugee, the story of her dreams, desires and memories.
Dutch-Iranian filmmaker Parisa Jozef Doost, in his film Mgla, addresses the story of a refugee from Iran who tries to replace her terrible memories of war and revolution with dreams of a beautiful and peaceful country of her birth. Tangled in a web of images and sounds from her past, a refugee begins to lose touch with reality. close
The most American genre in cinema is the western. Known for Westerns and Italy. What about a Western from Iran? In the ancient provincial city of Shiraz, more
The most American genre in cinema is the western. Known for Westerns and Italy. What about a Western from Iran?
In the ancient provincial city of Shiraz, a man named Negahdar Jamali has been filming westerns for 35 years. These are simple amateur films in which cowboys and Indians are played by his relatives and neighbors. Jamali is an oddball in the most positive sense of the word. He is a man with unbridled enthusiasm for his hobby. Thirty-five years ago, his films may have been seen as merely strange to Iran, but, starting with the revolutionary changes in his country and growing hatred of all things American, such an occupation has become increasingly unusual.
The documentary My Name Is Negahdar Jamali and I Make Westerns paints a portrait of the Persian fan John Ford, as well as the daily life of the ancient city of Shiraz, once famous for its wine until the time of international sanctions. Cities where Westerns are made. close
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