The film ‘Sleep’, which is part of ‘Time and the Other’ (exhibition and book), is a succession of photograms (taken with the help of a camera with a programmed intervalometer), each of them a fragment of actual sleeping time. This sequence repeats itself expanding at each replay and transforming its content as well as the rhythm of its images every time. The bodies in motion of the couple become abstract, blurring the border with reality. ‘Sleep’ is the place of total separation, a unique moment
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