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Street kids Kolya, Irina, Ksusha and Denis describe the abandoned building they live in as 'a Fairytale place' where anything is possible. Their gang more
Street kids Kolya, Irina, Ksusha and Denis describe the abandoned building they live in as 'a Fairytale place' where anything is possible. Their gang have relied on each other since they were young kids; stealing, begging and turning tricks to survive on the streets of the broken, post-Soviet city of Perm, Russia. All born in the years after the collapse of the Soviet Union, they have created their own kind of society as together they battle with freezing temperatures, harassment from the police and their very vulnerable existance, using drink and drugs to block out the horrors of life and escape into fantasy. The four face their brutal, unforgiving world with grit and often caustic humour, but now, on the brink of adulthood, time is running out for any of the group to escape their toxic situation. Told with candid honesty and heart-breaking humour, A RUSSIAN FAIRYTALE is both eye-opening and utterly compelling, with tragic revelations woven between glimmers of hope. close
Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. more
Two acclaimed documentary film-makers - father and son - drive from Poland to Paris to see the place where the ashes of the father's mother are buried. What accompanies them on the way are resentments, quarrels and sincere confessions. close
The director has visited tens of cemeteries. He records monuments above mass graves and memorials that people pile above the ground where the dead bodies lie.
The director has visited tens of cemeteries. He records monuments above mass graves and memorials that people pile above the ground where the dead bodies lie. close
In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of more
In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of the World War One-era cinema diva. In all-but-lost gems such as La donna nuda (1914), and Tigre reale (1916), superstars such as Lyda Borelli and Pina Menichelli portrayed heroines teetering dangerously between defiant indulgence in sexual passion and hysterical remorse at their own cruelties. Delpeut’s inventive celebration of Black Romanticism is both striking and heartbreaking in its composition—a beautifully woven narrative of tempted fate and self-torment, elegantly guided by Loek Dikker’s original score. Zeitgeist Films is proud to present Delpeut’s stunningly experimental work in all its heaving bosomed, luridly tinted glory. close
Four landscape shots containing a replica of Ted Kaczynski’s cabin, one shot per season. On the soundtrack, Benning reads extracts from Kaczynski’s journals more
Four landscape shots containing a replica of Ted Kaczynski’s cabin, one shot per season. On the soundtrack, Benning reads extracts from Kaczynski’s journals from the early 1970s, recording his progress at hunting and gathering, and his connection to the Montana wilderness; a hand-written folded sheet of paper detailing his acts of “monkey wrenching” and first attempts at planting bombs; two notebooks written in numerical code in 1985 and decoded by Benning in 2011; two excepts from Industrial Society and Its Future by "FC" (aka the Unabomber Manifesto) as published in The New York Times and The Washington Post in 1995; and a 2001 interview with Kaczynski by J. Alienus Rychalski, special correspondent for the Blackfoot Valley Dispatch. close
Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she more
Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment. close
Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his more
Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film. close
Nine short, individually titled reels of colour 16mm film, which are presented in a random order determined before each screening. Drawing on a text by more
Nine short, individually titled reels of colour 16mm film, which are presented in a random order determined before each screening. Drawing on a text by German philosopher Günther Anders, the film is an imaginary documentary about Molussia, a fictional totalitarian country that Anders invented to represent the dystopia of fascism. close
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the more
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world. close
This labor advocacy film is about diseases plaguing miners in Kansas, Missouri and Oklahoma. Sponsored by the Tri-State Survey Committee, "Men and Dust" more
This labor advocacy film is about diseases plaguing miners in Kansas, Missouri and Oklahoma. Sponsored by the Tri-State Survey Committee, "Men and Dust" is a stylistically innovative documentary and a valuable ecological record of landscapes radically transformed by extractive industry. close
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie more
It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction. close
Circus strongmen, bearded women, trained elephants, mad dancers, dwarfs and nude starlets behind the velvet curtains——————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— more
