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Famed French artist, photographer, writer and actor Hervé Guibert riveting self-portrayal of his last months and journies living with AIDS. Hervé is seen more
Famed French artist, photographer, writer and actor Hervé Guibert riveting self-portrayal of his last months and journies living with AIDS. Hervé is seen here in this film with his Panasonic video camera documenting his life. The scenes are shot from June 1990 through March 1991 in Paris France and a respite on the island of Elba. The film was first shown on TF1 (French Television 1) on January 20th, 1992, shortly after his death on December 27th, 1991. The film portrays a very personal look into the human condition. close
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the more
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world. close
The director has visited tens of cemeteries. He records monuments above mass graves and memorials that people pile above the ground where the dead bodies lie.
The director has visited tens of cemeteries. He records monuments above mass graves and memorials that people pile above the ground where the dead bodies lie. close
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), more
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him. close
Street kids Kolya, Irina, Ksusha and Denis describe the abandoned building they live in as 'a Fairytale place' where anything is possible. Their gang more
Street kids Kolya, Irina, Ksusha and Denis describe the abandoned building they live in as 'a Fairytale place' where anything is possible. Their gang have relied on each other since they were young kids; stealing, begging and turning tricks to survive on the streets of the broken, post-Soviet city of Perm, Russia. All born in the years after the collapse of the Soviet Union, they have created their own kind of society as together they battle with freezing temperatures, harassment from the police and their very vulnerable existance, using drink and drugs to block out the horrors of life and escape into fantasy. The four face their brutal, unforgiving world with grit and often caustic humour, but now, on the brink of adulthood, time is running out for any of the group to escape their toxic situation. Told with candid honesty and heart-breaking humour, A RUSSIAN FAIRYTALE is both eye-opening and utterly compelling, with tragic revelations woven between glimmers of hope. close