A series of the lowest quality, about which no one can remember anything but beautiful eyes Guseva and meaningless scene goodbye. It is impossible to understand how this porridge, wretched even by its times, was able to find such popular love.
- In the 5-episode film, which is called “Guest from the Future” and which is not known for the plot or concept, but is based only on the image of the eye-eyed Alice, Alice herself does not appear in the series. Instead, the main character is a burrow-eared boy with obvious signs of debility.
- To move the boy in time, the authors chose not some specific of the parodies for special effects that existed at that time, but everything at once, giving out lysergine porridge in disco colors on the screen.
- Arlequino Werther is the hero of a funny joke. It's got one name from the robot. Works as a janitor – does the tech community need an android for this job? A mutilated harlequin with inhibited reactions, suppressed motor skills, nevertheless having emotions and being in constant depression, he simply cannot be a robot and is a cyborg cripple, a soldier of some nuclear war, exiled to the most social bottom.
- The entire content of the first series is an exhibition that could fit in 5 minutes, and takes an hour. Communication with unnecessary disposable characters and a completely poor image of the technology of the future. To show the capsule’s take-off, the camera once simply ducked into the grass.
- As soon as the boy entered the post office, the villains immediately appeared. By sheer coincidence. It could have been that the boy had let them out by mistake. But no.
- In the future, everyone became affable, friendly, naive fools. Any information without hesitation is blurted out to the first person he meets, in particular, the father tells someone unknown how to find his daughter, alone working with the experimental device.
- Absolutely any mechanism, including doors, make absolutely incredible gurgling sulking sounds. Such sounds are accompanied by transformations and even consumption of kefir.
- Almost all the music is exactly the same as in Prostokvashino and Yeralash. And she plays every 3 minutes.
- The authors wanted to show the space zoo. I wanted to, but I couldn't, so the entire zoo is represented by a goat and a rubber crocodile.
- At the end of the second series, multiple car crashes are depicted without the cars touching each other. Yes, time was not about smashing cars, the budget is small. Well, don't do that scene then.
- At the beginning of Episode 3, the doctor began to tell the story, and only the viewer became interested in how he simply interrupted it. Then he starts talking again to interrupt again.
- An alien tries to impersonate Alice's father and pick her up from the hospital. He can change his face and see what his father looks like. So why is he relying on her amnesia and not accepting that appearance?
- The doctor enters the room, sees some man there, as well as his copy, and, without reacting to them, sits on a chair and poisons the story. After a few seconds, he didn’t know anyone was in the room. And it was possible to push the explanation that the Aliens hypnotized him with something. Not again. Just such a retarded doctor.
- The girls escaped from the hospital, as Alice urgently needs to escape from pirates. And when they ran away, they immediately reported back to the hospital where Alice is. And this despite the fact that Alice already knows that on her trail there is a pirate who can change the appearance. What was the point of running away?
- My grandmother sent two girls to bathe together. Actually, I know it's common for chicks to walk naked in front of each other, sleep together, etc., but I never got it in my head. Could you at least send them to the bathroom one at a time?
- In the film, so much timekeeping is given to kefir, kefir bottles, drinking kefir, talking about kefir, that it looks like a completely rabid advertisement. Even the way in the movie "I'm a robot" 20 minutes poking the viewer in the nose sneakers does not look so intrusive and pointless. But at least they were sold there, the money involved, and why kefir?
- Alice doesn't need to burn herself, she went to school just to find the device. And on the very first day, in the very first lesson, she talks about her language abilities, soon jumps almost like an Olympic champion. Is that to pretend to be pirates? Because that's what happens naturally.
- Why do pirates always return to the images received from postmen? They can turn into anyone, and that's exactly what they're doing, and they barely use that ability. Turning into a dog to scare another dog is always welcome.
- Like any McGuffin, the myelophon in the film is present only as a plot engine: everyone needs it, everyone is after it. But to use it as if no one is going to, it was used only once. “My dear, these pants are not worn. They are sold”.
- The children found out where the hostages were. After that, they had to report to the cops, with no details about the aliens of course. They could not stop two armed adult werewolves. Interestingly, that’s what the last scenes show.
- Alice tells the children in the class that almost all of them (except the loch boy, the most affected) will become outstanding personalities in the future, whose fame extends beyond the Earth. Is this, by pure chance, a class of geniuses? Or did she just lie to them? Of course, the second, because she went into the past, not preparing, not collecting information and not knowing anything about the composition of the class. She didn't even know what Kohli was like.
To sum up the list of all these stupidities remains that the whole situation was decided by an agent from the future, who took no part in the story. This technique is called the “god of the machine” and has been a recognized standard of scripted tastelessness for centuries. Its appearance makes no sense at all of the chain of events that occurred, it would also neutralize the bandits if the children did nothing at all. She knew exactly when to appear, what weapons to use to complete the task immediately, and without her, even the door to the future would not have opened. That is, this is a five-part film with an unnecessary plot, which is easily put out of brackets. All the events could look like this: pirates steal the device, Alice reports that she was robbed, an agent is sent back for a day and prevents the crime - and that's it! The purpose of the script was to justify the need for a group of schoolchildren to participate, to give them some meaning in the events that occurred, and to do so they had to somehow defeat the pirates themselves, instead they became simply helpless witnesses who did nothing.
I found exactly two advantages for myself. The behavior of the schoolboys is plausibly shown, they communicate and interact better than would be shown in any other series. And the grim analysis of the situation from the fat kid, sounding from time to time, is the most intelligent and pragmatic that is in the film.
In the rest, this is a labuda, which we loved exclusively for fishlessness and in the literal sense - for beautiful eyes. Compare the films that came out in 1984 or later:
Star Wars – 1977, 1980, 1983
Star Trek - 1979, 1982, 1984
Alien - 1979, 1986
Something - 1982
E. T. - 1982
Tron - 1982
Blade Runner - 1982
Terminator - 1984
Ghostbusters - 1984
Gremlins - 1984
Dune - 1984
The Man from the Star (1984)
Infinite History 1984
Back to the Future – 1985
And instead of all this, we had a talking asshole, a brake Werther with his Ha! Ha! Ha! and catching up with helpless schoolchildren.