In this movie, dancer Ella Lola performs a Turkish variation of a "Danse Du Ventre", the oriental belly dance. In her dance she shakes, twists and turns more
In this movie, dancer Ella Lola performs a Turkish variation of a "Danse Du Ventre", the oriental belly dance. In her dance she shakes, twists and turns around in a very energetic dance. The elements of Turkish folklore can be felt despite the lack of sound as the differences from this and other belly dances are very notorious when her traditional Turkish dress swings in a marvellous way as she dances. Unlike other films about exotic dances, Lola's movies (the other was "Ella Lola, a la Trilby") were of a less erotic nature and more focused on the realistic representation of the dance. A professional dancer since a very young age, Lola's dancing is very graceful and showcases an enormous control over her body. close
Two prostitutes, Barbara and Jill, and their friend, Tony, escape a zombie attack in a 1971 Cadillac; but, unfortunately, Tony has been bitten and it more
Two prostitutes, Barbara and Jill, and their friend, Tony, escape a zombie attack in a 1971 Cadillac; but, unfortunately, Tony has been bitten and it is just a matter of time he turns into a zombie and chaos unleashes around. close
Loosely related to the author's highly regarded novel The Stand, the brief story follows one evening on a place called Anson Beach, New Hampshire, with more
Loosely related to the author's highly regarded novel The Stand, the brief story follows one evening on a place called Anson Beach, New Hampshire, with a group of teens, survivors of a catastrophic virus called A6, or "Captain Trips", that has wiped out virtually the entire population. close
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some more
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside. close
Physics lecturer Steven Chesterman finally realizes his long cherished dream of perfecting a teleportation device and rushes home to tell his wife, Alice. more
Physics lecturer Steven Chesterman finally realizes his long cherished dream of perfecting a teleportation device and rushes home to tell his wife, Alice. But she has news of her own - she's a male alien disguised as a human female. Then Elizabeth arrives, another alien who is to escort Alice back to the planet Nulark. close
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead more
Marguerite is seated in front of the fireplace, Faust standing by her side. Mephistopheles enters and offers his sword to Faust, commanding him to behead the fair Marguerite. Faust refuses, whereupon Mephistopheles draws the sword across the throat of the lady and she suddenly disappears and Faust is seated in her place. close
At the age of 13 Joris Ivens was fond of Cowboys and Indians stories, so he decided to invent one himself. He made a script and used a camera from his more
At the age of 13 Joris Ivens was fond of Cowboys and Indians stories, so he decided to invent one himself. He made a script and used a camera from his father's shop. This became his first film, Wigwam, with his own family as cast. Black Eagle, a bad Indian, kidnaps the daughter of a farmer's family. Flaming Arrow, played by the young director, saves the child from the kidnapper and brings her back to her family. No better conclusion than smoking a peace pipe. close
Princess Ali, of Barnum and Bailey's circus, performs an Egyptian dance in the Edison Company's studio. As she dances, some musicians perform in the background to provide accompaniment.
Princess Ali, of Barnum and Bailey's circus, performs an Egyptian dance in the Edison Company's studio. As she dances, some musicians perform in the background to provide accompaniment. close
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as more
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt? close
A scene from Charles Hoyt's 'A Milk White Flag': A brass band marches out, led by bandmaster Steele Ayers. When Ayers reaches his position, he turns around more
A scene from Charles Hoyt's 'A Milk White Flag': A brass band marches out, led by bandmaster Steele Ayers. When Ayers reaches his position, he turns around and directs the musicians as they take up their own positions. close
Rip van Winkle and the four dwarfs are in the woods when Rip falls to the ground. Rip rises in a last-ditch attempt to get help from them, but the dwarves more
Rip van Winkle and the four dwarfs are in the woods when Rip falls to the ground. Rip rises in a last-ditch attempt to get help from them, but the dwarves disappear from view. Rip is falling asleep. close
A young woman wanders through Paris spending most of her time eating all the junk she can: in a fast-food, out of a tin can and so on. She steals some more
A young woman wanders through Paris spending most of her time eating all the junk she can: in a fast-food, out of a tin can and so on. She steals some more food in a supermarket, meets a friend who gently carresses her belly in the street, then goes back home where she makes herself vomit in the toilets. She is then ready for the family dinner. close
This picture was taken at one of the curves on the Lehigh Valley Railroad, along the beautiful Susquehanna River. The train is seen rapidly approaching more
This picture was taken at one of the curves on the Lehigh Valley Railroad, along the beautiful Susquehanna River. The train is seen rapidly approaching in the distance, clearly outlined against the grey mountains. Smoke can be seen pouring in volumes from the stack of the locomotive, and as the train approaches closely, she sounds a whistle, warning some section men, who are working on the tracks in the foreground. As she rushes by the camera, the swing motion of the train gives a vivid idea of the lightning speed at which she is traveling. (Edison film catalog) close
Four children play hide and seek in an old house and they soon encounter the house's monstrous owner. For one of them, however, the day is about to get a whole lot worse.
Four children play hide and seek in an old house and they soon encounter the house's monstrous owner. For one of them, however, the day is about to get a whole lot worse. close
Along the seashore near San Francisco, a boat belonging to the Pacific Coast Life Saving Service can just be seen as it returns to shore. Several men more
Along the seashore near San Francisco, a boat belonging to the Pacific Coast Life Saving Service can just be seen as it returns to shore. Several men are at the oars. As the boat approaches land, it must make its way through rough waves and surging water. close
During the Alaska gold rush, one way to reach the Klondike was over the Chilkoot Pass. A stationary camera is placed to see a ways down the curving trail. more
During the Alaska gold rush, one way to reach the Klondike was over the Chilkoot Pass. A stationary camera is placed to see a ways down the curving trail. A pack train comes into view and passes in front of us, led by a man on horseback. Eight loaded mules follow, then another cowboy on horseback and a man walking, then eight more laden mules, another cowboy, then nine more mules, a cowboy, and still the pack train stretches as far as the eye can see. A solitary man watches from atop a hillock. (IMDb) close
A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks more
A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks the rod under his seat and picks up his bottle to take a swig. Behind him creeps a joker who removes the large flagstone that's holding the fisherman's plank in place (IMDb) close
This short film is made by 'We Are Equals' to celebrate International Women's Day. James Bond video for international women's day shows 007's feminine more
This short film is made by 'We Are Equals' to celebrate International Women's Day. James Bond video for international women's day shows 007's feminine side. Daniel Craig and Dame Judi Dench team up for two-minute film highlighting the need for gender equality. 007 star Daniel Craig undergo a dramatic makeover as he puts himself, quite literally, in a woman's shoes. close
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. more
Du Paty de Clam requests Captain Dreyfus to write as he dictates for the purpose of ascertaining whether his handwriting conforms to that of the Bordereau. He notices the nervousness of Dreyfus, and accuses him of being the author of the Bordereau. Paty de Clam offers Dreyfus a revolver, with advice to commit suicide. The revolver is scornfully rejected, Dreyfus stating that he had no need for such cowardly methods, proclaiming his innocence. His arrest is immediately ordered by M. Cochefort. close
The two inventors of the Bioskop, a sort of magic lantern that projected images so fast as to give the illusion of movement, bow to the camera at both more
The two inventors of the Bioskop, a sort of magic lantern that projected images so fast as to give the illusion of movement, bow to the camera at both sides of an empty screen. The scene was shown in continuity, at the end of the session, as if the producers and directors of the session were beading the public a farewell. close
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