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The Sky Over Berlin, 1987
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7.92 54755 10
IMDb7.9 

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The Sky Over Berlin

Der Himmel über Berlin
1987 16+ 2 hours 10 min.
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There are angels on the streets of Berlin.
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds -- with some words of wisdom from actor Peter Falk -- that it might be possible for him to take human form.
cannes
cannes
Cannes Film Festival
1987
Best director
Wim Wenders
efa
efa
European Film Academy
1988
Best director
Wim Wenders
Best supporting actor
Curt Bois
About movie show more Hide
Countries:  Germany (FRG) France
Genres:  Fantasy Drama Romance Arthouse
Properties:
complex slow dramatic sentimental kind ambiguous
Director:  Wim Wenders
Rating:  1000 Greatest Movies #213
additional information Show Hide
Writers:  Wim Wenders Peter Handke Richard Reitinger Bernard Eisenschitz
Producers:  Anatole Dauman Wim Wenders Pascale Dauman Joachim von Mengershausen
Camerman:  Henri Alekan
Music:  Jurgen Knieper
Studios:  WDR Argos Films Road Movies Wim Wenders Stiftung
Premiere: 17 May 1987
In russia: 02 February 2023
Competitions: British Film Academy
British Film Academy
1989
NOMINATIONS
Best foreign language film
Cesar
Cesar
1988
NOMINATIONS
Best foreign language film
Cannes Film Festival
Cannes Film Festival
1987
Best director
Wim Wenders
NOMINATIONS
Palm d'or
European Film Academy
European Film Academy
1988
Best director
Wim Wenders
Best supporting actor
Curt Bois
NOMINATIONS
Best movie
Best cinematography
Henri Alekan
Collections:  Foreign cinema
Cinema art
Tags:  angel Berlin sky Berlin Wall circus love immortality film making writer Berlin Germany angel on earth stewardess flight Germany Actor musician poet gothic Female nudity heaven suicide old man memory concert American 1980s falling in love friendship Americans Abroad Europe prostitute philosophy internal monologue child depression war diary after death black and white bible film set temptation hat Cannes Film Festival 1987 European Film Academy Award 1988 Cigarette eavesdropping existentialism mirror monument metro poster mortality stone post-punk blood roof coffee library drawing armor plane dream dream west Germany rock concert cult film Smoking cigarettes air gymnast Voiceover kicked in the butt Boeing 737 craving rock club car salesman rock musician Actor playing himself Naked woman (back view) surrealism ambulance New Wave Music Flashback Director's script Episode in a dream Voice-over Aerial photography
Wiki
Cast:  Bruno Ganz Solveig Dommartin Otto Sander Curt Bois Peter Falk Hans Martin Stier Elmar Wilms Sigurd Rachman Beatrice Manowski Lajos Kovacs Lajos Kovács Nick Cave Laurent Petitgand Didier Flamand Jurgen Heinrich Patric Kreuzer Chick Ortega Mick Harvey Teresa Harder Blixa Bargeld Bernard Eisenschitz Thomas Wydler Susanne Vierkötter Irene Moessinger David Crome Rowland S. Howard Otto Kuhnle Christoph Merg Ulrike Schirm Paul Busch Harry Howard Matthias Maaß Olivier Picot Jerry Barrish Margitta Haberland Erika Rabau Werner Schönrock Daniela Nazimcova Bruno Rosaz Scott Kirby Oliver Herder Jochen Gliscinsky Peter Werner Karin Busch Franky Rolf Henke Franck Glemin Jeanette Pollak Christian Bartels Käthe Fürstenwerth Bernd Ramien Silvia Blagojeva Itscherenska Sultan Meral Erich Schupke Margarete Hafner Ralf Strathmann Walter Ratayszak Charlotte Oberberg Lubinka Kostic Gisela Westerboer Paul Busch
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Sequels and prequels
The Sky Over Berlin, 1987
The Sky Over Berlin, 1987
Faraway, So Close!, 1993
Faraway, So Close!, 1993
Remake of 1998 year
City of Angels, 1998
City of Angels, 1998
The entire cinematic universe (3)
Reviews (4) Show Hide
25 November 2021
4
Yeah, well, I had a grade of 9. I don't remember when I did. I did it yesterday. I'll bet 4. I wanted to put "glazanaraspashku" on 2, okay. And her feedback is exactly my thoughts. These efforts of angels to express something on camera with their face. . . And I would also compare the delights (10) of the film with the delights more
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Yeah, well, I had a grade of 9. I don't remember when I did.
I did it yesterday. I'll bet 4. I wanted to put "glazanaraspashku" on 2, okay. And her feedback is exactly my thoughts.
These efforts of angels to express something on camera with their face. . .
And I would also compare the delights (10) of the film with the delights of Malevich’s square and add politics. . .
In the second film, Gorbachev was seen and turned off. I don't know if I'll check. .

close
Viktor
1
15 November 2011
10
"Take a pencil and draw a bold line ..." A then thinner. A it turns out beautiful instead The film resembles a pencil sketch: a black and white graphite rod rustles across the paper, drawing people, the city and the sky. Black and white to the face of this film.

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"Take a pencil and draw a bold line ..." A then thinner. A it turns out beautiful instead


The film resembles a pencil sketch: a black and white graphite rod rustles across the paper, drawing people, the city and the sky. Black and white to the face of this film.

