Up-and-coming scientist Paul Benedict is betrayed by his mentor, the Baron Regnard, who not only steals discoveries but also his wife Marie. Benedict, more
Up-and-coming scientist Paul Benedict is betrayed by his mentor, the Baron Regnard, who not only steals discoveries but also his wife Marie. Benedict, reeling from his pain, joins a circus sideshow in order to become the most famous clown in France. He becomes infatuated with Consuelo, a showgirl, who has become the recipient of affections by the Baron. close
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". more
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?" close
The daughter of a Daimyo, one forced to commit harakiri to secure her a future to choose her own destiny, falls in love with and marries a European officer. more
The daughter of a Daimyo, one forced to commit harakiri to secure her a future to choose her own destiny, falls in love with and marries a European officer. The officer returns to Europe but promises to come back for her and his new child, but when he comes back to Japan, he brings his European wife. close
Dr. Egil Börne, an eminent physician, comes under the spell of an unscrupulous cabaret dancer and deserts his fiancée. The plot finds echoes throughout more
Dr. Egil Börne, an eminent physician, comes under the spell of an unscrupulous cabaret dancer and deserts his fiancée. The plot finds echoes throughout the Weimar period, including Sternberg’s The Blue Angel. Conrad Veidt appears in a supporting role as a sinister blind painter, whose entrance eerily presages Murnau’s Nosferatu. Der Gang in die Nacht, the earliest surviving film by F. W. Murnau, is also, paradoxically, the only Murnau film for which the original camera negative exists. close