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Not to be confused with any of the sequels to Sylvester Stallone's classic Oscar-winning Rocky, this short film from Finnish filmmaker Aki Kaurismäki more
Not to be confused with any of the sequels to Sylvester Stallone's classic Oscar-winning Rocky, this short film from Finnish filmmaker Aki Kaurismäki is actually meant as a parody of the late Cold War-era Rocky IV, which saw Stallone's character taking on a juiced-up Russian fighter played by Dolph Lundgren. In this 1986 send-up, Rock'y, played by Silu Seppala, goes head to head with Soviet Igor (Sakari Kuosmanen) and loses. close
John, Paul, George and Ringo goof around and share intimate life stories in this documentary, which focuses on the 1960s and features candid footage, more
John, Paul, George and Ringo goof around and share intimate life stories in this documentary, which focuses on the 1960s and features candid footage, interviews, press conferences, a clip from George's wedding and more. Archival film footage and insightful interviews chronicle the Fab Four's early days in Liverpool, their meteoric rise to superstardom, the throngs of screaming fans and much more. close
Video companion piece to the greatest hits album of the same name, featuring 16 tracks. The Norwegian pop group's first worldwide hit 'Take On Me' was more
Video companion piece to the greatest hits album of the same name, featuring 16 tracks. The Norwegian pop group's first worldwide hit 'Take On Me' was backed by an award-winning, semi-animated video, and the band earned a reputation for producing innovative promos, many of which were presided over by Steve Barron, the director of 'Teenage Ninja Mutant Turtles'. close
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes more
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes with bells ...”, known on the West as “Those Were the Days”. And then you go to the bar, and you go to the bar, and you go to the door, and you say, "NoDonkeys." “No, no, no, no, no.” We have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves. We have a sleeve, a sleeve, a sleeve, and a sleeve, and a sleeve, a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, a sleeve, a sleeve, and a slew, and a slew. In this case, you will find that you will find yourself in a position where you will find yourself in a place where you will find yourself in a place where you will find yourself in a place where you will find yourself. Andrey Plakhov
“Those Were the Days” begins with the unforgettable biblical image: “Seppäl’s power, the most shy and minimal of the cowboys, and the donkey stands at the door of the French cafe. Evening. The magic of the day is that we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of them. We have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun. Peter von Bagh close