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University of California Berkeley professor Daniel Fletcher built a portable microscope which attaches to the Nokia N8 phone, for medical purposes. Nokia more
University of California Berkeley professor Daniel Fletcher built a portable microscope which attaches to the Nokia N8 phone, for medical purposes. Nokia asked Aardman Animations to utilise both the microscope and the phone to create a short.[2] The entire film is shot using a Nokia N8. close
In 1990, Robert Kramer receives a grant from the Ford Foundation. He goes to Berlin for 6 months, where he makes an hour long single video shot (for a more
In 1990, Robert Kramer receives a grant from the Ford Foundation. He goes to Berlin for 6 months, where he makes an hour long single video shot (for a festival) in the bathroom of his apartment. Facing the camera, the filmmaker thinks, alone, about the fall of the Berlin wall. "I've already spent 6 weeks here. With all the events in eastern Europe, it was like a hurricane. Berlin is a city where you feel the biggest changes, where you meet Polish immigrants, or others, escaping. Berlin will become a very violent city. What happens in eastern Europe is a bit like the end of the civil war in the US. The North, and all it's power stimulated by years of war, took over the South, who has lost everything. And there is this German past, the war, on all levels. close
BBC documentary focusing on a reggae concert held at Wembley Stadium in 1970 featuring the Pyramids, Pioneers, Black Faith, Millie, the Maytals, and Desmond more
BBC documentary focusing on a reggae concert held at Wembley Stadium in 1970 featuring the Pyramids, Pioneers, Black Faith, Millie, the Maytals, and Desmond Dekker. Includes interviews with DJ Mike Raven and producer Graham Goodall, who review the history and development of reggae. close
The result of a series of camera-less collaborations between the filmmaker, the Atlantic Ocean, and a crab trap. For three days in January and three days more
The result of a series of camera-less collaborations between the filmmaker, the Atlantic Ocean, and a crab trap. For three days in January and three days in October of 1997, and again, for a day, in August of 1998, lengths of unexposed, undeveloped film were soaked in a crab cage on a South Carolina beach. Both the sound and image are the result of the ensuing oceanic inscriptions written directly into the emulsion of the film as it was buffeted by the salt water, sand, rocks and shells. close
On April Fool's Day, 1989, a man crossing the road between two garage sales was hit by a car and thrown into a state between life and death. Nine years more
On April Fool's Day, 1989, a man crossing the road between two garage sales was hit by a car and thrown into a state between life and death. Nine years later, his daughter uses her camera to try and understand both the absent moment and its lasting impact on her family, Russian immigrants marooned in Colorado. close
"MORGAN’S CAKE is the story of a young man (Morgan Schmidt-Feng) about to turn 18, and all the problems that are set to befall him. His girlfriend is more
"MORGAN’S CAKE is the story of a young man (Morgan Schmidt-Feng) about to turn 18, and all the problems that are set to befall him. His girlfriend is pregnant, he’s just lost his job, his mother is deserting him for a career move to New York City, and his divorced dad (Willie Boy Walker) can barely afford the small office space in which they live. Morgan’s most pressing problem is whether or not to register for the draft, and Walker, in a bravura performance, shares a real-life story of how he avoided military service in the late 1960’s. After a series of fateful encounters, Morgan finally saves his sanity by baking a cake." (from Fandor.com) close
I Was a Jewish Sex Worker is a humorous, no-holds-barred autobiographical film about the director’s former career as a sex worker and his relationship more
I Was a Jewish Sex Worker is a humorous, no-holds-barred autobiographical film about the director’s former career as a sex worker and his relationship with his Jewish family. From graphic, erotic massages to a revealing interview with his grandmother, Roth tells a unique tale and explores themes of sexual wellness, connection and self-realization. Featuring guest appearances by German filmmaker Rosa von Praunheim and sexologist/performer Annie Sprinkle. close
Characterized as a "fictionalized documentary" by the producer, this bizarre experimental drama is the story of three days in the life of a highly charged more
Characterized as a "fictionalized documentary" by the producer, this bizarre experimental drama is the story of three days in the life of a highly charged and successful Long Island insurance salesman who takes a filmmaker to Las Vegas. Though the protagonists really are a salesman and a director, the line between reality and fiction is hopelessly blurred as the story unfolds. . . The brash, loud and supremely confidant salesman shmoozes his clients in a way that is a game for him. He uses his powers of persuasion to acquire more and more sales. He and his cronies drink and feast over their success before embarking on the Las Vegas convention. The company even goes so far as to provide women for the married men, rewarding their career successes with amoral excesses in this film that concludes with a dream sequence on a beach. close
UCLA's Ethno-Communications Program's first collective student film had intended to capture the East Los Angeles Chicano Moratorium Against the War in more
