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Filming of the performance show the Deutsche Wehrmacht (German Army) made during the Reichsparteitag of the NSDAP in Nurnberg 1935. Showing the readiness more
Filming of the performance show the Deutsche Wehrmacht (German Army) made during the Reichsparteitag of the NSDAP in Nurnberg 1935. Showing the readiness and the will of the newly build army. The third documentary directed by Leni Riefenstahl. close
Experimental documentary focusing on a day in the life of city workers, featuring montage sequences and repetition to emphasise the monotony of routine office work.
Experimental documentary focusing on a day in the life of city workers, featuring montage sequences and repetition to emphasise the monotony of routine office work. close
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked more
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide to drive to Paris. Country roads, hills, fences. The posh "chateau" appears again: meticulous garden, fancy interior, odd sculptures. And at home? "No one, NO ONE." For the next two days, masked figures play dice, frolic by the pool, perform exercises with a ball. Two new figures arrive. Masked. They search and find the dice. They dance. Mannequin hands hold a pair of dice. close
Lot in Sodom is a sensual depiction of the Sodom and Gomorrah story filled with sinewy and semi-clad bodies, delirious bacchanals devoted to physical more
Lot in Sodom is a sensual depiction of the Sodom and Gomorrah story filled with sinewy and semi-clad bodies, delirious bacchanals devoted to physical pleasure, and a searing, cataclysmic finale depicting the fall of a city devoted to sins of the flesh. close
Milton, a disappointed romantic, has sworn off women. He gives a lift to a female hitchhiker, whom he happily discovers is also a hurt soul and has sworn more
Milton, a disappointed romantic, has sworn off women. He gives a lift to a female hitchhiker, whom he happily discovers is also a hurt soul and has sworn off men. Their trip together runs into interference from an aggressive driver who later reappears after the two have set up camp. He starts putting the moves on the woman, but when Milton's ex-girlfriend shows up, she gets into a fight with the interloper and gives Milton and his new pal the chance to slip away. close
Naval recruit Elmer is seemingly unable to discharge any of his duties without making life miserable for his irascible commanding officer, who winds up more
Naval recruit Elmer is seemingly unable to discharge any of his duties without making life miserable for his irascible commanding officer, who winds up getting doused with paint, splattered with muck, and repeatedly tossed into the water due to Elmer's ineptitude. To make matters worse, Elmer takes a shine to the CO's girlfriend, which prompts her jealous boyfriend into several wrathful chases after Elmer. He eventually has Elmer locked in the brig -- but his girlfriend is in there too, so she can be together with her beloved Elmer. close
In 1927, motivated by a longing for freedom, Fischinger set off on a walking trip from Munich to Berlin. Covering the distance in nearly four weeks, he more
In 1927, motivated by a longing for freedom, Fischinger set off on a walking trip from Munich to Berlin. Covering the distance in nearly four weeks, he captured the country’s hidden beauty. His voyage serves as a symbolical transition and underlines a belief that people are the same everywhere. close
In 'Spirals' Oskar Fischinger designed visual patterns of extreme complexity which often develop in overlapping cycles, yet he interrupts these patterns more
In 'Spirals' Oskar Fischinger designed visual patterns of extreme complexity which often develop in overlapping cycles, yet he interrupts these patterns with radical editing of single frames of contrasting imagery. 'Spirals' exists as a fragmentary unfinished experimental film. close
Dr. Benchley is addressing the Ladies Club on the subject of the reproductive habits of the polyp, a small aquatic organism. Although he is not able to more
Dr. Benchley is addressing the Ladies Club on the subject of the reproductive habits of the polyp, a small aquatic organism. Although he is not able to display his live specimens, he has prepared a series of pictures of his subjects. He explains that the subject is made more complicated by the fact that polyps are able to change their sex from time to time. Then he presents some of the pictures of his specimens and the experiments that he has done with them. (IMDb) close
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and more
A day at the carnival — sensational tent shows where miracles can be seen for the price of admission, boisterous noise of crowds and barkers, shrill and gaudy circus music, the violence of the street ten-fold. This is the substance of Everything Turns, Richter’s first sound film. At its premier at Baden-Baden Richter got into a fight with two Nazi officials who disliked the film's ‘modernism.’ Yet in 1936 it was awarded first prize for artistic merit by the Nazis, with Richter’s name suppressed from the credits. He had long since left Germany. close
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the more
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony. close
Fish market workers Stan and Ollie are persuaded by a sea captain to shanghai a crew for him at the local bar for a dollar a head. Successful at first, more
Fish market workers Stan and Ollie are persuaded by a sea captain to shanghai a crew for him at the local bar for a dollar a head. Successful at first, the boys end up getting themselves shanghaied, and the crew vow revenge. close
