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Professor Leônidas Jau is an enemy of football, and in conferences and articles he throws all his hatred against the sport. Friendenreich, his son, however, more
Professor Leônidas Jau is an enemy of football, and in conferences and articles he throws all his hatred against the sport. Friendenreich, his son, however, loves the sport. Leonidas then has a falling out with his son, which may be saved. close
Juan de Dios (55) is a Guarani poet and craftsman. The harshness and deprivations of life in the countryside, endured throughout the years, have hardened more
Juan de Dios (55) is a Guarani poet and craftsman. The harshness and deprivations of life in the countryside, endured throughout the years, have hardened his smile and stiffened the look in his eyes. Alongside the road, the symphony of nature vanishes and paradise seems to exist no more. However, within a few men, tenderness and desire do not vanish, wishes and dreams are well alive and keep beating in the depth of their souls. Novena lets us witness in a documentary, fiction and pictorial style how those few men, genuinely incarnated in Juan, push their dreams forward. close
A lady, owner of a large area of land where it is believed there are several oil wells, is almost fooled by the president of a pseudo petroleum company more
A lady, owner of a large area of land where it is believed there are several oil wells, is almost fooled by the president of a pseudo petroleum company into giving up her property for nothing, but is saved by his son's noble intervention. close
In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.
In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal. close
Saul and Mônica return to São Paulo after three years and find his family's colonial mansion abandoned, inhabited only by his old nanny, Bá, and his brother, Domício.
Saul and Mônica return to São Paulo after three years and find his family's colonial mansion abandoned, inhabited only by his old nanny, Bá, and his brother, Domício. close
Documentary about the people who came from all over Brazil to work in the construction of the city of Brasilia, their stories, and the abuse and humiliation they suffered in the process.
Documentary about the people who came from all over Brazil to work in the construction of the city of Brasilia, their stories, and the abuse and humiliation they suffered in the process. close
Gerónima was a real "Mapuche" Indian woman that lived in Argentinian Patagonia. She lived with her four sons in a poor little house in the dry lands her more
Gerónima was a real "Mapuche" Indian woman that lived in Argentinian Patagonia. She lived with her four sons in a poor little house in the dry lands her family had owned for generations. In 1976, during the military dictatorial government that disappeared 30.000 people, she and her four sons were visited by social workers. Worried about Geronima's poor conditions of existence, including health, they took the whole family to the hospital "to help them", with unexpected tragic consequences. The film that reconstruct Geronima's story is based in a interview realized by a physician while she was at the hospital. The main actress, Luisa Calcumil is also a real "Mapuche" woman, as well as Aimé Painé, the singer that interprets the authentic "Mapuche" songs the film includes. close
This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, more
This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career. close
Carmen, a poor and beautiful woman, lives in a shantytown in Rio de Janeiro. All men desire her, including her stepfather, but she only has eyes for her more
Carmen, a poor and beautiful woman, lives in a shantytown in Rio de Janeiro. All men desire her, including her stepfather, but she only has eyes for her boyfriend, Milton. After being expelled from home, she finds out her lover is married. Unhappy with her life, she finds a place in a boarding house and tries to find a job, with no success. Tired and starving, she ends up passing out in the street, being helped by a passer-by, who leaves her at writer Flávio Martins's house, a man torn between the proposal of an arranged marriage, an old flame, and the new guest. close
An employee of a glass factory suffers with his wife's contempt and starts to develop homicidal delusions about her. One night, he meets a singer which more
An employee of a glass factory suffers with his wife's contempt and starts to develop homicidal delusions about her. One night, he meets a singer which resembles his wife a lot and conjures up a plan. close
Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between more
Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between Marcelo and Ceres through the 1970s, in bars, dance meetings and camps. It has the special participation of artists who would become important in the gaúcho music scene, such as Nei Lisboa, Júlio Reny, Augusto Licks, Wander Wildner and Carlos Gerbase. It was the first film by actor Werner Schünemann. close
Coronel Januário's goddaughter, Maria Fausta, is having a secret affair with João do Carmo. While her godfather is engaged in his political campaign for more
Coronel Januário's goddaughter, Maria Fausta, is having a secret affair with João do Carmo. While her godfather is engaged in his political campaign for mayor of the city, the couple disappears. Galdino, an accordionist who is secretly in love with her, goes looking for them. close
Five women whose lives revolve around an absent man constantly battle each other in their decaying old mansion. The first Argentinian sound film directed by a woman.
Five women whose lives revolve around an absent man constantly battle each other in their decaying old mansion. The first Argentinian sound film directed by a woman. close
Music and dance nurture the story of a group of people who live in a popular neighborhood. The invasion of North American soldiers to Panama will break more
Music and dance nurture the story of a group of people who live in a popular neighborhood. The invasion of North American soldiers to Panama will break the tranquility of the place bringing a wave of violence with them. close
Salvador, Bahia, Brazil, during the dictatorship of Getúlio Vargas. Outlaw Tonio is involved in a conflict between strikers and the police. His mistress more
Salvador, Bahia, Brazil, during the dictatorship of Getúlio Vargas. Outlaw Tonio is involved in a conflict between strikers and the police. His mistress tries to keep him from his companions, but he steals her belongings to help the persecuted. Dissatisfied, she denounces him, compromising him politically. close
Two young girls of the war generation, Yasmin and Leila, are in search of Beirut. When they meet an elderly film enthusiast with a secret store of Lebanese more
Two young girls of the war generation, Yasmin and Leila, are in search of Beirut. When they meet an elderly film enthusiast with a secret store of Lebanese films, they persuade him to screen his collection for them. So begins an initiation into the myths and images of Beirut, but the girls want cold figures and facts, war babies indifferent to the memories evoked. close
A fascinating ride with taxi-driver, urban artist and social-visionary Oscar Brahim as he challenges Argentinean contemporary consumerism and politics more
A fascinating ride with taxi-driver, urban artist and social-visionary Oscar Brahim as he challenges Argentinean contemporary consumerism and politics with his graffiti-style transformations of advertising billboards in Buenos Aires. close
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