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Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses more
Scene IV of the Buster Brown Series. Shows a kitchen and Bridget busy making crullers. Buster enters and begs Bridget to give him one. Bridget refuses and places all the crullers in a basket on the top pantry shelf. She warns Buster not to touch them, and leaves the room. Buster secures a stepladder and proceeds to climb to the top. As he is about to secure the coveted prize his mamma enters, chastises him severely, and ties Buster fast to the table, and leaves the room. close
“Another exhibition by Prof. Leonidas' troop of cats and dogs. One of the dogs is shown stealing his dinner from the table in his master's absence. In more
“Another exhibition by Prof. Leonidas' troop of cats and dogs. One of the dogs is shown stealing his dinner from the table in his master's absence. In order to cover his own crime, the dog places a cat on the table, where she is found when the master comes in.” (AMB Picture Catalogue, 1902) close
A gardener is watering a garden. A prankster stands on his hose halting the flow until he looks at the nozzle and gets a stream of water to the face. more
A gardener is watering a garden. A prankster stands on his hose halting the flow until he looks at the nozzle and gets a stream of water to the face. He notices the prankster and gives him his comeuppance. Remake of the Lumiere film Arroseur et arrosé. close
From Maguire & Baucus catalogue: A most amusing and life-like scene, in which a number of young ladies clad in their night robes, are seen engaged in a midnight frolic.
From Maguire & Baucus catalogue: A most amusing and life-like scene, in which a number of young ladies clad in their night robes, are seen engaged in a midnight frolic. close
Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film more
Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film using a stationary camera much more valuable for its historical, rather than entertainment value. close
As the camera looks down an open road, a horse and carriage approaches, and passes by to one side of the field of view. Soon afterwards, an automobile more
As the camera looks down an open road, a horse and carriage approaches, and passes by to one side of the field of view. Soon afterwards, an automobile comes up the road, straight towards the camera. As it gets nearer, the occupants start to wave frantically, but can a collision be avoided? close
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in more
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made. close
The scene opens in the interior of an artist's studio. Mephisto appears mysteriously and signals the pictures to come to life. They step down from the more
The scene opens in the interior of an artist's studio. Mephisto appears mysteriously and signals the pictures to come to life. They step down from the frames and walk forward, admiring their costumes. Mephisto then touches the artist on the shoulder, awakening him, and disappears. The artist, after rubbing his eyes, sees the picture on his right hand side and jumps up to embrace her. After embracing her once, he makes a second attempt and she disappears. The artist now wakes up, jumps to his feet, and runs to see if the picture are still in the frames. He examines them and finding that they are still fast on the wall, realizes that the has been dreaming and seeks consolation in the bottle. close