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In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), more
In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him. close
From his diary, filmed over ten years, filmmaker Alain Cavalier invites us to a meditation on old age, weakness and death. Made of moments of life, fragments more
From his diary, filmed over ten years, filmmaker Alain Cavalier invites us to a meditation on old age, weakness and death. Made of moments of life, fragments of images, this film composes a mosaic where the spectator is invited to also find his place by himself... close
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff more
Mental anguish is all that's present in the film Seuls / Alone (1989). Shot like a grungy medical documentary, Smolders and co-director Thierry Knauff intercut shots of several children at a Belgium psychiatric clinic. The kids are shown with forlorn expressions, twicthing their eyes, sometimes smiling, shaking, jumping, rocking their heads side to side, or smacking their heads with horrific glee against walls. It's a minimalist work that captures the intense monotony of lost and disturbed young minds, and maintains a gritty intensity. - kqek.com close
In May 1991 Soviet cosmonauts Anatoly Artsebarksy and Sergey Krikalev visit space station Mir in space mission Ozon. Artsebarski, the commander, returns more
In May 1991 Soviet cosmonauts Anatoly Artsebarksy and Sergey Krikalev visit space station Mir in space mission Ozon. Artsebarski, the commander, returns to Earth according to plan 5 months later. Krikalev has to stay in space for ten months because of the chaotic political situation in his home country. He left the USSR to return to Russia. The 1991 coup ends an important era. close
An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from more
An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard's Sensory Ethnography Lab, J.P. Sniadecki's attentive documentary approach mixes perfectly with Joshua Bonnetta's meditations on the materiality of film. Together, they've created an experience of the border region like nothing you've seen, heard or felt before. close
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism more
This is a small, intense film based on Schoenberg’s opus of the same name with the subtitle “danger, fear, catastrophe”. It deals with emerging fascism and the persecution of Jews, as well as with their historical continuities. close
The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the more
The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard. close
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures more
Modest meditation on youth, life and mortality made up almost entirely from professionally made family films. What is more heart-rending than seeing pictures of people who have died? The aim of Mort à Vignole is to transcend the pain of a certain family and to come to terms with sensitive memories and family bonds. - IFFR close
The startling story of Ryszard Siwiec, a man who, on a Polish national holiday in September 1968, immolated himself in front of thousands of people in a stadium in Warsaw.
The startling story of Ryszard Siwiec, a man who, on a Polish national holiday in September 1968, immolated himself in front of thousands of people in a stadium in Warsaw. close
The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the more
The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the neighboring villages, although he doesn’t communicate with other people. He collects some waste but doesn’t beg. He prowls about the ruins of deserted villages, as an animal or as a ghost. Under double political and economical pressure, most of people are depriving of their last dignity into a world where it exists a lack of material and spirit. But a human being stays a human being. He is looking for reasons to continue to live. —Wang Bing close
In his most recent work, Christian Frei turns to an age-old dream of man: to leave our planet as a «normal person» and travel into outer space. For 20 more
In his most recent work, Christian Frei turns to an age-old dream of man: to leave our planet as a «normal person» and travel into outer space. For 20 million dollars, the American Anousheh Ansari was able to fulfil this childhood dream. This documentary follows her journey into space and shows everyday life as it is on the International Space Station. close
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his more
Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health. close
Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux more
Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen. close
Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution.
Filmed clandestinely in Czechoslovakia on 16mm. It's one of the films Godard made with the Groupe Dziga Vertov - a Marxist film about the political situation after the '68 revolution. close
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological more
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981. close
An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of more
An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people. close
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was more
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was secured by lashing the camera to the after bridge of the Kaiserine Maria Theresa, of the North German Lloyd Line, during one of its roughest voyages. The most wonderful storm picture ever photographed. Taken at great risk. (Edison Films, 1901) close
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