A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges more
A colonial scene in the U.S. An old lady sits astride a bell while a man in blackface, wig, and livery pulls the bell rope. From an upper door emerges an old man, dressed as a dandy, who tips his hat to the woman as he walks down stairs grinning. Others leave the same door and walk down the same stairs: a shabby man, a cop, and, several times, the same dandy. The man in blackface hangs himself; the dandy continues to smile. A bell tolls, a grave beckons. In the dark, the dandy plays the piano. Is he Death? (IMDb) The Hearts of Age is the first film made by Orson Welles. The film is an eight-minute short, which he co-directed with William Vance in 1934. The film stars Welles' first wife, Virginia Nicholson, as well as Welles himself. He made the film while attending the Todd School for Boys, in Woodstock, Illinois, at the age of 19. close
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still more
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique. close
Elmer attempts to elope with his fiancée, but they escape her parents by driving off in a car that's actually owned by a wanted gangster. When they hear more
Elmer attempts to elope with his fiancée, but they escape her parents by driving off in a car that's actually owned by a wanted gangster. When they hear on the radio that the police are looking for them, they dump the car and hide out near a farmhouse. But the farmer's radio also broadcasts the couple's description, so they run away and start hitchhiking, only to be picked up by two policemen. They manage to flee into a railroad yard and hop a train that turns out to be refrigerated. Finally they decide to turn themselves in -- just as they learn that the real crooks have been apprehended. close
Come take an avant-garde walk in the Montparnasse of the late 1920's. This district of Paris, filmed in a most unusual way, shows how dedicated it is more
Come take an avant-garde walk in the Montparnasse of the late 1920's. This district of Paris, filmed in a most unusual way, shows how dedicated it is to art. Visit its art galleries and exhibitions, take a glimpse of famous painter Fujita, of Luis Buñuel eyeing the legs of beautiful Parisian passing the terrace of the café where he sits, of Italian futurists Marinetti, Prampolini and Russolo. close
H₂O (1929) is a short silent film by photographer Ralph Steiner. It is a cinematic tone poem showing water in its many forms - concentrating on patterns of movement, shading and texture.
H₂O (1929) is a short silent film by photographer Ralph Steiner. It is a cinematic tone poem showing water in its many forms - concentrating on patterns of movement, shading and texture. close
Moe discovers Curley's unknown boxing talent when he knocks out the Champ at a restaurant when Larry plays "Pop Goes the Weasal" on the violin. Moe becomes more
Moe discovers Curley's unknown boxing talent when he knocks out the Champ at a restaurant when Larry plays "Pop Goes the Weasal" on the violin. Moe becomes Curly's manager, and they win every fight, with the help of Larry. At the championship game, though, Larry's violin breaks. Curly is getting beat down bad when Larry makes his unexpected entrance and helps Curly prevail. close
Oliver is making plans to marry his sweetheart Dulcy with Stan as his best man, but the plans are thwarted when Dulcy's father sees a picture of Ollie more
Oliver is making plans to marry his sweetheart Dulcy with Stan as his best man, but the plans are thwarted when Dulcy's father sees a picture of Ollie and forbids the marriage. The couple plan to elope, and run away to a Justice of the Peace. After typical Laurel and Hardy blundering, they manage to sneak the girl away from her father's house. close
Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears more
Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears spin. Shafts turn some mechanism that is out of sight. Screws revolve and move other gears; a bit rotates. More subtle mechanisms move other mechanical parts for unknown purposes. Weights rise and fall. The movements, underscored by sound, are rhythmic. Circles, squares, rods, and teeth are in constant and sometimes asymmetrical motion. These human-made mechanical bits seem benign and reassuring. close
Stan and Ollie travel to the mountains for Ollie's health, and park their caravan near a well into which a gang of moonshiners have earlier dumped their more
Stan and Ollie travel to the mountains for Ollie's health, and park their caravan near a well into which a gang of moonshiners have earlier dumped their moonshine; and the boys proceed to quench their thirst thinking that it is iron-rich mountain water. The real trouble doesn't begin, though, until a married motoring couple stop by to borrow some gasoline, and the already-cranky husband leaves his thirsty wife with the boys while he goes off to refill his car's empty gas-tank. A sequel was made to this film: TIT FOR TAT, q.v. close
After a lengthy period of watching the dancers at the Folies Bergères, a fireman stops in for a drink. As he becomes intoxicated, his thoughts return more
After a lengthy period of watching the dancers at the Folies Bergères, a fireman stops in for a drink. As he becomes intoxicated, his thoughts return to the dancers, and he begins to see images of nude dancers all around him. Whether he goes into the subway, rides on a streetcar, or returns to the fire station, he continues to see the same imaginary sights. close
