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As a 10-year-old growing up in the small African village of Mandima, Robert-Jan Lacombe, the son of European parents, never thought he would have to say more
As a 10-year-old growing up in the small African village of Mandima, Robert-Jan Lacombe, the son of European parents, never thought he would have to say goodbye. Childhood pictures, the departure from Zaire when he was 10, his friends Watumu, Angi and Amosi, the big shift from a culture to another, identity, memories and footage. close
What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker/stonemason. A tower or ruin of remembrance. With more
What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker/stonemason. A tower or ruin of remembrance. With each swing of the hammer I cut into the image and the sound rises from the chisel. A rhythm, marked by repetition, and animated by variation; strokes of hammer and fist, resounding in dialogue. In this space which the film creates, emptiness gains a contour strong enough for the spectator to see more than the image – a space permitting vision in addition to sight. close
In the film, Jean-Luc Godard addresses members of the Swiss Federal Office of Culture, responding to the award awarded to him in the director’s inherent more
In the film, Jean-Luc Godard addresses members of the Swiss Federal Office of Culture, responding to the award awarded to him in the director’s inherent manner: using a language game, cultural references and other allusions. close
Set to music by Beethoven, this lyrical portrait moves from a chilled and misty exterior to the crystalline interior of the Swiss chateau that King Ludwig II built for Wagner.
Set to music by Beethoven, this lyrical portrait moves from a chilled and misty exterior to the crystalline interior of the Swiss chateau that King Ludwig II built for Wagner. close
More than a land, it is from the lake that this son comes. Raised by a father fisherman, he learned his noises and currents, maybe also its hardness at more
More than a land, it is from the lake that this son comes. Raised by a father fisherman, he learned his noises and currents, maybe also its hardness at the same time as that of adults. Lake is also a border, but in the water his drawing is lost: in the fishery, "profession of free men", Savoyards and Vaudois find themselves in confreres, and if out loud we only talk about nets and fish, in silence we sometimes enter the Resistance. During the war, Switzerland was sent to refugees, without always understanding what is happening, or why they have this look. After the war, the son will contribute to another history: elected municipal, he participates in the emergence, in Lausanne or to Thonon, of a new left. According to the novel Gens du Lac de Janine Massard, published by Bernard Campiche close
Anne-Marie Miéville, frequent collaborator of Jean-Luc Godard, made this partner piece to Godard's own 'Je vous salue, Marie'. Marie, eleven years old, more
Anne-Marie Miéville, frequent collaborator of Jean-Luc Godard, made this partner piece to Godard's own 'Je vous salue, Marie'. Marie, eleven years old, is experiencing difficult times. Her parents will separate. The perception of her universe is profoundly disturbed. This exacting portrait of a child immersed in her books, music and dancing casts a dispassionate yet touching eye on the girl's reaction to the new upheaval in her life. close
The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, more
The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors. close
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine with a complex imaginative devices that trigger each other for 30 minutes more
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine with a complex imaginative devices that trigger each other for 30 minutes in a domino effect. The film was creating in an empty warehouse and with objects probably found at a junkyard as the creative contraptions fly, burn, roll, walk, melt, pop, push and fall in an endless science project that will mesmerize the mind. close
Jean-Marie Straub’s new film closes the circle. The years 1954–2013 are displayed as representing a film produced in collaboration with Danièle Huillet. more
Jean-Marie Straub’s new film closes the circle. The years 1954–2013 are displayed as representing a film produced in collaboration with Danièle Huillet. The two had met in Paris in 1954, around the year they came across the text by Georges Bernanos, to whom Straub has now dedicated a half-hour film. A man and a woman engaged in a dialogue, talking about their love, as if talking across an abyss. Then, in the last take, the two of them close together, motionless for a long time close
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