Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the
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Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.
Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. more
Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging. close
“I love candied grapes, because it has no taste, camellia, because they have no smell, and rich, because they have no heart,” said Margarita Gauthier, more
“I love candied grapes, because it has no taste, camellia, because they have no smell, and rich, because they have no heart,” said Margarita Gauthier, the heroine of the novel by Alexander Dumas. But once her own heart, dreaming of the same insensibility, failed and Margaret fell in love for the first time and forever, responding to the passionate love of young Armand Duval. This, one of the saddest and sublime love stories in world literature, was repeatedly taken for the basis of dramatic and musical performances. close
Filmed live at London’s Bridge Theatre during its limited run. The Beth, an old fashioned cradle-to-grave hospital serving a town in Yorkshire, is threatened more
Filmed live at London’s Bridge Theatre during its limited run. The Beth, an old fashioned cradle-to-grave hospital serving a town in Yorkshire, is threatened with closure as part of an efficiency drive. A documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward, and the triumphs of the old people’s choir. close
Drums in the Night is a variation of the myth of Odysseus, who returned years later to his Penelope when she was about to get married. Only Andreas Kragler more
Drums in the Night is a variation of the myth of Odysseus, who returned years later to his Penelope when she was about to get married. Only Andreas Kragler did not fight for Troy, and do not understand why somewhere in Africa, was absent for only four years, and Anna is besieged by not a hundred suitors, but only one, and his name is Friedrich Murch.
The director turned Drums into a variation on the theme of the medieval Dance of Death, in which the whole society is involved. A war rumbling in the distance is coming closer to their homes, a revolution is already breaking out in the newspaper quarters, but the dancers do not care. The cheerful space of the cabaret is inhabited by freaks who seem to have just risen from hell. close
Tennessee Williams’ twentieth century masterpiece Cat on a Hot Tin Roof played a strictly limited season in London’s West End in 2017. An alcoholic ex-football more
Tennessee Williams’ twentieth century masterpiece Cat on a Hot Tin Roof played a strictly limited season in London’s West End in 2017. An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son. close