Circus strongmen, bearded women, trained elephants, mad dancers, dwarfs and nude starlets behind the velvet curtains——————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— Many fragments have never before been shown on the big screen, part of the chronicle of the turn of the XIX-XX centuries was provided by the descendants of ancient circus families. Black and white scenes are interspersed with color, elephants are replaced by a screen of tigers and acrobats, and all this together forms today in a very unfunny, a rather disturbing picture; a panopticum of morals and savages, retouched by the hands of the director with a gloomy, but an excellent sense of humor. close
Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. more
Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry. close
In the Republic of Belarus, Europe’s last remaining unreconstructed Communist dictatorship, the Belarus Free Theatre risks censorship, imprisonment and more
In the Republic of Belarus, Europe’s last remaining unreconstructed Communist dictatorship, the Belarus Free Theatre risks censorship, imprisonment and worse to stage their provocative and subversive plays in secret performances at home and to critical acclaim abroad. Director Madeleine Sackler goes behind the scenes with this group of gutsy performers as they brave a renewed government crackdown on dissenters in 2010. close
Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer more
Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer weaves gay and lesbian couples with footage that unearths the forbidden and invisible history of a marginalized people. close
In the fields, we see them, extended on the grass or grazing peacefully. Large placid beasts that we thought we knew because they are livestock. Lions, more
In the fields, we see them, extended on the grass or grazing peacefully. Large placid beasts that we thought we knew because they are livestock. Lions, gorillas, bears have our attention, but has anyone ever really looked at cows? Asked what they were doing with their days? What do they do when a storm passes? When the sun comes back? What do they think when they stand motionless, seemingly contemplating the void? Do they think? "Bovines" chronicles the true life of a cow: grazing, ruminating, gazing - but also feeling - mooing with grief, or just enjoying an apple… close
Famed French artist, photographer, writer and actor Hervé Guibert riveting self-portrayal of his last months and journies living with AIDS. Hervé is seen more
Famed French artist, photographer, writer and actor Hervé Guibert riveting self-portrayal of his last months and journies living with AIDS. Hervé is seen here in this film with his Panasonic video camera documenting his life. The scenes are shot from June 1990 through March 1991 in Paris France and a respite on the island of Elba. The film was first shown on TF1 (French Television 1) on January 20th, 1992, shortly after his death on December 27th, 1991. The film portrays a very personal look into the human condition. close
"Solidarity! All for One and One for All!" With that slogan, the Industrial Workers of the World, aka the Wobblies, took to organizing unskilled workers more
"Solidarity! All for One and One for All!" With that slogan, the Industrial Workers of the World, aka the Wobblies, took to organizing unskilled workers into one big union and changing the course of history. This award-winning film airs a provocative look at the forgotten American history of this most radical of unions, screening the unforgettable and still-fiery voices of Wobbly members--lumberjacks, migratory workers, and silk weavers--in their 70s, 80s, and 90s. close
Fearless, feisty and resolute, the "Rough Aunties" are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected more
Fearless, feisty and resolute, the "Rough Aunties" are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This newest documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption and greed to help the most vulnerable and disenfranchised of their communities. close
An associative collection of visual impressions across fifteen chapters: a seagull in Porto, political posters in New York, an abstract painting in St. more
An associative collection of visual impressions across fifteen chapters: a seagull in Porto, political posters in New York, an abstract painting in St. Petersburg, an abandoned video shop in Cairo and cats everywhere you look. close
Sergio and his father, Simão, haven’t seen each other for over 20 years. On the eve of the 2014 World Cup, Sergio returns to his hometown, São Paulo, more
Sergio and his father, Simão, haven’t seen each other for over 20 years. On the eve of the 2014 World Cup, Sergio returns to his hometown, São Paulo, hoping to watch the games with Simão, as they used to when he was a kid. It seems to be a perfect plan for a father-son reunion: a whole month together, their schedule based on the World Cup calendar. But as the days go by, their relationship starts to wander into unknown territory and their pact to watch the entire tournament together turns into a dangerous ritual… close
Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust more
Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu. close
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