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Directed by Étienne-Jules Marey, a French scientist, this is believed to be the first cat ever filmed in cinematic history. Jules Marey created the chronophotographic more
Directed by Étienne-Jules Marey, a French scientist, this is believed to be the first cat ever filmed in cinematic history. Jules Marey created the chronophotographic gun in 1882, a device which looked like a short barrelled shotgun with a magazine on top. It was capable of taking twelve consecutive frames a second. He used this to study various animals, the most famous study in what was called Marey’s ‘animated zoo’, was the one involving a cat which was dropped from a height of a few feet in order to see if it always landed on its feet. close
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic more
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather. close
Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what more
Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what is believed to be the Native Americans first appearance before a motion picture camera 'Buffalo Dance' features genuine members of the Sioux Tribe dressed in full war paint and costume! The dancers are believed to be veteran members of Buffalo Bill's Wild West Show. Filmed again at the Black Maria studios by both Dickson and Heise the 'Buffalo Dance' warriors were named as Hair Coat, Parts His Hair and Last Horse. Its quite strange seeing these movies at first they all stand around waiting to begin and as they start some of the dancers look at the camera in an almost sad way at having lost their way of life. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
A stationary camera, looking diagonally across a racetrack toward the infield, records the horses as they race past. Once they are out of view and the more
A stationary camera, looking diagonally across a racetrack toward the infield, records the horses as they race past. Once they are out of view and the race is over, police officers run onto the infield. The crowd moves around. close
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. more
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890. close
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of more
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color. close
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed more
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB) close
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black more
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end. close
“Interior of Barber Shop. Man comes in, takes off his coat; sits down, smokes; is handed a paper by attendant, who points out a joke; both laugh. Meantime more
“Interior of Barber Shop. Man comes in, takes off his coat; sits down, smokes; is handed a paper by attendant, who points out a joke; both laugh. Meantime the man in the chair is shaved and has his hair cut. Very funny.” (Edison's Latest Wonders, 1894) close
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