Like music, there's melancholy, and sadness, and post-punk motifs from Nick Cave. But, by the way, the mood when viewing the picture is completely bright.

And the movie is buzzing. It makes people think so different and so similar. It makes some interesting sound, such that after watching the film, the distant hum of water pipes from neighbors seems to be a harmonious continuation to the picture just seen.

The film is unhurried and allows you to enjoy beautiful camera work - soar into the cold fog of clouds or look at the reflection of a person's thoughts on his face, the camera leads, gently, with some respect to the viewer, which is not among the flashing of many modern "passage" paintings that beat colors and sound at attention, instead of showing and helping to see.

While writing this review, I do not forget that all impressions are just a look from my own bell tower, as well as all the sensations, thoughts, moods and conjectures that I managed to take with me after watching.

And in short, essentially without touching the plot, then:

- The film is black white.

- Music for a person unprepared, far from classics, neoclassics, ambient, Gothic and the like can seem “depressive”.

- The film is meditative. It is smooth, does not rush and does not shine with dynamics. Some people may find it boring.

- The picture gives room for imagination and thinking in a positive sense of the word.

- Yes, this picture was shot “City of Angels”, but “G.A.” and “Heaven over Berlin” are different films, though in appearance and similar to the plot. They are very different in the atmosphere.

- And of course, the above atmosphere. It's there, which is important. The movie has a mood.

Therefore, the picture from the so-called section “not for everyone”. Judge for yourself whether it will suit you personally. But if you like unusual and memorable cinema - not banal-ordinary, but also not decadent-shocking, artistic in the manner of its performance, light and a little sad in its content, then do not pass by - you will not regret.

10 out of 10

Original

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Alrus
09 November 2008
8
Like a fallen angel? "When the child was a child ..." and then a lot of philosophical or pseudophilosophical phrases about the meaning of being.

Two angels fly through Berlin, divided by the Berlin Wall and eavesdrop on other people's thoughts, sometimes even give comfort to unhappy people who see everything in color more
close
Like a fallen angel?


"When the child was a child ..." and then a lot of philosophical or pseudophilosophical phrases about the meaning of being.

Two angels fly through Berlin, divided by the Berlin Wall and eavesdrop on other people's thoughts, sometimes even give comfort to unhappy people who see everything in color and are able to touch and generally feel anything but a slight anguish at the meaninglessness of what is happening. They have a sense of existence. Angels probably had it once too, but it was either forgotten or inattentively listened to, and as a result, two real angels with wings and tails of hair have to fly, listen and a little jealous of mortals. One of the angels gives up his sacred status and becomes a man in order to experience feelings, for the love of a mortal, unemployed gymnast, but did he become happier? Love inspires everyone except the angels.

Wenders made a film that fascinates with its stories and inability to distract, despite the fact that the film completely lacks a plot and the film lasts more than 2 hours. But touching a sensitive note, the director fails to bring me to the end in the same state, for when an angel speaks or even hears other people's thoughts made high calm, it looks quite tolerable, but when in this form there is a kind of confession of love from the common man, the brain begins to desperately resist and include Stanislavsky with his famous "do not believe". And behind disbelief in one scene comes the terrible suspicion that the whole film you were led by the nose, the promise of a sequel at the end of the film only fuels this vile thought.

And also explain to me, was it necessary to include in the film as many as two performances of Nick Cave, or here Wenders is just helping a friend in promotion?

Original

close
jakory..
09 November 2008
8
Like a fallen angel? "When the child was a child ..." and then a lot of philosophical or pseudophilosophical phrases about the meaning of being.

Two angels fly through Berlin, divided by the Berlin Wall and eavesdrop on other people's thoughts, sometimes even give comfort to unhappy people who see everything in color more
close
Like a fallen angel?


"When the child was a child ..." and then a lot of philosophical or pseudophilosophical phrases about the meaning of being.

Two angels fly through Berlin, divided by the Berlin Wall and eavesdrop on other people's thoughts, sometimes even give comfort to unhappy people who see everything in color and are able to touch and generally feel anything but a slight anguish at the meaninglessness of what is happening. They have a sense of existence. Angels probably had it once too, but it was either forgotten or inattentively listened to, and as a result, two real angels with wings and tails of hair have to fly, listen and a little jealous of mortals. One of the angels gives up his sacred status and becomes a man in order to experience feelings, for the love of a mortal, unemployed gymnast, but did he become happier? Love inspires everyone except the angels.

Wenders made a film that fascinates with its stories and inability to distract, despite the fact that the film completely lacks a plot and the film lasts more than 2 hours. But touching a sensitive note, the director fails to bring me to the end in the same state, for when an angel speaks or even hears other people's thoughts made high calm, it looks quite tolerable, but when in this form there is a kind of confession of love from the common man, the brain begins to desperately resist and include Stanislavsky with his famous "do not believe". And behind disbelief in one scene comes the terrible suspicion that the whole film you were led by the nose, the promise of a sequel at the end of the film only fuels this vile thought.

And also explain to me, was it necessary to include in the film as many as two performances of Nick Cave, or here Wenders is just helping a friend in promotion?

Original

close
jjy1985
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