UCLA's Ethno-Communications Program's first collective student film had intended to capture the East Los Angeles Chicano Moratorium Against the War in Vietnam, Aug. 29, 1970, but the film turns into a requiem for slain journalist and movement icon, Ruben Salazar. The film shows footage of the march, the brutal police response and resulting chaos interspersed with scenes from the rather callous and superficial inquest. Filmmakers attached to the project have confirmed that the original elements for the film disappeared over 40 years ago. close
In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate “space in a kind of flying camera, a more
In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate “space in a kind of flying camera, a dream of flying, a kind of sensual, sexual imagery where you were constantly going into an unknown space.” A trio of dancers (Carolyn Carlson, Emery Hermans, Bob Beswick) appear "first in leotards, then in bluejeans, then naked, as they “pass through rituals of movement.” close
Leon Golub's massive canvasses depict scenes most of us would prefer not to see - mercenary killings, torture, and death squads. Golub offers not simply more
Leon Golub's massive canvasses depict scenes most of us would prefer not to see - mercenary killings, torture, and death squads. Golub offers not simply a profile of a painter with a political conscience, but an investigation into the power of the artist to reflect our times and to change the way we think about our world. close
Joan is loved by a young man of the village and they are married. In a few weeks the husband, a soldier, is sent to the war-front along with his three more
Joan is loved by a young man of the village and they are married. In a few weeks the husband, a soldier, is sent to the war-front along with his three brothers. Word is received that her husband has been killed in battle and Joan's first impulse is suicide by she is pregnant and her prospective motherhood makes her realize her new responsibility. The military authorities start a movement to get the young women of the country to marry departing soldiers, so that the empire may have another generation of fighting men. Word is received that the King is to pass through their village and Joan organizes the women in a general protest against the war. She leads them all, dressed in black, in a long procession to meet the Monarch. The soldiers threaten to shoot her unless she turns the women back, buy Joan comes face-to-face with the ruler and kills herself, as her message from the women that they refuse to make another generation victims of a ruthless militarism. close
The film tells the story of Bill, a young, successful stockbroker who zips off to Greenwich Village on his motorcycle when no one's looking to venture more
The film tells the story of Bill, a young, successful stockbroker who zips off to Greenwich Village on his motorcycle when no one's looking to venture into the hippy counterculture world. His wife, Nancy, is the dream of every middle-class male. She is liberated enough to go around bra-less, enjoy sex, and be the perfect mother for their child. Nancy, however, is unaware of her husband's excursions and happily attends the local ecology awareness meetings without Bill. Bill soon becomes involved with Gordon, an Andy Warhol-type character whose protege, Roz, fascinates the square young businessman. After witnessing a wild party on Fire Island, Bill realizes that this crowd is not for him (shallow, lifeless) and that he does not even want to have sex with Roz because he is lonely for his wife. Nancy arrives unexpectedly on the island to reclaim her husband and together they walk off into the sunset hand in hand. close
James Baldwin retraces his time in the South during the Civil Rights Movement, reflecting with his trademark brilliance and insight on the passage of more
James Baldwin retraces his time in the South during the Civil Rights Movement, reflecting with his trademark brilliance and insight on the passage of more than two decades. From Selma and Birmingham and Atlanta; to the battleground beaches of St. Augustine, Florida, with Chinua Achebe; and back north for a visit to Newark with Amiri Baraka, Baldwin lays bare the fiction of progress in post–Civil Rights America, wondering “what happened to the children” and those “who did not die, but whose lives were smashed on Freedom Road.” close
Eight years in the making, Boetticher’s portrait of his longtime friend, the famous bullfighter Carlos Arruza, was a labor of love that the renowned director more
Eight years in the making, Boetticher’s portrait of his longtime friend, the famous bullfighter Carlos Arruza, was a labor of love that the renowned director of westerns (SEVEN MEN FROM NOW [1956], RIDE LONESOME [1959], COMANCHE STATION [1960]) pursued despite contending with illnesses, bankruptcy, jail time, and lucrative offers from Hollywood. The result is an astonishing work of poetry, immediacy, and violence that fearlessly wrestles with the filmmaker’s own ambivalence about the titular matador’s triumphs prior to his death by automobile accident at the age of 46. close
Five years in the making, Lawrence Jordan's feature-length "alchemical autobiography" Sophie's Place takes as its inspiration the story of the Greek goddess more
Five years in the making, Lawrence Jordan's feature-length "alchemical autobiography" Sophie's Place takes as its inspiration the story of the Greek goddess of wisdom, Sophia. Writes Jordan, "I must emphasize that I do not know the exact significance of any of the symbols in the film any more than I know the meaning of my dreams... I hope that the symbols and the episodes set off poetic associations in the viewer. I mean them to be entirely open to the viewer's own interpretation." close