On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage more
On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing it’s good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms? close
Serebryakov, a retired professor and his beautiful, much younger second wife, Yeléna, visit their country estate, which funds their urban lifestyle. Vanya, more
Serebryakov, a retired professor and his beautiful, much younger second wife, Yeléna, visit their country estate, which funds their urban lifestyle. Vanya, brother of the Professor's first wife, who manages the farm estate, and the local Doctor Astrov, both fall under Yelena's spell, while complaining of the endless ennui of their provincial existence. Astrov is an experienced physician who performs his job conscientiously, but has lost all idealism and spends much of his time drinking. Sofya, the Professor's daughter by his first wife, who works to keep the estate going with her uncle Vanya, meanwhile suffers from lack of esteem over what she sees as her own lack of beauty, and from an unrequited love for Dr. Astrov. Matters are brought to a head when the Professor announces his intention to sell the estate, Vanya and Sofya's home, to achieve a higher income for himself and his wife. close
Based on the novel of Mikhail Alekseyev "Bread — as a Noun."
About the fate of a Russian woman who endured all the hardships of war and post-war life.
more
Based on the novel of Mikhail Alekseyev "Bread — as a Noun."
About the fate of a Russian woman who endured all the hardships of war and post-war life.
After the war, those few who survived at the front returned to their native village. But Marfa's husband, whom she had been waiting for for so many years, would never return. Marfa, a beautiful and proud woman, remains true to her only love... close
Osip Dymov, the titular counselor and the doctor of thirty one years, serves in two hospitals at the same time: intern and anatomist. From nine o'clock more
Osip Dymov, the titular counselor and the doctor of thirty one years, serves in two hospitals at the same time: intern and anatomist. From nine o'clock in the morning and in the forenoon accepts patients, then goes to open corpses. But its income is hardly enough for a covering of expenses of the wife mad about talents and celebrities in the art and artistic environment whom it daily accepts in the house. close
Raskolnikov, an impoverished ex-law student, kills an old pawnbroker and her sister, perhaps for money, perhaps to prove a theory about being above the more
Raskolnikov, an impoverished ex-law student, kills an old pawnbroker and her sister, perhaps for money, perhaps to prove a theory about being above the law. He comes to police attention through normal procedures (he was the victim's client), but his outbursts make him the prime suspect of the clever Porfiry. Meanwhile, life swirls around Raskolnikov: his mother and sister come to the city followed by two older men seeking his sister's hand; he meets a drunken clerk who is then killed in a traffic accident, and he falls in love with the man's daughter, Sonia, a young prostitute. She urges him to confess, promising to follow him to Siberia. Will he accept responsibility? close