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Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in more
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made. close
The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above more
The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above almost in a vertical plunge onto the deep, rocky ground. close
“This view was taken upon Mr. McKinley's lawn at his home in Canton, Ohio. Mr. McKinley appears walking across the lawn in company with his Secretary, more
“This view was taken upon Mr. McKinley's lawn at his home in Canton, Ohio. Mr. McKinley appears walking across the lawn in company with his Secretary, who hands him a telegram, which he reads with apparent satisfaction. The characteristic walk and gestures of Mr. McKinley will be noted with interest by his friends.” (AMB Picture Catalogue) close
Rip van Winkle and the Four Dwarfs in the Woods. Rip raises his glass and makes a toast. He drinks while the dwarves watch him closely. Rip immediately more
Rip van Winkle and the Four Dwarfs in the Woods. Rip raises his glass and makes a toast. He drinks while the dwarves watch him closely. Rip immediately begins to stagger and falls, falling asleep. close
Three dwarfs are in the woods when Rip van Winkle and another dwarf come to them. The main dwarf turns to the confused Rip, who still holds a barrel in his hands.
Three dwarfs are in the woods when Rip van Winkle and another dwarf come to them. The main dwarf turns to the confused Rip, who still holds a barrel in his hands. close
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some more
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside. close
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead more
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead the fair Marguerite. Faust refuses, whereupon Mephistopheles draws the sword across the throat of the lady and she suddenly disappears and Faust is seated in her place. close
Rip van Winkle and the four dwarfs are in the woods when Rip falls to the ground. Rip rises in a last-ditch attempt to get help from them, but the dwarves more
Rip van Winkle and the four dwarfs are in the woods when Rip falls to the ground. Rip rises in a last-ditch attempt to get help from them, but the dwarves disappear from view. Rip is falling asleep. close
A burning wagon is dragged from the barn by the firemen, and four horses are rescued from the flames by the stablemen. Thick volumes of smoke pour from the doors and windows. (Edison catalog)
A burning wagon is dragged from the barn by the firemen, and four horses are rescued from the flames by the stablemen. Thick volumes of smoke pour from the doors and windows. (Edison catalog) close
This legendary fight was filmed on March 17, 1897, using 63mm film that produced an aspect ratio of about 1.75:1. Using three adjacent cameras, Enoch more
This legendary fight was filmed on March 17, 1897, using 63mm film that produced an aspect ratio of about 1.75:1. Using three adjacent cameras, Enoch Rector recorded the entire fight, simultaneously creating the world's first known feature film, as the resulting footage lasted over 90 minutes in length. About a quarter of the film survives today. close
A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 more
A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 persons in the party, walk past; the dignitaries are in front, attended by men with horns and drums. Coming in the other direction are local Swiss, who pay little attention, and a group of native-garbed Africans. The dozen or so well-dressed denizens of Geneva who are sitting on the steps of the Divan take it all in. close
The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, more
The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, in Rennaissance dress, stand off to the right of the screen, and in the background, next to a painted backdrop. close
This picture depicts the eruption of the volcano by which over 30,000 souls were hurled into eternity. The numerous explosions which took place during more
This picture depicts the eruption of the volcano by which over 30,000 souls were hurled into eternity. The numerous explosions which took place during the eruption are plain to be seen. Thousands upon thousands of tons of molten lava, sand, rocks and steam are thrown high in the air and descend with crushing force upon the unfortunate inhabitants of the doomed city of St. Pierre. This is the worst calamity which occurred since a similar eruption by Mt. Vesuvius when Pompeii was destroyed. (Lubin Catalog) close
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