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A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and more
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
One night, Arlequin comes to see his lover Colombine. But then Pierrot knocks at the door and Colombine and Arlequin hide. Pierrot starts singing but more
One night, Arlequin comes to see his lover Colombine. But then Pierrot knocks at the door and Colombine and Arlequin hide. Pierrot starts singing but Arlequin scares him and the poor man goes away. close
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of more
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color. close
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black more
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end. close
Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.
Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket. close
The film consists of a series of animations on a beach containing two beach huts and a diving board. Two characters play at diving into the water from more
The film consists of a series of animations on a beach containing two beach huts and a diving board. Two characters play at diving into the water from the diving board and then appear on the beach. The woman begins to play with a small dog and is then joined by a gentleman. The two play around on the beach before getting changed into bathing costumes and going into the water. They bob up and down in the water before swimming out of the scene. Once the couple have gone a man sails out in a boat. close
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic more
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather. close
Directed by Étienne-Jules Marey, a French scientist, this is believed to be the first cat ever filmed in cinematic history. Jules Marey created the chronophotographic more
Directed by Étienne-Jules Marey, a French scientist, this is believed to be the first cat ever filmed in cinematic history. Jules Marey created the chronophotographic gun in 1882, a device which looked like a short barrelled shotgun with a magazine on top. It was capable of taking twelve consecutive frames a second. He used this to study various animals, the most famous study in what was called Marey’s ‘animated zoo’, was the one involving a cat which was dropped from a height of a few feet in order to see if it always landed on its feet. close
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. more
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890. close
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest more
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns. close
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on more
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process. close
Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what more
Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what is believed to be the Native Americans first appearance before a motion picture camera 'Buffalo Dance' features genuine members of the Sioux Tribe dressed in full war paint and costume! The dancers are believed to be veteran members of Buffalo Bill's Wild West Show. Filmed again at the Black Maria studios by both Dickson and Heise the 'Buffalo Dance' warriors were named as Hair Coat, Parts His Hair and Last Horse. Its quite strange seeing these movies at first they all stand around waiting to begin and as they start some of the dancers look at the camera in an almost sad way at having lost their way of life. close
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed more
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB) close