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The stage of a vaudeville theatre. A lady in evening costume is performing on a trapeze. Two Rubes are seated in a box. The lady begins to disrobe, and more
The stage of a vaudeville theatre. A lady in evening costume is performing on a trapeze. Two Rubes are seated in a box. The lady begins to disrobe, and here the fun commences. As she removes her garments one by one and throws them at our rural friends, they begin going through antics, which to say the least, are highly amusing. When the stockings come off, the climax takes place. The Rubes jump from their seats and make things lively for a short time in the theatre. close
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and more
One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage. close
Shows a tramp enter and try to ride a wheel, from which he makes some very ludicrous falls and gives up in despair, after which an artist enters and jumps more
Shows a tramp enter and try to ride a wheel, from which he makes some very ludicrous falls and gives up in despair, after which an artist enters and jumps rope on a wheel. A very laughable subject. close
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some more
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside. close
Two impish clowns construct a magic lantern. They prop it up at an angle, and use it to project pictures onto a wall. When the picture show ends, they more
Two impish clowns construct a magic lantern. They prop it up at an angle, and use it to project pictures onto a wall. When the picture show ends, they open up the lantern to reveal a group of dancing girls inside - and this is only the first of the indications that this lantern really is magical. close
Papa is reading his newspaper and his little girl tickles his neck with a long straw. Thinking it is a fly papa "shoos" away the supposed fly with his hand…
Papa is reading his newspaper and his little girl tickles his neck with a long straw. Thinking it is a fly papa "shoos" away the supposed fly with his hand… close
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink.
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink. close
"A side splitting subject, showing the mistaken tramp's arrival at the Wm. Waldorf Astor mansion and being discovered comfortably asleep in bed, by the lady of the house."
"A side splitting subject, showing the mistaken tramp's arrival at the Wm. Waldorf Astor mansion and being discovered comfortably asleep in bed, by the lady of the house." close
In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating more
In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating a crust of bread. Suddenly there come running into the place a lot of Turkish men and women preceding some Turkish policemen, who drag along four prisoners in chains. The policemen shut up the four prisoners in the pillory. Their four heads stick up through the huge plank, which is provided with four openings. One of the policemen urges the executioner to decapitate the prisoners. He accordingly seizes a mighty sabre and cuts off by a single stroke the four heads, which roll upon the ground. close
Two delinquent clerks are seated in a broker's office engaged in a game of cards. The boss suddenly appears walking through the corridor. The cards are more
Two delinquent clerks are seated in a broker's office engaged in a game of cards. The boss suddenly appears walking through the corridor. The cards are thrown down in great haste and when the employer enters the office the clerks are apparently busily engaged in their work. close
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