On Tuesday I went to Ice-2 and then fell ill (nothing connected, but a fact). For the first week of rental, despite the early session, people seemed not enough. Well, I, of course, saw the trailer and the first film and knew what I was going to cry in the company of girls, girls, aunts and grandmothers, but I did not expect that there would be a dozen of them for the entire huge hall (retailers reported good fees). Although they sobbed, yes, really, more often and louder than I (apparently, the heart stiffened? steel tempered?). Briefly, the plot gives a trailer - the heroine dies in childbirth (received in the first film back injury still responds), the girl born hero calls her name and does not tell her that her mother was a skater. Well, then the fight begins: against skates, against custody, against a harsh coach who replaced her mother. Towards the end of the film, the theme of betrayal emerges. On the website of the cinema, the film is called a “romantic fairy tale”, and it is difficult to disagree with this. The actors play without tension (I never wanted to call Stanislavsky with a cry of "I don't believe!"), the girl was found successfully - and she can skate, and she is moderately sassy, like "mama" (removed from two years old). Once again laughed at the exact portrait resemblance of Aglaia Tarasova and Maria Aronova. Emil Sasha Petrov, who very carefully nursed the happiness that fell on his head - a baby girl, it really looked very touching, I think he could now seriously think about fatherhood.
Overall, I rate the film 8 out of 10.
- I can’t say that I was happy when I found out that Ice will have a sequel. Why is it necessary if the first film is a complete fairy tale? – Alexander Petrov But when the idea of the sequel was told, I really liked this shocking but very powerful move. Although he is not the most important in our history. The main thing is the story of a young father and his daughter, a father who strives to become a better parent for his child. (C) From an interview
https://kubnews.ru/kultura/2020/02/1