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A lesbian art film by the Swiss filmmaker Cleo Übelmann, released in 1986. In black and white, Mano Destra (Italian for "right hand") is a study of erotic more
A lesbian art film by the Swiss filmmaker Cleo Übelmann, released in 1986. In black and white, Mano Destra (Italian for "right hand") is a study of erotic objectification which depicts one woman tying up another woman in a lengthy act of consensual bondage. close
The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification more
The scene of the drama is a block of modern flats. Many of the residents are away at a dance, and the janitor and his staff decide upon a jollification of their own. They invite their friends to a fine high tea. Everybody is having a fine time, and their spirits are running high. We are now taken to the outside of the hall door, and watch with amusement the frantic pounding and bell ringing of the residents returning from their evening engagements and seeking admission to their apartments. The gay gathering inside are too busy with their own pleasure to heed the angry crowd outdoors. A policeman is called, but all to no purpose, and the tenants are all taken to the station for quarters for the night. Returning to the janitor's quarters we see that the jollifications have been concluded and the guests are all departing. The superior officer at the station concludes to make another effort to gain admittance in the building and, with the tenants at his heels, he approaches the flats. close
In a chase which literally encompasses the entire globe, a detective follows the path of an apparent embezzler through various foreign nations, exotic cultures and dangerous situations.
In a chase which literally encompasses the entire globe, a detective follows the path of an apparent embezzler through various foreign nations, exotic cultures and dangerous situations. close
The 22-episode film follows the adventures of wealthy heiress Helen Dodge. Together with the young detective Justin Clarell, she fights with an insidious more
The 22-episode film follows the adventures of wealthy heiress Helen Dodge. Together with the young detective Justin Clarell, she fights with an insidious adventurer who wants to take possession of her fortune; with the mysterious killer of her father, nicknamed “Striking Hand”; with Chinese bandits; with German spies, etc. close
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. more
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production. close
After wedding the beautiful Genoveffa (María José Alfonso), Count Sigfrido of Treviri (Alberto Lupo) employs his right-hand man, Golo (Stephen Forsyth), more
After wedding the beautiful Genoveffa (María José Alfonso), Count Sigfrido of Treviri (Alberto Lupo) employs his right-hand man, Golo (Stephen Forsyth), to look after his bride while he's away fighting in the crusades, unaware that his supposed friend has plans of his own for the new countess. But when the virtuous Genoveffa rebuffs his advances, Golo shows his true colors and condemns her to a terrible fate. close
Lelita, a rich young lady, is courted by Paulo, her cousin, but she has reason to believe he is also having na affair with Lelita's sister, which causes more
Lelita, a rich young lady, is courted by Paulo, her cousin, but she has reason to believe he is also having na affair with Lelita's sister, which causes jealousy trouble, until all becomes clear and true love prevails. close
The Devil Never Sleeps is a “whodunit” documentary about family secrets. Filmmaker Lourdes Portillo received a phone call informing her of the mysterious more
The Devil Never Sleeps is a “whodunit” documentary about family secrets. Filmmaker Lourdes Portillo received a phone call informing her of the mysterious death of her wealthy Mexican uncle Oscar. Officially ruled a suicide, Portillo’s relatives claimed murder, offering several possible suspects including a business partner, a ranch hand, and Oscar’s young widow who stood to inherit everything. Traveling to Mexico, Portillo attempts to learn the truth about her powerful uncle. Using interviews, old snapshots and home movies, she finds a complicated web of family secrets, intrigue, rumor and betrayal that makes her enigmatic uncle’s murder seem ever more likely, yet ever more obscure. As the Mexican saying goes, “When evil is lurking, the devil never sleeps.” close
In one of his very last projects, Raul Ruiz celebrates the films of his historical predecessor Jean Painlevé, a documentary innovator whose work always more
In one of his very last projects, Raul Ruiz celebrates the films of his historical predecessor Jean Painlevé, a documentary innovator whose work always blended science with surrealism. Ruiz and friends further perfect the art of mystification. Why it is so difficult to count fish in an aquarium? Ruiz, his loyal actor Melvil Poupaud and his producer François Margolin come up with a wide range of hypotheses. With their bone-dry wit, they keep up the tradition of the French pataphysics: the science of imaginary solutions. (IFFR) close
Modeled after a popular collection of stories known as "Brother Gardener's Lime Kiln Club," the plot features three suitors vying to win the hand of the more
Modeled after a popular collection of stories known as "Brother Gardener's Lime Kiln Club," the plot features three suitors vying to win the hand of the local beauty. Filmed in 1913, but after considerable footage was shot, the film was abandoned. One hundred years later, the seven reels of untitled and unassembled footage were discovered in the film vaults of the Museum of Modern Art, and are now believed to constitute the earliest surviving feature film starring black actors. close
Daddy, filmed in cooperation with movie director Peter Whitehead, discovers the connection between a father and little girl. Like the majority of Niki more
Daddy, filmed in cooperation with movie director Peter Whitehead, discovers the connection between a father and little girl. Like the majority of Niki De Saint Phalle’s films, the flick combines autobiography with imagination, mixing erotic scenes of incest with a reverse of energy as the female character humors the daddy figure. Saint Phalle narrates the film, offering an almost psycho-analytical explanation of its content and explains the different inexplicable. close
