Echoes from the pop behind the scenes of the turn of the 70s and 80s, a film response - with a very soulful name - on the cinemas of another main star. Intersection in those years with the “Time Machine”, according to the then concepts completely underground and nonconformism, which needs shade in the Boyarsky film, is a curious stage in the creative path of Rotaru, wrapped there from the Soviet mainstream, which the audience, in general, did not expect, having met the film coolly at the box office.
The tension of "carnivality" in the film matched the dullness of the time.
The image of Rotaru in the film is heavy, and there is nothing to look at. And 20 years later, it blossomed and transformed, creating a masterpiece with magic. In the composition, it will not be easier for me in the New Year’s Song of the Year ‘2003’ at the Kremlin Palace. A couple of successful verses with choruses, with high-quality arrangement and minimalism on the background: a concert orchestra on the side and a spectacular young electric guitarist. Moving around the stage, gestures with facial expressions, vocals by themselves - everything is perfect. And a suit, a hairstyle with makeup, that's how you look. So what's age? But I'm on fire. On stage, she glowed with happiness. Then make a movie without having to make it into a movie actress. One, the other, would have looked in comparison to her.