- The snow at the beginning is plain sand shot through blue glass.
- And in order not to bother the whole film, then the authors came up with the idea that it all melted in three days. Or according to some claims of a very warm season, there was no snow at all.
- How did the local HLV agent smell alcohol? In closed bottles, at a distance, on a plane.
- Shooting is inconclusive, in most cases it was simply depicted as a child's game and did not even impose effects.
- Why did the infection of Gummer only make itself felt decades later?
- If his glitches are due to infection, then why was his companion glitzy at the same time? The script was clearly written on the knee, and when the scene was filmed, there was one explanation (like a psychotronic attack) and then it was made another.
- Why do you need antibodies from a live graboid for treatment? Death is a relative concept. When you donate blood, it stays alive for a long time. The antibodies from the Graboid tissue do not know if his heart is beating at the moment.
- The scene with a casting man is not that devoid of meaning, it was still a distraction, but it is shown as disgusting and ridiculous as possible.
- There's a lot of talk about eggs. Who thought that would make a movie? At least not seriously.
- There are very similar recurring scenes. For example, the hero is twice in a hospital bed in the same place, but it does not make much sense. I even suspect that they shot one scene and cut it into two. Well, they were just stuffing time.
- The doctor says there's no chance, but within 30 seconds, he's fully recovered.
- Why in the end does a man abandon the woman he wanted? There is no reason for this, it makes no sense.
- As a connoisseur of the first 3-4 films, I only recognize the original monsters, they were quite unique, the shooters and rocket launchers were even funny, they were part of the concept of the franchise. In the 5th part, we were presented with some demons, and here they were repeated. Yes, they look more dangerous, but they have nothing to do with the Earth Trembling franchise.
In general, this is a film with a fake story. There are nominally people, there is an event, there is some action, but all this does not meet the standards of script art. This is a long time to explain, but in short, there are special techniques how to fall in love with the viewer in the characters, create a connection with them, how to make events not just existing, but emotionally important, how to make the work not just be, but work. Parts of the work should rotate like gears, and between them should cheerfully turn the attention of the viewer, his personal empathy for the work. There's no such thing. For example, in the middle of the movie, a random roboid that I see for the first time sneaks up on a random aunt that I see for the first or second time, and just sticks a tentacle out the window, catches it, eats it, and crawls away, even though she didn’t make any mistakes under the franchise rules. And what is the narrative value? By comparison, in the Alien franchise, we almost always knew a particular alien as a character, saw his birth, his cunning, he killed specific revealed heroes, and those were the points of plot tension. And there's absolutely random events happening here, and that's the whole movie. Of course, you saw something, there were some events, in principle it was not terrible, but it turned out not a real film. It's all random.