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Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds more
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders. close
This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's more
This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself. close
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from more
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention. close
24 City chronicles the dramatic closing of a once-prosperous state-owned factory in Chengdu, southwest China and its conversion into a sprawling luxury more
24 City chronicles the dramatic closing of a once-prosperous state-owned factory in Chengdu, southwest China and its conversion into a sprawling luxury apartment complex. Three generations, eight characters : old workers, factory executives and yuppies, their stories melt into the History of China. close
Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the more
Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the truth behind atrocities committed while the Japanese garrison was surrounded, in particular the unexplained killing of two Japanese privates in his unit. close
This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive more
This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is. close
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne more
Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne events happening on the 500 metres of beach in front of his house—a piece of wood toyed with by the waves, people walking by the sea, indistinct shapes on a wintry beach or noisy ducks. close
Director Wang Bing casts an understanding and non-judgmental eye on the inmates of a decrepit Chinese mental hospital in this eloquent and emotionally impactful documentary.
Director Wang Bing casts an understanding and non-judgmental eye on the inmates of a decrepit Chinese mental hospital in this eloquent and emotionally impactful documentary. close
Young-Chan comes from planet of snail where deaf blind people live slow and quiet lives. When Young-Chan came to Earth, nobody understood his language more
Young-Chan comes from planet of snail where deaf blind people live slow and quiet lives. When Young-Chan came to Earth, nobody understood his language and he was desperate. Then an angel walked into his life. Soon-Ho knows how it is to be lonely and soon becomes an inseparable part of his life. Young-Chan also discovers an amazing world under his fingers as he learned to read books with braille. Hopes began to grow and he dreams of writing a book. However, Soon-Ho cannot always be there for him because of her own problem of spine disability. The couple now should learn to survive alone. While Soon-Ho uneasily spends her first day waiting for his return, Young-Chan goes out for the biggest adventure of his life. close
A diary film about Kawase's relationship with her Grandma and the search for her Father, whom she has not seen since her parents divorced during her early childhood.
A diary film about Kawase's relationship with her Grandma and the search for her Father, whom she has not seen since her parents divorced during her early childhood. close
On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and more
On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and the Popular Front for the Liberation of Palestine to shoot a newsreel film promoting the Palestinian resistance. Conceived as a ‘declaration of world war’ that implicates us all, the directors capture the everyday banality of military training and preparation exercises for imminent battle. close
Japanese documentary from 1964 directed by Noriaki Tsuchimoto. The film focuses on the taxi drivers of Tokyo in the year before the Tokyo Olympics and more
Japanese documentary from 1964 directed by Noriaki Tsuchimoto. The film focuses on the taxi drivers of Tokyo in the year before the Tokyo Olympics and the difficulties they face: construction obstructing traffic, poor working conditions, numerous accidents, and bad pay. It becomes a critique of a changing and modernizing urban Japan. close
This is Ogawa Productions’ first major film from their Yamagata period. They had already started photography on Magino Village -A Tale but they were drawn more
This is Ogawa Productions’ first major film from their Yamagata period. They had already started photography on Magino Village -A Tale but they were drawn to this village deep in the high country above Magino when a particularly cold bout of weather threatened crops. Inevitably, their attention strayed from the impact of weather and geography on the harvest to the “life history” of Furuyashiki Village. On the one hand, Ogawa returns to his roots by playing with the conventions of the science film. At the same time, he discovers a local, peripheral space in which to think about the nation and the state of village Japan. From this “distant perspective” in the very heart of the Japanese mountains, Ogawa discovers a village still dealing with the trauma of global warfare and struggling for survival as their children flee for the cities. close
“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them more
“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura close
Oshima exposes the fact that many wounded soldiers cannot receive compensation from the Japanese government because of their Korean nationality, while more
Oshima exposes the fact that many wounded soldiers cannot receive compensation from the Japanese government because of their Korean nationality, while questioning if this is a just way for the Japanese to act. The documentary uses TV to problematize the apathy of the Japanese people. According to Oshima’s 'The Idea of Evil and Cruelty' and Sato Tadao’s 'History of Japanese Documentary Film', the actual situation was much more serious and harsher than the documentary depicts. close
A Burning Star depicts the physicality of destruction and disappearance through images of the Japanese filmmaker's father who dies and is cremated. Maintaining more
A Burning Star depicts the physicality of destruction and disappearance through images of the Japanese filmmaker's father who dies and is cremated. Maintaining a solid rhythm and perspective, this film highlights the meaning and importance of "viewing" and "filming" in documentary. close
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