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The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made more
The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia) close
Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it more
Now middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger and his rise to becoming wealthy and highly influential. Through it he talks about how much of his success and happiness is due to the support of his "friend" Joe. Unfortunately the only one who blindly believes Joe is anything close to a friend is Murray, because it's obvious to everyone that Joe back-stabs him at every chance and is sleeping with his wife. close
Look at Life is a short student film by George Lucas, produced for a course in animation while Lucas was a film student at USC Film School. The film's more
Look at Life is a short student film by George Lucas, produced for a course in animation while Lucas was a film student at USC Film School. The film's running time of exactly one minute was required by the course. This was the first film made by George Lucas and was heavily influenced by Canadian filmmaker Arthur Lipsett. close
Before Brian De Palma became a narrative film maker he made documentaries. Among them is The Responsive Eye, which chronicles the Museum of Modern Art’s more
Before Brian De Palma became a narrative film maker he made documentaries. Among them is The Responsive Eye, which chronicles the Museum of Modern Art’s 1965 exhibition of op-art. Curated by William Seitz, this was the first significant exhibit of optical art synchronous with and in some cases arising out of the early days of psychedelic culture. It’s amusing to watch the stuffed shirts within the art world attempt to describe what they are looking at in conventional terms or resorting to psychological mumbo jumbo without ever mentioning mescaline or LSD. close
A group of teenage girls spends the night in an old dark mansion as an initiation into a college sorority. What they don't know is that the building is more
A group of teenage girls spends the night in an old dark mansion as an initiation into a college sorority. What they don't know is that the building is actually the headquarters for a mad scientist and his hunchbacked assistant, who are experimenting with turning humans into gorillas. close
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental more
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject. close
Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.
Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness. close
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