Jean-Baptiste, a filmmaker, and Elie, an actress, fall in love. To fight their unhappiness, they cling to their children: Jean-Baptiste to his film and Elie to her young son.
Jean-Baptiste, a filmmaker, and Elie, an actress, fall in love. To fight their unhappiness, they cling to their children: Jean-Baptiste to his film and Elie to her young son. close
In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The more
In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The father takes to his bed after his hernia acts up and never leaves it. Of his three sons, only one wants to do much about leaving, and he does in fact cross the front threshold of the house with his lover, who is also the maid. However, before he has gotten very far, he is very tired, and goes to sleep where he stands. One of the sons outdoes them all by sleeping literally all the time. He is not in a coma -- he is just very, very lazy and tired. Some critics have viewed this film as a sharply delineated social satire. close
One day seventeen-year-old Alma sees her father who had left the family five years before and had never contacted them since then accidentally on a subway more
One day seventeen-year-old Alma sees her father who had left the family five years before and had never contacted them since then accidentally on a subway stop in Berlin. She finds out where he works and start spending time together. Very soon the feelings they have for each other extend a normal father-daughter basis and they erotically attract each other. close
Daft Punk's Electroma is a psychedelic drama in which the characters do not utter a single word. It's just the music Daft Punk. The plot of Daft Punk's more
Daft Punk's Electroma is a psychedelic drama in which the characters do not utter a single word. It's just the music Daft Punk.
The plot of Daft Punk's Electroma is simple - two robots want to become humans, and now they have to hike through a mystical country, with one goal - to find out what they must do to become human. But robots can't talk, all they can do is make beautiful music. On the faces of robots it is difficult to understand what emotions they are experiencing at a particular moment, the music is designed to convey to the viewer the meaning and logic of their actions, if any, is present in their behavior. . . close
An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious more
An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious Tulse Luper and the keeper of the bird house at the Amsterdam Zoo. close
Vittorio stops to help Kate when her car breaks down on a mountain road. When they meet again, Vittorio discovers that Kate has rejoined a circus after more
Vittorio stops to help Kate when her car breaks down on a mountain road. When they meet again, Vittorio discovers that Kate has rejoined a circus after a long time away. He begins to learn about the troupe's buried past and Kate's connection to it, while experiencing the magic of the circus. close
Five people, under pain of death, must watch the documentary footage and grasp its hidden meaning. These are photos, various records and documents, and more
Five people, under pain of death, must watch the documentary footage and grasp its hidden meaning. These are photos, various records and documents, and most importantly, chronicles shot around the world – from Bangkok to Kilimanjaro, from the national highway No. 1 in the United States to Rhodesia and Melbourne. Connected by editing, they contain a secret. Five spectators can't solve it and will apparently be executed. close
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his more
A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch. close
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