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A chronicle of the Russian Revolution of 1917, from the bourgeois democratic February Revolution to the great socialist October Revolution and the final triumph.
A chronicle of the Russian Revolution of 1917, from the bourgeois democratic February Revolution to the great socialist October Revolution and the final triumph. close
The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel more
The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death. close
Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn more
Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov. Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership / 2. Lenin's illness, death and funeral / 3. The year after Lenin's death close
The story of the Udege tribe, lost for centuries and on the verge of extinction, the most dangerous footage of hunting for bears and wild boars, as well as local rituals.
The story of the Udege tribe, lost for centuries and on the verge of extinction, the most dangerous footage of hunting for bears and wild boars, as well as local rituals. close
The film portrays Shanghai, China in the early 1920s. It shows the contrasts between the world of Western expatriates (including Britons, Americans, New more
The film portrays Shanghai, China in the early 1920s. It shows the contrasts between the world of Western expatriates (including Britons, Americans, New Zealanders, Australians, and Danes) who live in the luxurious Shanghai International Settlement, and that of the Shanghainese inhabitants, who spend their days laboring. close
The first sound documentary, in which the effect of “direct cinema” was first used in the scene of the rally – the anthem of electrification, from the more
The first sound documentary, in which the effect of “direct cinema” was first used in the scene of the rally – the anthem of electrification, from the creation of electricity to numerous examples of its use, the anthem to the labor enthusiasm of the first five-year plans. close
A documentary almanac about the life of the Soviet capital during the period of the extensive construction of socialism. The film shows the transformation more
A documentary almanac about the life of the Soviet capital during the period of the extensive construction of socialism. The film shows the transformation of the external appearance of Moscow, the construction of new avenues, metro lines, residential buildings for workers, and the formation of a new way of life for a worker. There are also shots in the film that depict the leaders of the working proletariat: vols. I. Stalin, S. Kirov, S. Ordzhonikidze and others. close
Here, the camera goes into a dance, accelerates, becomes ornamental. This is not to catch something in a quiant dynamic composition but to realize itself as part of action.
Here, the camera goes into a dance, accelerates, becomes ornamental. This is not to catch something in a quiant dynamic composition but to realize itself as part of action. close
"This film follows one day in the heroic struggle of the Soviet people against the German Fascist invaders." A Day of War (Den voyny), a chronicle of more
"This film follows one day in the heroic struggle of the Soviet people against the German Fascist invaders." A Day of War (Den voyny), a chronicle of total war filmed on all fronts as well as at the rear, was produced by the Central Studio of Documentary Films; shot by 160 newsreel cameramen on June 13, 1942, the 356th day of the Great Patriotic War; superbly assembled by M. Slutsky; and released on October 22, 1942. Its cameramen were informed of the actual date of shooting only two days before work commenced. close
On July 17, 1944, 57,000 German prisoners of war marched through the streets of Moscow. Nineteen generals at the head of the column led their defeated more
On July 17, 1944, 57,000 German prisoners of war marched through the streets of Moscow. Nineteen generals at the head of the column led their defeated army. They marched through Moscow, which they hoped to enter as victors, past people who were to be destroyed. close
Revival of Stalingrad after the Battle. The film uses Soviet and German newsreels; chronicle of battles in Stalingrad, paintings of destruction and fortifications. more
Revival of Stalingrad after the Battle. The film uses Soviet and German newsreels; chronicle of battles in Stalingrad, paintings of destruction and fortifications. Abandoned equipment and unique personnel. close
Documentary about Front-line Cameraman Vladimir Sushchinsky. He died on February 22, 1945 when the Soviet army liberated the Polish city of Breslau (now more
Documentary about Front-line Cameraman Vladimir Sushchinsky. He died on February 22, 1945 when the Soviet army liberated the Polish city of Breslau (now Wrocław) from the Nazi invaders. Sushchinsky's funeral was filmed by his comrade in the front-line film group, cameraman Nikolay Bykov (died March 18, 1945). The film includes the last shots taken by Boris Pumpyansky, who died near Uzhgorod on December 26, 1944. During the 1418 days of the war, at the risk of their own lives, Front-line Cameraman shot 3.5 million meters of film, more than 500 issues of Newsreels, and 101 Documentaries. It is to them that we owe our living memory of that war. The course of combat battles on all fronts was filmed by 252 Cameraman of the Central Studio of Documentaries. One in five died at the front. close