“Ixe (written X and pronounced EEKS – as it is pronounced in French –, like a scream, a wound) is an imploded, crucified film. Made to be projected on more
“Ixe (written X and pronounced EEKS – as it is pronounced in French –, like a scream, a wound) is an imploded, crucified film. Made to be projected on four screens at once, X is drawn and quartered. At the four points of the compass, at the four ends of the cross, War, Sex, Religion and Drugs, the double exposures, the colliding glimpses the eye barely recognizes, the skillful repetitions of themes, remind us that Sex is also the war of bodies, and the pope, the Drug of the people. And the story of this young man, shooting up in order to experience all the horror of the world in front of his TV set, reminds us that the heroin orgy is indeed the subjective locus of the monsters of the modern unconscious.” - Guy Hocquenghem close
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), more
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him. close
The editor of a sleazy tabloid newspaper has been borrowing money from his lover, the wife of a rich theatrical producer, and promises to marry her when more
The editor of a sleazy tabloid newspaper has been borrowing money from his lover, the wife of a rich theatrical producer, and promises to marry her when she gets a divorce. However, the husband refuses to grant her a divorce, and takes back all the money and jewelry he has given her. The editor sees her husband leaving her apartment and, seeing his opportunity, kills her, takes all his IOUs (and the jewelry) and frames the husband for the murder. close
The chief of an African village, who is called 'Demi Dieu' because after God he is the owner of all the things, already has five wives. But as this is more
The chief of an African village, who is called 'Demi Dieu' because after God he is the owner of all the things, already has five wives. But as this is not enough he decides to find himself a sixth wife so that he has one for every day of the week except on Sunday when he uses to relax. close
Four landscape shots containing a replica of Ted Kaczynski’s cabin, one shot per season. On the soundtrack, Benning reads extracts from Kaczynski’s journals more
Four landscape shots containing a replica of Ted Kaczynski’s cabin, one shot per season. On the soundtrack, Benning reads extracts from Kaczynski’s journals from the early 1970s, recording his progress at hunting and gathering, and his connection to the Montana wilderness; a hand-written folded sheet of paper detailing his acts of “monkey wrenching” and first attempts at planting bombs; two notebooks written in numerical code in 1985 and decoded by Benning in 2011; two excepts from Industrial Society and Its Future by "FC" (aka the Unabomber Manifesto) as published in The New York Times and The Washington Post in 1995; and a 2001 interview with Kaczynski by J. Alienus Rychalski, special correspondent for the Blackfoot Valley Dispatch. close
Jenny, a cleaner, is seduced by a local playboy, Edouard. Jenny's parents reject her after she spends the night with him. She finds a job as a vaudeville more
Jenny, a cleaner, is seduced by a local playboy, Edouard. Jenny's parents reject her after she spends the night with him. She finds a job as a vaudeville dancer, but ultimately winds up in the gutter. close
For this remarkable experimental film, the provocative avant-garde legend Stephen Dwoskin gathered together a group of strangers and filmed them as they more
For this remarkable experimental film, the provocative avant-garde legend Stephen Dwoskin gathered together a group of strangers and filmed them as they explored their fantasies over a period of five days: a project that now sounds a little like TV's Big Brother. The ceremonial gowns and make-up here not only evoke the eroticism of European horror movies but also highlight the film's interplay between performance and intimacy. Jonas Mekas called it 'theatre of life'. close
The life of Jerome Hill corresponded with the first formative decades of cinema and a greater part of the 20th century. Through fragments of Hill’s surrealistic, more
The life of Jerome Hill corresponded with the first formative decades of cinema and a greater part of the 20th century. Through fragments of Hill’s surrealistic, handpainted and documentary films (as well as the James J. Hill family's home movies), this autobiographical work serves as an aesthetically complete documentary of Jerome Hill as an artist and offers a personal perspective of the seventh art. close
After her mother's death, Ruth struggles to support herself as a seamstress. While Ruth delivers shirts to the factory owner, the owner's son steals some more
After her mother's death, Ruth struggles to support herself as a seamstress. While Ruth delivers shirts to the factory owner, the owner's son steals some money and Ruth is accused of the crime. She flees the ghetto of New York's Lower East Side and hides in the country where she meets a young farmer. close
A group of friends decide to make a documentary about the ghosts that are supposed to be haunting The Sanatorium in Costa Rica, things get creepy when the arrive to the place.
A group of friends decide to make a documentary about the ghosts that are supposed to be haunting The Sanatorium in Costa Rica, things get creepy when the arrive to the place. close
Sandra is a rich widow who wants to know the beach house her late husband has left her. She goes there with her lover Odilon, an unscrupulous young man more
Sandra is a rich widow who wants to know the beach house her late husband has left her. She goes there with her lover Odilon, an unscrupulous young man whose studies she's supporting. Helping her with the red tape is dr. Carvalho, a very conservative and old-fashioned lawyer. In her way to the house, she meets a couple of hippies, looking for a place to stay. She hires them as temporary housekeepers. close
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