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The stooges are working in a radio station where a pretty girl has just made a recording of "Voices of Spring" under an assumed name. She wants to hide more
The stooges are working in a radio station where a pretty girl has just made a recording of "Voices of Spring" under an assumed name. She wants to hide her singing career from her disapproving society parents while auditioning for Mrs. Bixby's "Krispy Krunchy" radio program. After a run-in with a pompous violinist, the boys find the record and Curly starts mimicking to it, dressed as a women. Mrs. Bixby witnesses their performance and is impressed enough to hire "Senorita Cucaracha" (Curly) and Senors "Mucho" and "Gusto" (Moe and Larry) for her radio program. The boys show up in their disguises to "sing" at a Mrs. Bixby's party but run into trouble when Moe smashes the record over Curly's head. The real singer tries to help by singing from behind a curtain while Curly mimics, but she is discovered and the stooges exit to a hail of phonograph records. close
Al Jolson's first sound film. Dressed in overalls and wearing black-face makeup, he sings three of his hit songs: "When the Red, Red, Robin Comes Bob, more
Al Jolson's first sound film. Dressed in overalls and wearing black-face makeup, he sings three of his hit songs: "When the Red, Red, Robin Comes Bob, Bob, Bobbin' Along ", "April Showers", and "Rock-a-Bye Your Baby with a Dixie Melody ". close
A Vitaphone Varieties short. Features costumed children in a cavern-like land of make-believe where they sing and tap-dance. Marjorie Kane sings an introductory more
A Vitaphone Varieties short. Features costumed children in a cavern-like land of make-believe where they sing and tap-dance. Marjorie Kane sings an introductory song. A very young Judy Garland, in one of her earliest surviving film appearances, performs the song "The Land of Let's Pretend" as part of the vaudeville act "The Gumm Sisters". close
Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in more
Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of "Shake." Redding's performance also includes "Respect" (which he wrote), "I've Been Loving You Too Long," "Satisfaction," and "Try a Little Tenderness." Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie. close
An inept barber maintains his good-humored optimism in his small town shop despite having a hen-pecking harridan for a wife and a total lack of sartorial skill.
An inept barber maintains his good-humored optimism in his small town shop despite having a hen-pecking harridan for a wife and a total lack of sartorial skill. close
A rising nineteen-year-old singer by the name of Billie Holiday made her screen debut in this musical landmark, which features Duke Ellington and his more
A rising nineteen-year-old singer by the name of Billie Holiday made her screen debut in this musical landmark, which features Duke Ellington and his orchestra performing his symphonic jazz piece “A Rhapsody of Negro Life” set to scenes of everyday African American life. close
La Fiesta de Santa Barbara is a 1935 American comedy short film directed by Louis Lewyn. It was nominated for an Academy Award at the 9th Academy Awards more
La Fiesta de Santa Barbara is a 1935 American comedy short film directed by Louis Lewyn. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Color). It features a young, pre-stardom 13-year-old Judy Garland singing "La Cucaracha" with her two sisters (billed as "The Garland Sisters"). In the film, Hollywood stars participate in a Mexican-themed revue and festival in Santa Barbara. Andy Devine, the "World's Greatest Matador," engages in a bullfight with a dubious bovine supplied by Buster Keaton, and musical numbers are provided by Joe Morrison and The Garland Sisters. Comedy bits and dance numbers are also featured. close
R. Kelly wakes up in a married woman’s bed, and the husband is on his way home, and they get caught, but the husband has secrets of his own, and it all more
R. Kelly wakes up in a married woman’s bed, and the husband is on his way home, and they get caught, but the husband has secrets of his own, and it all kind of explodes from there, with more characters being introduced, and everyone is sleeping with everyone, and there are a billion secrets and twists and cliffhangers, and also it’s a musical where R. Kelly voices every character. close
The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" more
The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends. close
In this mockumentary short, we revisit David Brent ten years after the events of “The Office” and find him helping young rapper Dom Johnson record his more
In this mockumentary short, we revisit David Brent ten years after the events of “The Office” and find him helping young rapper Dom Johnson record his demo. But can Brent resist a chance to steal the limelight? close
Filmed in Chicago & finished in 1959, The Cry of Jazz is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music more
Filmed in Chicago & finished in 1959, The Cry of Jazz is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music and race - a forecast of what he called "the death of jazz." A landmark moment in black film, foreseeing the civil unrest of subsequent decades, it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in Windy City nightclubs, all shot in glorious black & white. close
