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This early cinematic instance of a close-up—or, more accurately, a medium close-up shot of the chest and face of the maker of this film and others like more
This early cinematic instance of a close-up—or, more accurately, a medium close-up shot of the chest and face of the maker of this film and others like it, Georges Demenÿ saying “Je vous aime”—was made at the request of Hector Marichelle, professor and director of the National Deaf-Mute Institute in France, who planned to use filmed speech to teach deaf students to speak and lip read. This required close views of the performer's lip movements. The project was given to Demenÿ by Étienne-Jules Marey, who headed the Station Physiologique in Paris and whose chronophotographic scientific research of motion is among the most important contributions to the invention of movies. Despite these educational and scientific beginnings, however, this project led Demenÿ to pursue and influence the commercialism of cinema. close
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a farrier prepares a horse's hoof to receive a new shoe.
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a farrier prepares a horse's hoof to receive a new shoe. close
A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. more
A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient. close
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed more
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB) close
A man and a woman, observed by others, are playing a game of Tric-trac, a French variant of Backgammon. During the course of the game, the man gets caught more
A man and a woman, observed by others, are playing a game of Tric-trac, a French variant of Backgammon. During the course of the game, the man gets caught red-handed, which results in him closing the game board. close
On 1 November 1895, the brothers Max and Emil Skladanowsky presented their pioneer film work and legendary Bioscop program in Berlin′s Wintergarten Theater. more
On 1 November 1895, the brothers Max and Emil Skladanowsky presented their pioneer film work and legendary Bioscop program in Berlin′s Wintergarten Theater. With live musical accompaniment, the compilation program included short film sequences with famous artists of the time: Italienischer Bauerntanz, Komisches Reck, Der Jongleur, Das boxende Känguruh, Kamarinskaja, Die Serpentintänzerin, Akrobatisches Potpourri, Ringkampf, and Apotheose, with the Skladanowsky brothers bowing to their audience. close
The two inventors of the Bioskop, a sort of magic lantern that projected images so fast as to give the illusion of movement, bow to the camera at both more
The two inventors of the Bioskop, a sort of magic lantern that projected images so fast as to give the illusion of movement, bow to the camera at both sides of an empty screen. The scene was shown in continuity, at the end of the session, as if the producers and directors of the session were beading the public a farewell. close