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Street kids Kolya, Irina, Ksusha and Denis describe the abandoned building they live in as 'a Fairytale place' where anything is possible. Their gang more
Street kids Kolya, Irina, Ksusha and Denis describe the abandoned building they live in as 'a Fairytale place' where anything is possible. Their gang have relied on each other since they were young kids; stealing, begging and turning tricks to survive on the streets of the broken, post-Soviet city of Perm, Russia. All born in the years after the collapse of the Soviet Union, they have created their own kind of society as together they battle with freezing temperatures, harassment from the police and their very vulnerable existance, using drink and drugs to block out the horrors of life and escape into fantasy. The four face their brutal, unforgiving world with grit and often caustic humour, but now, on the brink of adulthood, time is running out for any of the group to escape their toxic situation. Told with candid honesty and heart-breaking humour, A RUSSIAN FAIRYTALE is both eye-opening and utterly compelling, with tragic revelations woven between glimmers of hope. close
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), more
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him. close
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the more
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world. close
Famed French artist, photographer, writer and actor Hervé Guibert riveting self-portrayal of his last months and journies living with AIDS. Hervé is seen more
Famed French artist, photographer, writer and actor Hervé Guibert riveting self-portrayal of his last months and journies living with AIDS. Hervé is seen here in this film with his Panasonic video camera documenting his life. The scenes are shot from June 1990 through March 1991 in Paris France and a respite on the island of Elba. The film was first shown on TF1 (French Television 1) on January 20th, 1992, shortly after his death on December 27th, 1991. The film portrays a very personal look into the human condition. close
Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer more
Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian cinema, Hammer weaves gay and lesbian couples with footage that unearths the forbidden and invisible history of a marginalized people. close
In the fields, we see them, extended on the grass or grazing peacefully. Large placid beasts that we thought we knew because they are livestock. Lions, more
In the fields, we see them, extended on the grass or grazing peacefully. Large placid beasts that we thought we knew because they are livestock. Lions, gorillas, bears have our attention, but has anyone ever really looked at cows? Asked what they were doing with their days? What do they do when a storm passes? When the sun comes back? What do they think when they stand motionless, seemingly contemplating the void? Do they think? "Bovines" chronicles the true life of a cow: grazing, ruminating, gazing - but also feeling - mooing with grief, or just enjoying an apple… close
The champion lady boxers of the world. Shows two female pugilists who are really clever. They engage in a hot one-round sparring bout. A park, with marble more
The champion lady boxers of the world. Shows two female pugilists who are really clever. They engage in a hot one-round sparring bout. A park, with marble entrance and walk, and beautiful trees and shrubbery, make a very pleasing background. The exhibition is very lively from start to finish; the blows fall thick and fast, and some very clever pugilistic generalship is shown. Sold complete or in separate lengths. close
Sergio and his father, Simão, haven’t seen each other for over 20 years. On the eve of the 2014 World Cup, Sergio returns to his hometown, São Paulo, more
Sergio and his father, Simão, haven’t seen each other for over 20 years. On the eve of the 2014 World Cup, Sergio returns to his hometown, São Paulo, hoping to watch the games with Simão, as they used to when he was a kid. It seems to be a perfect plan for a father-son reunion: a whole month together, their schedule based on the World Cup calendar. But as the days go by, their relationship starts to wander into unknown territory and their pact to watch the entire tournament together turns into a dangerous ritual… close
An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from more
An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard's Sensory Ethnography Lab, J.P. Sniadecki's attentive documentary approach mixes perfectly with Joshua Bonnetta's meditations on the materiality of film. Together, they've created an experience of the border region like nothing you've seen, heard or felt before. close
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism more
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities. close
The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the more
The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the neighboring villages, although he doesn’t communicate with other people. He collects some waste but doesn’t beg. He prowls about the ruins of deserted villages, as an animal or as a ghost. Under double political and economical pressure, most of people are depriving of their last dignity into a world where it exists a lack of material and spirit. But a human being stays a human being. He is looking for reasons to continue to live. —Wang Bing close
Breathing is about the thin space between life and death. 34-year-old Neil Platt plans his own funeral, muses about the meaning of life and the impossibility more
Breathing is about the thin space between life and death. 34-year-old Neil Platt plans his own funeral, muses about the meaning of life and the impossibility of terminating a mobile phone contract. With 5 months left to live, and paralyzed from the neck down by Motor Neurone Disease, he ponders how to communicate about his life in a letter for his baby son. How can he anticipate what he might want to know about his father in a future he can only imagine? close
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his more
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health. close
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the more
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, then located in the Covent Garden area of East central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look At Britain" series. close
A long distance call from a long lost lover makes her reminisce about their common past. She remembers the spring when they met in Paris, the riots, the more
A long distance call from a long lost lover makes her reminisce about their common past. She remembers the spring when they met in Paris, the riots, the vespa and the cat named Baby. A film about love, time and things that got lost along the way. close
Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried more
Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa. close
An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of more
An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people. close
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was more
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was secured by lashing the camera to the after bridge of the Kaiserine Maria Theresa, of the North German Lloyd Line, during one of its roughest voyages. The most wonderful storm picture ever photographed. Taken at great risk. (Edison Films, 1901) close
An industrial film which shows the operations inside the Philips Radio plant: In a mêlée of activity, glassblowers make delicate glass bulbs. Machinery more
An industrial film which shows the operations inside the Philips Radio plant: In a mêlée of activity, glassblowers make delicate glass bulbs. Machinery assists the bulb manufacture. A virtuoso glassblower begins a more complex tube used in radio broadcasting; it is then turned, fired, and sculpted. Conveyors carry partially completed units. Workers perform their various specific assembly-line tasks. Cases are manufactured and machined, wire harnesses are assembled, loudspeakers are produced. As radios near completion, they are run through a series of tests. Engineers and draughtsmen define future developments. In a closing stop-motion sequence, in a style reminiscent of Norman McLaren, a group of loudspeakers performs a playful dance. The film overall is a poetic depiction of an industrial process. close
Saar is an HIV positive gay man living in London, where he found refuge from the religious kibbutz where he grew up in Israel. Ever since he was diagnosed more
Saar is an HIV positive gay man living in London, where he found refuge from the religious kibbutz where he grew up in Israel. Ever since he was diagnosed with HIV, Saar has craved his family's love, while they struggle with fears and prejudices. close
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