You want to choose worst american drama movies from the selection "greatest movie candidates" from this list, which you'll really like?
Tell us a little about yourself or rate some films.
Worst american drama movies from the selection "Greatest Movie Candidates" - choose and watch online
American drama movies from the selection "Greatest Movie Candidates" - very popular category. We know 5043 this movies.
These are the most popular ones but just because a lot of people have watched them doesn't mean you should watch them.
If you want to choose movies,
which you won't be disappointed,
fill out a short form
and/or rate several films,
and filmAdviser will pick you up
american drama movies from the selection "greatest movie candidates"
according to your taste
among those
5043 ,
which we know.
We will not only help you choose movie,
but we’ll also tell you where it is watch online for free
Wealthy, powerful sweatshop owner falls in love with employee's teenage daughter, who feels obligated to marry him after he shares his wealth with her more
Wealthy, powerful sweatshop owner falls in love with employee's teenage daughter, who feels obligated to marry him after he shares his wealth with her parents, though she actually loves a young Marxist unionizer. close
Mixing narrative and documentary filming in a unique way the story is autobiographical and is about a date rape dissecting the characters and circumstances around it.
Mixing narrative and documentary filming in a unique way the story is autobiographical and is about a date rape dissecting the characters and circumstances around it. close
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London more
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community. close
In this musical short, General Bierbeau sends his weakling son, Pierre, to French Morocco to fight Arab insurgents, the Riffs, in the hopes that this more
In this musical short, General Bierbeau sends his weakling son, Pierre, to French Morocco to fight Arab insurgents, the Riffs, in the hopes that this will toughen him up. Pierre soon becomes the Riffs' leader and assumes a secret identity: The Red Shadow. close
A portrait of risk and language, the experimental narrative Daredevils, presents a writer as she interviews a well-known artist and feels the reverberations more
A portrait of risk and language, the experimental narrative Daredevils, presents a writer as she interviews a well-known artist and feels the reverberations of their discussion throughout her day. Visually spare, still and verbose the video constructs a metaphor of an artist’s life and work as daredevilry. –S.B. close
A pair of astronauts is trapped on an orbital space station due to unexpected nuclear war on Earth. They lost contact with Earth, and all attempts to more
A pair of astronauts is trapped on an orbital space station due to unexpected nuclear war on Earth. They lost contact with Earth, and all attempts to communicate with their base or anybody else have failed. close
This film follows a year in the life of a young African-American girl as she turns 13. Temporarily running away from home to sort out her life, which more
This film follows a year in the life of a young African-American girl as she turns 13. Temporarily running away from home to sort out her life, which of course sends her family and friends into a frenzy, she soon returns with new purpose - to buy a car. This sends her into a working frenzy - baby sitting, mowing lawns, washing cars, and pursuing jobs obviously advertised for adults. The film ends with Nina's 14th birthday and promise of her future. close
paris was made as a music video for the Norwegian rock trio MoE, whose raw style is between metal and noise. "I like the anger," is roared into the microphone more
paris was made as a music video for the Norwegian rock trio MoE, whose raw style is between metal and noise. "I like the anger," is roared into the microphone programmatically by the charismatic bassist and singer Guro Skumsnes Moe, who also writes the lyrics. In addition to the highly charged front woman´s raw voice, nothing more than an electric bass, guitar and drums are required to express pure anger and desperation. Roisz translates each instrument and Moe´s voice into its own visual level, and the end results are then layered visually. close
“A Darkness Swallowed opens on a pair of faded photographs showing an old dented car, one with a child standing beside it and the other without. Speaking more
“A Darkness Swallowed opens on a pair of faded photographs showing an old dented car, one with a child standing beside it and the other without. Speaking in voice-over, Bromberg references a past event, one that will forever haunt her although it occurred before her birth. The film then sinks downward, dipping below the surface of the rational world to mine the seemingly infinite layers of the past stored within the fleshy entrails, chalky bones, sinewy spider webs and gnarled ligaments of both the body and the Earth. Noises – of clanging metal, bells, heartbeats and jazz music, to name only a few – combine to create a dense sound environment, a seemingly immense, three-dimensional space for contemplation." – Holly Willis, L.A . Weekly close
A truly bizarre mixture of sentimentality, spirituality and the supernatural, Eleven P.M. follows an impoverished violinist who tries to protect a young more
A truly bizarre mixture of sentimentality, spirituality and the supernatural, Eleven P.M. follows an impoverished violinist who tries to protect a young girl from straying into a life of sin -- and features one of the most mind-boggling endings ever (the poster above provides a hint). Produced by the Maurice Film Company of Detroit, Michigan. close
This black and white student film stars Ray Manzarek's girlfriend (and future wife of 40+ years) Dorothy Fujikawa along with fellow film student Hank more
This black and white student film stars Ray Manzarek's girlfriend (and future wife of 40+ years) Dorothy Fujikawa along with fellow film student Hank Olguin. The film is a series of scenes that show Dorothy and Hank in different life situations, while the narration is a conversation between Hank and Dorothy discussing different topics. The central theme is the life of a jazz musician and his girlfriend. close
Will, shot on location in 1980s Harlem, focuses on Will (played by Obaka Adedunyo), a girls’ basketball coach fighting through a heroin addiction, while more
Will, shot on location in 1980s Harlem, focuses on Will (played by Obaka Adedunyo), a girls’ basketball coach fighting through a heroin addiction, while mentoring a 12-year-old street kid, adopted by Will and his wife (played by Loretta Devine). close
Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s more
Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE. close
The couch at Andy Warhol's Factory was as famous in its own right as any of his Superstars. In Couch, visitors to the Factory were invited to "perform" more
The couch at Andy Warhol's Factory was as famous in its own right as any of his Superstars. In Couch, visitors to the Factory were invited to "perform" on camera, seated on the old couch. Their many acts-both lascivious and mundane-are documented in a film that has come to be regarded as one of the most notorious of Warhol's early works. Across the course of the film we encounter such figures as poets Allen Ginsberg and Gregory Corso, the writer Jack Kerouac, and perennial New York figure Taylor Mead. close