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University of California Berkeley professor Daniel Fletcher built a portable microscope which attaches to the Nokia N8 phone, for medical purposes. Nokia more
University of California Berkeley professor Daniel Fletcher built a portable microscope which attaches to the Nokia N8 phone, for medical purposes. Nokia asked Aardman Animations to utilise both the microscope and the phone to create a short.[2] The entire film is shot using a Nokia N8. close
Color footage of inventor George Washington Carver at Tuskegee University in Alabama. Dr. Carver is filmed at his apartment, office, laboratory, and garden.
Color footage of inventor George Washington Carver at Tuskegee University in Alabama. Dr. Carver is filmed at his apartment, office, laboratory, and garden. close
Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket more
Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in. close
It is the only known surviving film footage from the 1908 Rodman Wanamaker-sponsored expedition to record American Indian life in the west, filmed and more
It is the only known surviving film footage from the 1908 Rodman Wanamaker-sponsored expedition to record American Indian life in the west, filmed and produced both for an educational screening at Wanamaker’s department store in Philadelphia and to document what Wanamaker and photographer Joseph K. Dixon considered a “vanishing race.” Dixon and his son Roland shot motion picture film as well as thousands of photographs (most of the photographs are archived at Indiana University). This film captures life on Crow Agency, Crow Fair and a recreation of the Battle of Little Big Horn featuring four of Custer’s Crow scouts. close
A series of sketches with a shoe clerk, his wife, and his extra-curricular activities. The shoe clerk steps out on his wife with one of his customers. more
A series of sketches with a shoe clerk, his wife, and his extra-curricular activities. The shoe clerk steps out on his wife with one of his customers. Both his wife and the woman's husband catch them when they go to the beach and later watch a beauty and fashion contest. His wife enters it wearing a mask. Back at work on Monday, all has returned to normal, until the winner of the contest shows up for her prize - a complete wardrobe... close
UCLA's Ethno-Communications Program's first collective student film had intended to capture the East Los Angeles Chicano Moratorium Against the War in more
UCLA's Ethno-Communications Program's first collective student film had intended to capture the East Los Angeles Chicano Moratorium Against the War in Vietnam, Aug. 29, 1970, but the film turns into a requiem for slain journalist and movement icon, Ruben Salazar. The film shows footage of the march, the brutal police response and resulting chaos interspersed with scenes from the rather callous and superficial inquest. Filmmakers attached to the project have confirmed that the original elements for the film disappeared over 40 years ago. close
Prince Charles of Denmark, who was recently elected by a plebiscite of the Norwegian people as King of Norway, and whose election has been confirmed by more
Prince Charles of Denmark, who was recently elected by a plebiscite of the Norwegian people as King of Norway, and whose election has been confirmed by the Storthing, has decided to assume the title of King Haakon the Seventh. close
Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when more
Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history. close
In "The Lead Shoes", we can neither thrust in our eyes nor our ears to help us understand how time flows or how space is. Therefore, Peterson forces us more
In "The Lead Shoes", we can neither thrust in our eyes nor our ears to help us understand how time flows or how space is. Therefore, Peterson forces us to take both space and time as relative experiences. The consistent disorientation in the film and our consistent inability to perceive them in absolute terms become the main subject of the film. Peterson makes us aware that space and time are more complicated than we think they are and they should be experienced in a more open-minded way. —Yoel Meranda close
A family faces the last night of its eldest member, showing their different ways of dealing with a life's ending. In a surprising manner, overcoming fear more
A family faces the last night of its eldest member, showing their different ways of dealing with a life's ending. In a surprising manner, overcoming fear and taboo, one of them will guide the passing. close
“A comic subject, clear, bright and characteristic. Shows four girls in their night dresses, engaged in an animated pillow fight. During the action the more
“A comic subject, clear, bright and characteristic. Shows four girls in their night dresses, engaged in an animated pillow fight. During the action the pillows become torn, and the feathers fly over their heads and about the room in great numbers, producing with the white dresses and the black background a novel effect. Sharp, full of action, and popular in character.” (Edison Catalog) close
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are more
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males. close
An ode to film preservation, it presents a night-time visit to a seemingly depopulated repository (presumably the Royal Film Archive of Belgium), juxtaposing more
An ode to film preservation, it presents a night-time visit to a seemingly depopulated repository (presumably the Royal Film Archive of Belgium), juxtaposing a series of images of observation, reconstruction, and projection using film fragments - from the hand-painted, altered image frames of Georges Méliès' Kingdom of the Fairies to the iconic image of Louise Brooks - to turn the archive into a temporal wonderland of novel discoveries, hidden treasure, re-awakened curiosity, and critical re-assessment. close
Mother in law gets a new set of dentures. Despite being initially happy, the family soon discovers the teeth have a life of their own and jump from their more
Mother in law gets a new set of dentures. Despite being initially happy, the family soon discovers the teeth have a life of their own and jump from their owner's mouth and bite everyone who comes near--from ladies to gentlemen to policemen. close
Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Volker Koepp came into the town in 1974 to interview more
Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Volker Koepp came into the town in 1974 to interview women and girls about their work in the textile industry, their spare-time occupations, about their thoughts and feelings. close
Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. more
Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. The pictures, made by observant tourists, are revealed, in their tensile relationship to the soundtrack, as a post-colonial journey. A journey through exactly those countries which long ago have been shrunk together in space and time. Finally the wonderful neon signs of the “Hotel Edison” and “Radio City” remind one of the origins of this form of appropriation of the world, of the time of great expeditions, of Benjamin‘s shop-windows and passages, and of the time when technical apparatus and means of transportation fundamentally altered the perceptions of modern man. close