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After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world more
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors. close
A documentary ostensibly about Anna, a young drug addict taken off the streets by one of the filmmakers. Through her they attempt to explore the social more
A documentary ostensibly about Anna, a young drug addict taken off the streets by one of the filmmakers. Through her they attempt to explore the social issues from their hippie perspective, instead they create a revealing, uncomfortable self-portrait and inadvertently raise questions about documentary film-making. close
The title Dal polo all'equatore was first used by the pioneering documentary maker, Luca Comerio, for a compilation film of 1925; it was used again by more
The title Dal polo all'equatore was first used by the pioneering documentary maker, Luca Comerio, for a compilation film of 1925; it was used again by Yervant Gianikian and Angela Ricci Lucchi for their film of 1985. Much of the original has been re-worked: the 'found footage' has been re-shot, slowed down, tinted, and re-edited with a sound track of minimalist composition. As a result, the exotica of colonial travel and sport take on new and sinister meanings. The acts of violence, especially those of hunting, recur in patterns that suggest visually that war is a logical development. A close examination of the work, starting with the opening sequence of a railway journey, explores the centrality of questions of memory and history to this remarkable and influential film. close
On the evening of March 11, 1950, Annabella Bracci, a 12-year-old girl, was brutally killed and thrown into a pit on the outskirts of Rome, near the village more
On the evening of March 11, 1950, Annabella Bracci, a 12-year-old girl, was brutally killed and thrown into a pit on the outskirts of Rome, near the village of Primavalle. A brief and poetic account of the events and their impact on an impoverished community. A handful of wild flowers and a painful catch in the voices. close
Exposure time – in photography it is nothing more than the time that an object lives in a frame. And based on this, any photo is not only a two-dimensional more
Exposure time – in photography it is nothing more than the time that an object lives in a frame. And based on this, any photo is not only a two-dimensional graphic composition. It also has a third, temporal dimension, a temporal depth. She is the bearer, the keeper of time. Which means memory. Whose memory? Faces, objects, landscapes captured in the picture? The photographer's own memory?
Making the photo material for the film “The life time of the object in the frame” (the Hour of life of the object in the frame), its authors inevitably found themselves in a maze of “aliens” and their memories, “alien” and their time. And in search of a way out of this maze, they themselves became part of it and the material for their own film. close
The suburbs of Padua, in northeast Italy. Flavia, a hairdresser, is closing the shop after 43 years of activity. He is 61 years old. He left school when more
The suburbs of Padua, in northeast Italy. Flavia, a hairdresser, is closing the shop after 43 years of activity. He is 61 years old. He left school when he was 11. He made the hairdresser always. He is leaving behind a clientele of older women who did hair for years at a rate of regular appointments. He knows every single hair of their heads. close
The characters include a dirty-dealing 80-year-old mayor with a troubling Fascist past and a bloodthirsty middle-aged writer - also an ex-Fascist, who more
The characters include a dirty-dealing 80-year-old mayor with a troubling Fascist past and a bloodthirsty middle-aged writer - also an ex-Fascist, who has now turned Marxist-Leninist and is ready to settle his accounts with history. There is a young leftist idealist, a city councilperson who is fighting real estate speculation. This is the portrait of Latina and its inhabitants. This province is certainly an anomaly, but is not so far from the present-day times that all of Italy is going through now. close
This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. more
This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women. close
In 1926 the remains of two ships built by the Emperor Caligula were found at the bottom of Lake Nemi, near Rome. Mussolini had the lake drained and established more
In 1926 the remains of two ships built by the Emperor Caligula were found at the bottom of Lake Nemi, near Rome. Mussolini had the lake drained and established a museum as a celebration of the imperial origins of Fascism, but the museum and ships were destroyed by fleeing Nazis in 1944. The film commemorates these events. - MoMA close
The life, the problems, the hopes of the ragazzi of the suburbs of Rome. Ignored by the city, these young men spontaneously express their vitality, their more
The life, the problems, the hopes of the ragazzi of the suburbs of Rome. Ignored by the city, these young men spontaneously express their vitality, their violence, their willingness to put themselves at risk. They are at the center of "Ragazzi di vita", the first novel by Pier Paolo Pasolini, author of the text of this documentary. close
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