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Cruel movies of 1884-1895 years - very rare category. We know total 48 this movies.
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Experimental film made to test the original cylinder format of the Kinetoscope and believed to be the first film shot in the United States. It shows a more
Experimental film made to test the original cylinder format of the Kinetoscope and believed to be the first film shot in the United States. It shows a blurry figure in white standing in one place making large gestures and is only a few seconds long. close
A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale.
A butcher puts a full-grown live pig into his large box-like machine. Moments later, he draws out a full range of pork products, many already packaged for sale. close
Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage more
Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage shot by Louis Le Prince was discovered. It was never publicly shown and is now considered a lost film with no known surviving prints or stills. close
"Firemen in working uniform, rubber coats, helmets, and boots. Thrilling rescue from burning building. Smoke effects are fine." - from the Edison Catalog
"Firemen in working uniform, rubber coats, helmets, and boots. Thrilling rescue from burning building. Smoke effects are fine." - from the Edison Catalog close
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States.
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States. close
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first more
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press. close
The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least more
The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots. close
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic more
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach. BELIEVED LOST close
Experimental film that follows up on the results of "Monkeyshines, No. 1". Once again, an Edison company worker moves around in front of the motion picture camera.
Experimental film that follows up on the results of "Monkeyshines, No. 1". Once again, an Edison company worker moves around in front of the motion picture camera. close
On 1 November 1895, the brothers Max and Emil Skladanowsky presented their pioneer film work and legendary Bioscop program in Berlin′s Wintergarten Theater. more
On 1 November 1895, the brothers Max and Emil Skladanowsky presented their pioneer film work and legendary Bioscop program in Berlin′s Wintergarten Theater. With live musical accompaniment, the compilation program included short film sequences with famous artists of the time: Italienischer Bauerntanz, Komisches Reck, Der Jongleur, Das boxende Känguruh, Kamarinskaja, Die Serpentintänzerin, Akrobatisches Potpourri, Ringkampf, and Apotheose, with the Skladanowsky brothers bowing to their audience. close
Experimental film that follows up on the results of "Monkeyshines, No. 1" and "Monkeyshines, No. 2". Once again, an Edison company worker moves around more
Experimental film that follows up on the results of "Monkeyshines, No. 1" and "Monkeyshines, No. 2". Once again, an Edison company worker moves around in front of the motion picture camera. Lost film. close
In the background, five fans lean on the ropes looking into the ring. The referee is to the left; like the fans, he hardly moves as two fighters swing more
In the background, five fans lean on the ropes looking into the ring. The referee is to the left; like the fans, he hardly moves as two fighters swing roundhouse blows at each other. Mike Leonard, in white trunks, is the aggressor; in black, Jack Cushing stands near the edge of the ring, warily pawing the air as Leonard comes at him. A couple of punches land, but the fighters maintain their upright postures. close
Hadji Cheriff, a performer known for a variety of unusual abilities, demonstrates part of his act in the Thomas Edison studio. He has a large knife in more
Hadji Cheriff, a performer known for a variety of unusual abilities, demonstrates part of his act in the Thomas Edison studio. He has a large knife in his hand at the opening of the act. He then hurls the knife away and begins a rapid series of dance-like motions, executing numerous cartwheels and whirling movements. close
This early cinematic instance of a close-up—or, more accurately, a medium close-up shot of the chest and face of the maker of this film and others like more
This early cinematic instance of a close-up—or, more accurately, a medium close-up shot of the chest and face of the maker of this film and others like it, Georges Demenÿ saying “Je vous aime”—was made at the request of Hector Marichelle, professor and director of the National Deaf-Mute Institute in France, who planned to use filmed speech to teach deaf students to speak and lip read. This required close views of the performer's lip movements. The project was given to Demenÿ by Étienne-Jules Marey, who headed the Station Physiologique in Paris and whose chronophotographic scientific research of motion is among the most important contributions to the invention of movies. Despite these educational and scientific beginnings, however, this project led Demenÿ to pursue and influence the commercialism of cinema. close
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. more
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. It is claimed to be the first film set in London, as well as the first to be filmed on celluloid. It is currently considered a partially lost film, with only 6 possible film frames preserved as part of the Jonathan Silent Film Collection. close
A referee and five fans (including a waiter in his apron) look on as two young men box. The dark-haired, slightly taller boxer throws a right and the more
A referee and five fans (including a waiter in his apron) look on as two young men box. The dark-haired, slightly taller boxer throws a right and the light-haired smaller one goes down; but he's up before the referee starts counting. After the knockdown, the boxers mostly hit each other's gloves. The fans, at least one of whom is sitting inside the ring, show no animation. They're all men, dressed in a range of late 19th-century garb. close
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